After an advance screening of "Finding Dory," I was invited to participate in a post-film round table podcast hosted by Ian Simmons of Kicking the Seat. I was one of five Chicago film critics chatting about our feelings, opinions, and reactions to "Finding Dory" with tangents on Pixar, Burger King (our lucky location for the podcast), and even "The Gilmore Girls." Ian does outstanding work putting these shows together and I was highly honored to be included. I hope to be a guest again in the new future! Enjoy the show!
Read MoreThere's room for film noir that can inhabit real places and plausible people while still having all the necessary ingredients to make them as cool as the genre demands. With a deep homage to noir coupled with a big dose of 1970's-esque conspiracy thrillers, director Jenna Ricker, in her second feature film, presents "The American Side" starring her Greg Stuhr and a notable ensemble cast. Using upstate New York, Ricker has created a living and breathing seedy side out a wholesome American city and tourist destination. As a film, "The American Side" is satisfying and a constantly engaging throwback detective story that surpasses its glitzy and more expensive Hollywood peer "The Nice Guys."
Read MoreThe Chicago Independent Film Critics Circle held its first official meet-and-greet at the Music Box Theatre Lounge. As one of the co-founders and co-directors of the CIFCC, it was nice to have our group come together first time. Here's a quick video shot by Pamela Powell of Reel Honest Reviews. Put faces with names as our members introduce themselves!
Read MoreThis week, I joined my fellow members of the Chicago Independent Film Critics Circle for an advance screening of Disney/Pixar's "Finding Dory." I am proud to be a co-founder and co-director of this fine group. We all took away a bunch of heart and love from the "Finding Nemo" sequel. Enjoy the first takes of yours truly, Gabrielle Bondi of The Young Folks, and Emmanuel Noisette of Eman's Movie Reviews!
Read MoreUnless the title begins with "Toy Story," Disney/Pixar has not had very good luck with effective sequels. "Cars 2" aimed too high for a bigger international stage and "Monsters University" failed as a bonding origin story prequel. Thirteen years after the original, "Finding Dory" changes that weak trend with a winning flourish. Teeming with plenty of vibrant energy and anchored by Pixar's signature punch of finely tuned emotional storytelling, this sequel will delight audiences young and old and earns its mature place as a companion piece to the classic "Finding Nemo."
Read MoreHere's the worst part of what "Warcraft" tries to execute. With its riffs on exotic worlds, magic, warring factions, and monstrous creatures, it fashions its to be high fantasy and epic spectacle right there with "The Lord of the Rings" and "Star Wars." Universal Pictures thinks it is sitting on a crossover franchise that will sells merchandise and recruit new gamers by the millions. You cannot make the bizarre endearing without substance behind it.
Read MoreBeloved in its homeland of Scotland, Lewis Grassic Gibbon's 1932 novel "Sunset Song" is revered for its detailed and poignant tale of peasant life and the place of women during the transitional times of the early 20th century. The novel has been a long-gestating passion project for highly regarded British filmmaker Terence Davies. Brought to life with moments of 65mm grandeur, his sumptuously crafted and carefully refined film adaptation is another jewel in the filmmaker's crown, though one not without its source material's difficulties.
Read MoreBack in January, I introduced you to my involvement on BAG Movies as one of their "PRO" critics and contributors. In April, I was one of their inaugural "Critics of the Month." As of today, I've logged over 650 reviews on their site. I am happy to report that BAG Movies has gotten a massive facelift making it even more organized, personalized, and interactive than before. Their new-and-improved website just launched here in June 2016.
Read MoreWhile watching a film about dysfunctional relationships, regardless of its drama or comedy slant, one cannot help but measure their own relationship against the examples they are observing on screen. The judgmental reactions, either spoken or unspoken, cannot be contained. To capitalize on that drawing power without going to far, frankness and believability become key. Debuting on VOD on June 3, the film festival favorite "BFFs" can call those two storytelling essentials allies and welcomes the fun of esteem-boosting judging.
Read MoreThe Chicago Critics Film Festival is currently in action at Chicago’s historic Music Box Theatre and runs until May 26th. The festival offers a selection of films comprised of festival favorites and pre-distribution sneak peeks from around the country and world. The CCFF is in its fourth year and is programmed by the Chicago Film Critics Association. I was granted press credentials to cover this year's slate. With so many pre-release debuts, full reviews for the films often have to be held until their formal release. In the mean time, check back here to this article for my capsule reviews of what I soak up. I will update this as I add films this week!
Read More"The Nice Guys" unleashes an arsenal of off-beat traits and playful banter available to every character and situation large and small. Calling it a loose cannon is both a criticism and a complement. Though it can veer off of the rails to some scatterbrained wheel-spinning that pushes limits of tolerance and believability, the screenplay from Black and first-timer Anthony Bagarozzi delivers its muckraking mystery with a canny enough level of perpetual action and a clever humor.
Read MoreAfter two movies of turn-back-the-clock course correction, it is fair to rank the "X-Men" series right next to "The Fast and Furious" as a film franchise that was derailed, left for dead, and since rescued with a filmmaking resurgence. "X-Men: First Class" introduced new youthful vigor and was followed by the return of original franchise steward Bryan Singer for the slate-wiping "X-Men: Days of Future Past." The latter film grossed more than double any of its franchise predecessors and enabled the series to pass the torch from the seniors to the juniors. Flush with success, good graces, and a new lease on life, "X-Men: Apocalypse" arrives with the goal to top everything that's been done in 20th Century Fox's offshoot shingle of a Marvel universe.
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