“In a Valley of Violence” lives up to the promised bloodshed suggested by its title and spins its own brand of tension and, best of all, a frank and bone-dry humor that blows into the whole film. You will either love the comedic edge or find it a distraction from the revenge. There is an undeniable panache to the absurdity that makes the film an absolute hoot. This is the giddy Western Quentin Tarantino wishes he could make while he wastes six hours of our time and stretched disbelief.

MOVIE REVIEW: The Wave

Plenty of disaster movies pretend to lean on real science to justify their cinematic ambitions in order to offer belief an audience can accept and exude some form of intelligence. Too often, the manic energy to entertain exceeds the science and a two-hour turd polishing clinic results. The decent ones can touch base with the right science and blend in the theatrics. As long as you can stand subtitles and tray of cheese samples, you have a mild winner in "The Wave (Bolgen)" from Norway.

MOVIE REVIEW: Bone Tomahawk

The western film genre has always had a violent backbone. Even in the sunniest and most heroic of examples, more often that not, we're watching a struggle of survival where it is kill or be killed in a raw rural landscape. We label, separate, and celebrate heroes from villains, but all are killers with only opposing morals and justice of different degrees separating them. The violence is ever present. Few traditional westerns embrace its violent reality. "Bone Tomahawk" surges head first into it with absolute courage and graphic disregard.

EDITORIAL: The Best of 2015 (so far)

The end of June marks the halfway point of 2015. This website makes it a point each year to measure the calendar year's offerings so far of what has been the best with the goal of building a year-end "10 Best" list. This is as good a place as any to honor the fine efforts that have graced the screen this half-year. Here are the "Top 5 (so far)."

MOVIE REVIEW: The Salvation

American Westerns have become a lost art and a dying breed. So much has been done that it's hard to find a fresh take. If you have felt that loss and need a jolt, an extremely taut and good homage to the American Western has emerged in "The Salvation," playing now in limited release and Video on Demand, from Danish filmmaker Kristian Levring. Headlined by Mads Mikkelsen, Eva Green, Jeffrey Dean Morgan, and Jonathan Pryce, the film moved the needle a bit during the 2014 film festival circuit, including a pair of screenings at the 50th Chicago International Film Festival last October (where yours truly caught the ride).

CAPSULE REVIEWS: My slate from the 50th Chicago International Film Festival

In accordance with the rules placed on me with my press credentials, I am not allowed to publish and post full reviews of the films I saw until their official U.S. distribution and release date. For some movies, that's happening now with the festival itself and for others that holding stretches into 2015. I would love to lay out everything, but I can't and you have to be patient. What I am allowed put out are capsule reviews: brief takes and short critiques that offer a taste of the full meal. Here are capsules for all of the films I attended from the 50th anniversary schedule. Each are listed with their anticipatory U.S. release dates for when you will find my review.

COLUMN: Must-see films for the 50th Chicago International Film Festival

While the festival doesn't boast anywhere near the amount of red carpet headliners found at Toronto or New York's film festivals, there are still several worthy films coming to Chicago for the first time in advance of their theatrical release and the year-end Oscar and awards season. This very writer has acquired press credentials through Examiner.com to cover this year's event and here is a list of the must-see films from the festival's schedule.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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