ADVANCE MOVIE REVIEW: Spectre

With the arrival of "Spectre" for Daniel Craig's fourth outing as 007 and the returning follow-up of Academy Award-winning director Sam Mendes, questions arise to the notion of raised and renewed expectations. How do you top "Skyfall?" How do you improve or follow a game changer like that? The first answer is you can't. The best this film can do is continue the momentum and build to the next game changer. "Spectre" stands as exactly that precise first step down from a summit on its way to find the next mountain and next great challenge.

2015, 4 STARS, ADVANCE MOVIE REVIEW, MOVIE REVIEWDon ShanahanNovember 3, 2015Spectre, SPECTRE, James Bond, James Bond theme, SkyfallComment

MOVIE REVIEW: The Middle Distance

51st Chicago International Film Festival special presention

There is a tangible and winsome spirit that emerges through this quick 80-minute journey of "The Middle Distance." First-time director Patrick Underwood rightly sticks to artistic vision and solid storytelling over cheap tricks and the urge to throw monkey wrenches at everything for the sake of standing out. A easy story such as this doesn't need overindulgence.

DOCUMENTARY REVIEW: Motley's Law

51st Chicago International Film Festival special presentation

In this writer's opinion, documentary films are at their strongest when they merge two symbiotic pairs of traits. A good documentary and its human interest story merges truth with its narrative. Secondly, a good documentary merges its overarching message with art. Any of those four ingredients alone are not enough. In the documentary genre, a narrative without truth defeats its nonfiction purpose and the central message being delivered needs the artistic touch requisite to its chosen medium of cinema. As long as it can achieve those two mergers, a successful documentary can take any subject and give it proper focus.

MOVIE REVIEW: Embers

51st Chicago International Film Festival special presentation

With "Embers," we definitely have something to bite into from first-time director Claire Carre. The film occupies a domestic world after an unseen neurological disaster that caused societal collapse. People drift aimlessly through urban ruins trying to eek out existence and survival. Worst of all, the people still alive now are stricken with amnesia and now have the inability to keep short-term memory. Think "Memento" on a community-sized scale.

ADVANCE MOVIE REVIEW: Steve Jobs

"Steve Jobs" chronicles soul-bearing small measures of the real man behind the public persona of genius. The blood feuds and many glorious shouting matches deliver one narrative bombshell after another. Using a unique three-act structure, the artistic result is nearly perfect. Superior to its peers in so many areas of technique and performance, "Steve Jobs" stands boldly as one of the finest films of 2015.

MOVIE REVIEW: The Martian

Simply put, "The Martian" from director Ridley Scott and headlining star Matt Damon, is a great survival film. It strikes all of those aforementioned chords of survival essence and entertainment. Giving it the easy labels of "Castaway in Space," "Robinson Crusoe: Astronaut," "Interstellar without Nolanism," "Apollo 13 on Mars," or "The Next Gravity" sells it too short. "The Martian" doesn't need to borrow anything from those five notable survival film stories and can stand confidently aside, or even above them, as an exemplar all its own in the genre. Meet what is sure to go down as one of 2015's best films.

ADVANCE MOVIE REVIEW: The Walk

The definition of "marvel" can be given as a noun or a verb. As a noun, it means "something that causes wonder, admiration, or astonishment." When used as a verb, marvel means "to wonder of be curious about." Several aspects about the true story behind "The Walk" spell out both definitions of marvel. Just hearing about the daredevil feat orchestrated by Frenchman Philippe Petit, walking for an hour on a high-wire 110 stories up across the former twin towers of the World Trade Center, evokes a "He did what?!" head-turning reaction where you acknowledge the wonderment and want to learn more. While not perfect, "The Walk" astonishes enough visually bringing this historic stunt to life to captivate movie-going audiences.

MOVIE REVIEW: Vacation

To this writer, the success of a remake, reboot, or sequel is contingent upon matching the tone of the original work to the best of its ability. If a film gets that tone right, it can be a drastic revision full of changes and updates and still feel respectfully aware and in tune with the previous well-remembered greatness the new film is trying to emulate. That's the taste test that should be put on "Vacation," the new long distance sequel/update of the 1983 National Lampoon comedy classic.

MOVIE REVIEW: Southpaw

If you've seen one boxing movie, you've seen them all. They are their own formula, cliche, and sub-genre of sports movies. If you've seen one rags-to-riches triumph or riches-to-rags-back-to-riches redemption, you've seen them all. If you've heard one trash talking villain or one sage mentor/trainer/coach jaw on their own, you've heard them all. If you've seen one smoothly-edited training montage that leads to the big, loud and predictable ending fight, you've seen the all. "Southpaw" sadly brings nothing new to the table.

MOVIE REVIEW: Ant-Man

Creative differences, bad PR, and terrible marketing have sunk greater and lesser films. "Ant-Man" survives each those kisses of death to be a fun, entertaining, and clever blockbuster. The creativity is more than present to veer away from Marvel's usually enormous scale of worldwide crisis-aversion and give us a true small-scale (literally and figuratively) "regular guy" hero that was missing among the billionaires, scientists, soldiers, assassins, and demi-gods Marvel has elevated so far to its cinematic pedestals. "Ant-Man" is packed with a plentiful amount of humor, spirit, and surprises that trump both the bad PR and overindulgent marketing. It was saving some aces up its sleeve.

MOVIE REVIEW: Inside Out

The prevailing feeling has been that the hallmark extra level of magic and poignancy that used to be Pixar's calling cards have been lost while they milked dollars from lackluster sequels and prequels like "Cars 2" and "Monsters University." We have missed the visual originality from "Monsters Inc." and "Cars." We have missed the sense of wonder from "Wall-E" and "Ratatouille." Most of all, we have sorely missed the strong familial dynamics of the "Up," the "Toy Story" series, and "Finding Nemo." "Inside Out" is exactly the redemptive return to form that Pixar desperately needed. The film rivals each of those prior greats in each of those areas. This is exactly what you loved and were missing while being something truly great that can stand on its own merits.

MOVIE REVIEW: Avengers: Age of Ultron

Raising the stakes and swinging for the fences like a good film sequel should, Joss Whedon’s latest Marvel film pays off the studio’s Phase 2 initiative with both a new level of groundbreaking effort beyond the first peak three years ago and a continued dedication to the master blueprint of a grander big picture.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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