51st Chicago International Film Festival special presentation

In this writer's opinion, documentary films are at their strongest when they merge two symbiotic pairs of traits. A good documentary and its human interest story merges truth with its narrative. Secondly, a good documentary merges its overarching message with art. Any of those four ingredients alone are not enough. In the documentary genre, a narrative without truth defeats its nonfiction purpose and the central message being delivered needs the artistic touch requisite to its chosen medium of cinema. As long as it can achieve those two mergers, a successful documentary can take any subject and give it proper focus.

MOVIE REVIEW: Embers

51st Chicago International Film Festival special presentation

With "Embers," we definitely have something to bite into from first-time director Claire Carre. The film occupies a domestic world after an unseen neurological disaster that caused societal collapse. People drift aimlessly through urban ruins trying to eek out existence and survival. Worst of all, the people still alive now are stricken with amnesia and now have the inability to keep short-term memory. Think "Memento" on a community-sized scale.

ADVANCE MOVIE REVIEW: Steve Jobs

"Steve Jobs" chronicles soul-bearing small measures of the real man behind the public persona of genius. The blood feuds and many glorious shouting matches deliver one narrative bombshell after another. Using a unique three-act structure, the artistic result is nearly perfect. Superior to its peers in so many areas of technique and performance, "Steve Jobs" stands boldly as one of the finest films of 2015.

MOVIE REVIEW: The Martian

Simply put, "The Martian" from director Ridley Scott and headlining star Matt Damon, is a great survival film. It strikes all of those aforementioned chords of survival essence and entertainment. Giving it the easy labels of "Castaway in Space," "Robinson Crusoe: Astronaut," "Interstellar without Nolanism," "Apollo 13 on Mars," or "The Next Gravity" sells it too short. "The Martian" doesn't need to borrow anything from those five notable survival film stories and can stand confidently aside, or even above them, as an exemplar all its own in the genre. Meet what is sure to go down as one of 2015's best films.

ADVANCE MOVIE REVIEW: The Walk

The definition of "marvel" can be given as a noun or a verb. As a noun, it means "something that causes wonder, admiration, or astonishment." When used as a verb, marvel means "to wonder of be curious about." Several aspects about the true story behind "The Walk" spell out both definitions of marvel. Just hearing about the daredevil feat orchestrated by Frenchman Philippe Petit, walking for an hour on a high-wire 110 stories up across the former twin towers of the World Trade Center, evokes a "He did what?!" head-turning reaction where you acknowledge the wonderment and want to learn more. While not perfect, "The Walk" astonishes enough visually bringing this historic stunt to life to captivate movie-going audiences.

MOVIE REVIEW: Vacation

To this writer, the success of a remake, reboot, or sequel is contingent upon matching the tone of the original work to the best of its ability. If a film gets that tone right, it can be a drastic revision full of changes and updates and still feel respectfully aware and in tune with the previous well-remembered greatness the new film is trying to emulate. That's the taste test that should be put on "Vacation," the new long distance sequel/update of the 1983 National Lampoon comedy classic.

MOVIE REVIEW: Southpaw

If you've seen one boxing movie, you've seen them all. They are their own formula, cliche, and sub-genre of sports movies. If you've seen one rags-to-riches triumph or riches-to-rags-back-to-riches redemption, you've seen them all. If you've heard one trash talking villain or one sage mentor/trainer/coach jaw on their own, you've heard them all. If you've seen one smoothly-edited training montage that leads to the big, loud and predictable ending fight, you've seen the all. "Southpaw" sadly brings nothing new to the table.

MOVIE REVIEW: Ant-Man

Creative differences, bad PR, and terrible marketing have sunk greater and lesser films. "Ant-Man" survives each those kisses of death to be a fun, entertaining, and clever blockbuster. The creativity is more than present to veer away from Marvel's usually enormous scale of worldwide crisis-aversion and give us a true small-scale (literally and figuratively) "regular guy" hero that was missing among the billionaires, scientists, soldiers, assassins, and demi-gods Marvel has elevated so far to its cinematic pedestals. "Ant-Man" is packed with a plentiful amount of humor, spirit, and surprises that trump both the bad PR and overindulgent marketing. It was saving some aces up its sleeve.

MOVIE REVIEW: Inside Out

The prevailing feeling has been that the hallmark extra level of magic and poignancy that used to be Pixar's calling cards have been lost while they milked dollars from lackluster sequels and prequels like "Cars 2" and "Monsters University." We have missed the visual originality from "Monsters Inc." and "Cars." We have missed the sense of wonder from "Wall-E" and "Ratatouille." Most of all, we have sorely missed the strong familial dynamics of the "Up," the "Toy Story" series, and "Finding Nemo." "Inside Out" is exactly the redemptive return to form that Pixar desperately needed. The film rivals each of those prior greats in each of those areas. This is exactly what you loved and were missing while being something truly great that can stand on its own merits.

MOVIE REVIEW: Avengers: Age of Ultron

Raising the stakes and swinging for the fences like a good film sequel should, Joss Whedon’s latest Marvel film pays off the studio’s Phase 2 initiative with both a new level of groundbreaking effort beyond the first peak three years ago and a continued dedication to the master blueprint of a grander big picture.

MOVIE REVIEW: Clouds of Sils Maria

The new foreign-backed "Clouds of Sils Maria" is the latest film to challenge the parallels of a performer channeling what may or not be a version of themselves. Written and directed by Olivier Assayas, "Clouds of Sils Maria" premiered in competition at last year's Cannes Film Festival and worked the film festival circuit last winter, including stops in Toronto, New York, and the 50th Chicago International Film Festival. The film finally makes its limited U.S. theatrical release on April 10th. Honed down to a serious scale far smaller and more intimate than the likes of "Notting Hill," the cinematic star in the center of this solar system microcosm is Academy Award winner Juliette Binoche. As a gracefully aging actress of peripheral prominence playing a fictional one of the same sort in a different situation, we are taken inside a phenomenal character study. "Clouds of Sils Maria" is a fascinating actor's showcase that deserves and earns your attention for the behind-the-scenes tribulations of acting and the livelihood attached to that career.

MOVIE REVIEW: The Last Five Years

When a strikingly and surprisingly good movie musical does comes around and impress, the only thing to do is shout and sing its praises from the proverbial mountaintops, just as the main characters would have the proclivity to do. Well, we've got one right here, so cover your ears, and hear me roar! "The Last Five Years," the adaptation of Jason Robert Brown's Off-Broadway hit, is a new movie musical that makes this website's handful list of true gems and delightful keepers. This is the real film the date movie crowd should be seeking out this Valentine's Day weekend instead of the whips-and-chains-handcuffs of some certain monochromatic thriller. This film simply soars in every way!

EVERY MOVIE HAS A LESSON

by Don Shanahan

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