MOVIE REVIEW: Loving

With a minimalist style and unadorned simplicity to reflect on racial intolerance, Jeff Nichols crafts “Loving” as a reminiscence of history without the histrionics.  Devoid of soapboxes, speechifying, and manufactured swells of forced emotion seen in far too many historical dramas, “Loving” cuts a different cloth, trading in Hollywood glamor for blue collar truthfulness.  Nichols brilliantly lets the honesty and grace of Richard and Mildred Loving stand on their own without an unnecessary pedestal.  Cite this film as proof that “tell it like it is” does not require bombastic noise and volume.

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MOVIE REVIEW: Moonlight

I dare you to look into the painful eyes of the three ages of Chiron and their matching performers and not have your soul triple in weight.  The arc in "Moonlight" from the innocence of the little boy to the uncomfortable vulnerability hiding underneath the muscles and gold fronts of the hardened resulting adult is arduously moving on multiple levels.  Observing his difficulties forces you to absorb the conflict and inescapable trepidation that surrounds the shared character.  Pressing his heart to your own makes for one of the most moving and rewarding film experiences this year.

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MEDIA APPEARANCE: Panel participant on the "Kicking the Seat" podcast talking "Doctor Strange"

After an advance screening of "Doctor Strange," I was invited to participate in a post-film round table podcast hosted by Ian Simmons of Kicking the Seat.  After a brief eulogy for deceased comic book artist Steve Dillon, I was one of four Chicago film critics chatting about our feelings, opinions, and reactions to "Doctor Strange" with tangents on other Marvel Cinematic Universe entries, tropes, and tendencies.  

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DOCUMENTARY REVIEW: Resilience: The Biology of Stress and Science of Hope

The light shed by the shared research, connections, and testimonials of James Redford’s documentary “Resilience: The Biology of Stress and the Science of Hope” opens eyes and stirs immediate personal reflection.  Toward your own self or in the role of a parent, “Resilience” puts the right mirrors in front of faces.  It is a worthy alarm notification that encourages more character building than being told to “pull up your bootstraps.”

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MOVIE REVIEW: Doctor Strange

Now in its third phase, Marvel continues to take C-level and D-list comic book characters and titles, breath cinematic life into them with top-notch talent in front of and behind the camera, and turn the obscure in newly minted household names and merchandising windfalls.  "Doctor Strange" continues the studio's blueprint of Midas Touch success while jubilantly kicking down the door for magic and mysticism in the MCU.  You may not know him yet, but Stephen Strange is a major player and huge addition to an already-loaded heroic panorama.

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SHORT FILM REVIEW: The Story of 90 Coins

"The Story of 90 Coins" is a microcosm of pure and modern young love that transfers in any language and is free of unnecessary cinematic obstacle courses that strain believability.  This short story is completely relatable and endearing melodrama in all its approachable beauty that succeeds in under 10 minutes to tug heartstrings and linger in your consciousness.  Don’t you dare call this an overlong greeting card, a miniature soap opera, or a expanded touchy-feely TV commercial.  

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MOVIE REVIEW: Middle Man

52nd Chicago International Film Festival U.S. Indies entry and presentation

“Middle Man” blends an acidic edge with showy panache that bleeds from every character, large and small.  Credit the devious fun of Crowley for the snappy dialogue that pops from each character.  The comedy is clever instead of coarse while maintaining its darkness.  Nearly every speaking part of this colorful cast of funhouse mirrors nails a zinger or two that fits right into that line of taste.

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MOVIE REVIEW: Certain Women

Spareness and simplicity can either be a fountain of nuance and austerity or it can be a vacuum of plainness and lethargy.  Filmmaker Kelly Reichardt is a celebrated torchbearer of the minimalist film movement and her newest feature, “Certain Women,” boast three strong female leads in Laura Dern, Michelle Williams, and Kristen Stewart.  Despite that base of acting forte and the patronage of Todd Haynes as an executive producer, the void outweighs any wellspring.

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MOVIE REVIEW: In a Valley of Violence

“In a Valley of Violence” lives up to the promised bloodshed suggested by its title and spins its own brand of tension and, best of all, a frank and bone-dry humor that blows into the whole film.  You will either love the comedic edge or find it a distraction from the revenge.  There is an undeniable panache to the absurdity that makes the film an absolute hoot.  This is the giddy Western Quentin Tarantino wishes he could make while he wastes six hours of our time and stretched disbelief.

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CAPSULE REVIEWS: The 52nd Chicago International Film Festival

For the third year in a row, this website has been granted press credentials to cover the many facets of the 52nd CIFF.  I am targeting the U.S. Indies slate and will add selections from the Special Presentations, Black Perspectives, and World Cinema programs.  Most of these films are appearing either before or without distribution dates, meaning my reviews here will stay brief capsule form.  Come back to this page often and I will add films as I go!

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MOVIE REVIEW: Batman: Return of the Caped Crusaders

Batman has evolved, but the long-standing love for that old TV show has only sweetened.  The new WB Animation entry “Batman: Return of the Caped Crusaders” unlocks a time capsule and reminds us why Batman can be just as fun when he’s not brooding and sulking.  With the triumphant returns of original cast members Adam West, Burt Ward, and Julie Newmar reassuming their Batman, Robin, and Catwoman mantles as voice actors, this new film possess audible and visual treats to behold.  

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MOVIE REVIEW: The Accountant

Full disclosure, my goal in this review is to use as many synonyms as possible for the words “ridiculous” and “entertaining.”  The range between those two attributes comprises the pendulum swing of “The Accountant,” the latest Ben Affleck-led actioner from “Warrior” director Gavin O’Connor.  The film has a dual personality between the entertaining and ridiculous that weaves through every component and cuts to its core.

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