Chasing the Blues is a dark comedy through and through. Director Scott Smith and his co-writer Kevin Guifoile crafted an engaging yarn of hijinks and hilarity. Their narrative might feel like something out of a Coen brothers rough draft, but this film sides with a far less gonzo approach that suits its shrewder stature. Like the musical genre at its core, patient storytelling is at the forefront. Could it use a stiffer punch or two? Maybe, but then it wouldn’t be the blue and not everything has to be shock cinema. Waiting for the payoff in this tidy 77-minute film is an easy and worthwhile short hike to climb.
Read MoreExcellent romantic comedies have been a rare thing for the entire 17 years so far of this century. For one to arrive and stand above the crowd as one of the best romantic comedies in years and one of the best films of the year, period, is special. If you haven't already, meet The Big Sick starring Kumail Nanjiani, Zoe Kazan, Holly Hunter, and Ray Romano. Through the ShowMe app on the Every Movie Has a Lesson YouTube channel, hear and see what my review has to say about the film and why it's my #2 film of 2017 so far.
Read MoreMike Crowley's YPA Reviews was soliciting for participants and topics for a video series of discussions highlighting guest-chosen overrated films, performers, and filmmakers. I nominated myself and the highly regarded auteur of Terrence Malick and a meeting and a rant on camera was born. Enjoy both the refined and uncut versions of our enlivened talk below!
Read MoreThe key strength of “Jack and Amelia” is the focused narrative that sketches a telling and accurate microcosm example of Chicago. It blends lifestyles for people feeling the city’s stresses in their own unique ways. Just when you think you these four central characters are random and will stay random, the short-order shifts and twists of “Jack and Amelia” push their destinies forward in engaging and cunning ways. This really was a blossoming treat.
Read MoreNo matter what faith (or absence of faith) you carry into this film’s experience, you will respect the positive efforts of the real-life ministries featured in “Faith in the Big House.” Lives are changed before your eyes and it’s not all Bible-thumping. To that end, it is wholly refreshing to observe a Christian point-of-view that holds its peers of different denominations and, more importantly, itself strictly accountable for this kind of communal service.
Read MoreDare I say it, I think Joe Swanberg has turned a corner with “Win It All,” a new release available on Netflix. Coherency has been the bane of mumblecore’s existence and, for at least one film, the celebrated Chicago filmmaker has found the right palatable proportions of his craft. With “Win It All,” Swanberg stays true to the naturalistic everyday settings and improvisational dialogue that he thrives on and thankfully applies them to tighter narrative structure.
Read MoreIf the Windy City can show us anything, it’s that die-hard Chicago Cub fans come in all shapes, sizes, and ages. More so, fans come from different walks of life, waving flags of different colors, including, best of all, the rainbow-colored variety. “Landline,” from local do-it-all filmmaker Matthew Aaron, is a fun-loving LGBTQ+ comedy merging ardent North Siders with snappy musings on our societal obsessions with technology, all in proximity to the heavenly palace that is Wrigley Field.
Read More2017 Chicago Irish Film Festival: Shorts Program
As it plays out its thirteen minutes, “First Kiss” is hilarious and charming in its tidy simplicity. Written by Fitzpatrick himself and directed by Patrick O’Shea, the short film generates the right amplitude of sparks cooled by the right temperament of sweetness.
Read More"The Great Wall" is an imposing creature feature that stands as a three-headed glamour project. You have an A-list star venturing overseas for international credibility and a splashy director landing his official English-language debut. Aiming higher in aspiration is a production company hoping to open a new and profitable pipeline of investment between Hollywood and China. Visually splendid from top to bottom, this epic adventure squeaks by on its looks and spares no expense to make sure of that.
Read MorePartnering with The Field Museum of Chicago, The Wilmette Theatre will present SCIENCE ON SCREEN series, a creative screening program matching classic, cult, and documentary films with scientists from the worlds of science technology and medicine offering related scientific information and leading lively discussion. The theme of the first season will be the study of the environment, evolution and protecting wildlife, particularly endangered species.
Read MoreFellow Chicagoans, “Hidden Figures” has been winning big at the U.S. box office. In a great gesture to her hometown, one of the stars of the film would like you see “Hidden Figures” on her dime. Taraji P. Henson has personally bought out a theater at AMC Ford City Mall on Sunday, January 22nd at 2:00PM for the general public.
Read MoreCapping off their inaugural year, the members of newly-formed Chicago Independent Film Critics Circle, of which I am a director and co-founder, have announced their nominees for their first annual CIFCC Awards. Their voting membership of 28 members strong completed ballots over the holidays with the goal of three final nominees in 25 categories. They will commence a final round of voting ending on January 1, 2017 and host an invitation-only awards banquet at Transistor Chicago on January 8, 2017.
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