"Selma," whose name echoes the history being told, is one of those films that gets history right, honors it, entertains you without sacrificing the real thing, and moves you to no end. Anchored by an amazing lead performance from David Oyelowo as Dr. Martin Luther King, Jr., "Selma" has the ability to break and shatter the hardest of souls, thicken your pulse, and devour your tissue box. The experience is entirely worth all of that trouble. Best of all, it earn that emotion from you. Dare I say, "Selma" might be even better than last year's Best Picture winner "12 Years a Slave." That's the level of impact we're talking about.
Read MoreWith Cotillard commanding the screen and using none of her looks and star power, the Dardennes have created an intentionally minimalistic film that packs a punch without the need for gaudy theatrics. If this was a Hollywood film, this storyline of encounters would be backed by over-acted reactions, flashy star cameos, unrealistic results, a ticking clock like a "24" episode, and a heaping pile "Norma Rae"-level workplace politics and finger-pointing backed by some sweeping musical score that crescendos to a predictable and manufactured happy ending. A Hollywood film would beat those themes of confidence, sympathy, and pity to death with syrup and imposed drama. What started as realistic and approachable would be rendered melodramatic and fake. Because of the focused simplicity and plainness of this story and the artistic intent of the Dardenne brothers, none of those mistakes of over-indulgence occur.
Read MoreGo right now to YouTube and play the trailer for "American Sniper." First and foremost, THAT'S how you do a trailer. That's how you tease a film, still name drop who you need to, and set the stage without giving a shred of your film away. Second, after watching it, tell me you were surprised to see a name like Clint Eastwood's attached to a film with that kind of setting and tension. You wouldn't be alone. In many ways, "American Sniper" is new territory for Clint Eastwood will still retaining his signature hallmark of grit and heart.
Read MoreWith the arrival of "The Hobbit: The Battle of the Five Armies," we have made it to the payoff. This big story gets its ending, its tidy bow, and its cherry-on-top. Even if you think the movie studio was milking you for three movie tickets over three years out of a book that probably could have fit into a single film, you now get to see your patience rewarded and your virtue justified. You will realize it was worth it. You will feel like you stuck around to see "Superman" save the world, you survived the walk down those basement stairs in "Psycho," and you partied with the Ewoks and spirit Jedis in "Star Wars."
Read MoreWhen I call "Wild" a "chick flick" of the highest order, I don't mean the tropes, cliches, and stereotypes. I mean the label from the empowerment and importance standpoint. "Wild" is the positive kind of "chick flick" that isn't made enough and is drowned out by other crappier efforts targeted at women. With its true story tale, "Wild" is a strong and substantial film for female audiences. I do not say this next statement lightly. "Wild" is truly a film that every woman should see and one they should put on a more preferred pedestal for ideals compared to the "chick flicks" that ruin women's good sense. Better yet, it's an accessible film for all movie-going clientele, not just the ladies.
Read MoreTwo-time Academy Award-nominee Liv Ullmann brought her new film, “Miss Julie,” to serve as the opening night film of the 50th Chicago International Film Festival on Thursday, October 9th. “Miss Julie” is based on the 1888 August Strindberg play of the same name and stars two-time Oscar nominee and rising star Jessica Chastain (“Zero Dark Thirty”), Golden Globe winner Colin Farrell (“In Bruges”), and fellow two-time Oscar nominee Samantha Morton (“Minority Report”). Both Ullmann and Farrell attended the Opening Night Gala in Chicago.
Read MoreAll the buddy cop measurements and prerequisites are plugged into the new film "Let's Be Cops," which opens this coming August. I was lucky enough to catch a very advance screening of the film. The writers here, led by director Luke Greenfield of the forgettable "Something Borrowed," have the potential of a unique idea and a decent pair of leads to work with, but it's the real cop stuff that bogs the film down.
Read MoreWhat makes "Snowpiercer" a tough sell is its daring, yet isolating post-apocalyptic premise. It's pretty out there, which can be a good thing and a bad thing. However, thanks to buzz of "Captain America: The Winter Soldier," this borderline obscure film receives new life as a small studio's attempt to cash in on the new stock value of its star. Very likely, "Snowpiercer" is going to get the label of the "other Chris Evans movie" this year.
Read MoreSpeaking of poker, if "Iron Man 3" is a hefty full house and "Thor: The Dark World" is a handsome straight, then "Captain America: The Winter Soldier" is a straight flush. I will echo the early reviews coming in and say that this is arguably Marvel's best made film to date. The movie is a kinetically smart clash of political espionage set on a superhero action stage. There's not a wasted moment of non-importance and the twists and turns triple anything attempted by "Iron Man 3" or "Thor: The Dark World."
Read MoreRest assured, thanks to his endless versatility and charm, Costner proves again that he is a comfortable and lifting presence to any sports film, even a football one.
Read More"The Awkward Moment" is an oasis of fun in a dreary winter cinema landscape. This is one of those rare romantic comedies that can actually appeal to both genders. Set your date night up now. With its wide release coming on January 31st, ladies and gentleman, your Valentine's Day weekend must-see movie has arrived two weeks early.
Read MoreDirecting his fifth film and first since the purposely over-the-top Tropic Thunder from 2008, Ben Stiller turns the macho dial way down and takes his shot at loosely adapting the famous 1939 James Thurber short story that was previously made into a film starring funnyman Danny Kaye in 1947.
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