DOCUMENTARY REVIEW: Score: A Film Music Documentary

This writer is an unabashed film music lover. I owned more film score CDs than ones of popular music back in the day and that ratio hasn’t changed with digital media. Hell, I wrote a long-form editorial three years ago proclaiming film music as an improvement of the Mozart Effect for babies and children which led to a playlist afterwards that I still use to this day. I am a mark for what Score: A Film Music Documentary was selling and many of the names and talents featured in the film are found on that personal playlist.

2017, 4 STARS, Chicago Film Festival, DOCUMENTARY REVIEW, Film Festival, MOVIE REVIEW, Video on DemandDon ShanahanJune 15, 2017Music Box Theatre2017, documentary review, Documentary filmmaking, documentary, documentary commentary, Score: A Film Music Documentary, Score, Matt Schrader, Hans Zimmer, Trent Reznor, Atticus Ross, Nine Inch Nails, Danny Elfman, James Horner, Alfred Newman, Bernard Herrmann, Jerry Goldsmith, John Williams, A Streetcar Named Desire, Max Steiner, King Kong, Charlie Chaplin, James Cameron, David Arnold, James Bond theme, James Bond films, Heitor Pereira, Despicable Me 2, Despicable Me, Smurfs, The Smurfs, Marco Beltrami, 3:10 to Yuma, Brian Tyler, Marvel Films, Marvel Cinematic Universe, John Debney, The Passion of the Christ, Leonard Maltin, John Burlingame, Mozart Effect, Ultimate Playlist of Movie Music Lullabies, film music, Film music, film scores, movie scores, Movie music, Chicago Critics Film Festival, 5th Chicago Critics Film Festival, life lessons, life lessons from film, life lessons from documentaries, film review, movie review, film commentary, movie commentary, Every Movie Has a Lesson, Don Shanahan, Donald Shanahan, 2017 Summer MoviesComment

COLUMN: New daily themes for social media pages

For quite some time, I've been meaning to add more momentum and engagement to my presence on Facebook and Twitter. I'm active with posting my reviews and shared fun stories, but that content is more random than formal or thematic. It lacks a guiding regularity. So, as of this new year and new work week, I'm adding daily themes to my posts and threads shared on my Facebook and Twitter pages. I have a blast talking to all of you casually and I would like to do more. Here's the plan:

OSCAR PREDICTIONS 2015: The music and sound categories

It's time to begin making my formal and official Oscar predictions. In this second post, we look at the musical and sound categories that include original score, original song, sound editing, and sound mixing. Let's do this!

EDITORIAL: My picks for the greatest movie scores

Here's my official list of my top 10 movie scores with three unbreakable ties. I can't call them the "greatest," but I'll put my list next to anyone's and defend my choices. My friends and followers kind of poked the bear and encouraged me to make and rank my own list. Well, I love a good challenge and I knew this one would be easy. Movie scores and I get along.

SPECIAL, Editorial, 2014, ColumnDon ShanahanNovember 14, 2014Editorial, The Shawshank Redemption, Jaws, Hans Zimmer, The Lord of the Rings trilogy, Batman, Interstellar, Ennio Morricone, Gladiator, film music, Dr. Zhivago, Star Wars trilogy, Column, Nino Rota, Elmer Bernstein, Star Wars, The Good Bad and the Ugly, Out of Africa, John Barry, James Bond theme, Rudy, James Horner, Howard Shore, The Dark Knight, Up, Legends of the Fall, John Williams, Superman, Movie music, Michael Giacchino, Gone With the Wind, Vertigo, Bill Conti, Danny Elfman, E.T.: The Extra-Terrestrial, The Good, Titanic, Braveheart, Bernard Herrmann, The Magnificent Seven, Dances With Wolves, Indiana Jones, Psycho, Schindler's List, Jerry Goldsmith, The Godfather, The Mission, Rocky, Lawrence of Arabia, Itzhak Perlman, Thomas Newman, film scores, The Lord of the Rings Comment

COLUMN: The Ultimate Playlist of Movie Music Lullabies

I hope this big post and 200-song playlist finds you and serves you well. It's been quite the passion project for me to build, on and off, over the last year and a half. Thanks for letting me merge sounding like a parenting blogger and a movie in one post. Please share this column with your friends with kids. It's all not just for babies either. If you like this kind of music, it works great in the car or at the office as well. As a school teacher, I used to play this in my elementary school classes all the time. It's excellent music for creativity and focus for all ages. Enjoy!

2014, Column, Editorial, SPECIALDon ShanahanJuly 8, 2014Donald Shanahan, Don Shanahan, Every Movie Has a Lesson, Movie music, film scores, Film music, Best Original Score, John Williams, James Horner, Hans Zimmer, Clint Eastwood, Michael Giacchino, Thomas Newman, Gabriel Yared, Lennie Niehaus, Tan Dun, Yo-Yo Ma, Itzhak Perlman, Shigeru Umebayashi, Alexandre Desplat, Joe Hisashi, Luis Bacalov, Ludovic Bource, Philippe Rombi, Cesar Benito, Ennio Morricone, Wojciech Kilar, Mychael Danna, Max Steiner, Bernard Herrmann, Stanley Myers, Nina Rota, Elmer Bernstein, Henry Mancini, John Barry, Jerry Goldsmith, Bill Conti, Carter Burwell, Harold Faltermeyer, Danny Elfman, Craig Armstrong, George Fenton, Graeme Revell, Maurice Jarre, Michael Kamen, Michael Nyman, Christopher Doyle, Rachel Portman, Stephen Warbeck, Trevor Jones, Explosions in the Sky, Daft Punk, M83, Tyler Bates, Tom Tykwer, Johnny Klimeck, Reynold Heil, Aaron Zigman, Arcade Fire, Dario Marianelli, Harry Escott, Howard Shore, Jon Brion, John Debney, Patrick Doyle, Marc Streitenfeld, Mark IshamComment

EDITORIAL: Improving on the "Mozart Effect" with movie music

For those website followers that don't know me on social media, I've become a first-time father in the past year-and-a-half and have a second child on the way due this fall. For this column, I might turn into a parenting blogger more than a movie critic, but bear with me. I think you will like it.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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