I attended a press-only screening of "X-Men: Apocalypse" on May 9. I was able to participate in another quick post-film panel with my fellow members and directors of the CIFCC. Allow me to continue to introduce my "Every Movie Has a Lesson" followers to Pamela Powell of Reel Honest Reviews, Jim Alexander of The Movie Blog, Jon Espino of The Young Folks, and Emmanuel Noisette of Eman's Movie Reviews. Enjoy our rants and raves!
Read MoreWith intentionally languid brushstrokes, "The Lobster," from Greek director Yorgos Lanthimos in his English language debut, creates a challenging moral setting that twists the realities and consequences of two human conundrums and fears: What happens when you are single and what happens when you die. His muse at the center is Colin Farrell in arguably the most understated performance of his career. With more talent and a high concept at play, "The Lobster" is missing the charm to tie it all together.
Read MoreI am very proud to share the first official video of the newly-formed Chicago Independent Film Critics Circle, of which I am a co-founder and co-director. When I attended an advance screening of "Captain America: Civil War" on May 2, 2016 with my press credentials, I was able to participate in a group video of post-film reactions with a small gathering of a few of my fellow members and directors of the CIFCC.
Read More"June Bride: Redemption of a Yakuza" presents an international alternative to the Scared Straight programs that have become a fascination here in the United States. No, not this one (though enjoy a quick laugh), but prison initiatives like those chronicled in A&E's popular "Beyond Scared Straight: Success Stories. Rather than bombard subjects and audiences with fear, one man in Japan finds faith to be the greater answer.
Read MoreThe core of the dysfunctional family at the center of Jason Bateman's "The Family Fang" invokes a particular curiosity. Do weird parents raise and make weird children? Name your odd occupation and examine that question yourself. For example, what are the kids of two circus clown parents like? Do they grow up with the same sense of humor or performance? Do they relish that irregular environment because that was their preeminent example or do they rebel and long for something more typically normal?
Read MoreThe absolute proof of the intact Marvel formula is the elevated scope and confidence given to "Captain America: Civil War." Spinning as a dual sequel to 2014's "Captain America: The Winter Soldier" and last year's "Avengers: Age of Ultron" and following the darkly-operatic-yet-similarly-premised competitor "Batman v. Superman: Dawn of Justice," this film survives a few glaring imperfections and overweight ambition to maintain the Marvel flagship. It plays it safe because it knows safe works for their brand and satisfies the masses. They know they're getting their cash registers out and hiring extra accountants. To others looking for more risk, you've come to the wrong place.
Read More"High-Rise," starring Tom Hiddleston, is a strongly constructed blend of experimental science fiction with colossal political and social commentary. The layers of symbolism, analogy, and allegory are as tall as the building itself. There is a richly disturbing and dark fascination in observing how all of this frivolity comes crashing down in unpredictable and unlimited disaster.
Read MoreIf you take one look at the doctored-up theatrical poster for the independent film "Dough," you might get the impression of an absurd weed romp to come. Very quickly within John Goldschmidt's film, you will see the depth behind the film's comedic costume. For better or worse, "Dough" is a strong mentor-mentee film that just happens to have a special funny ingredient in its cooking that adds wrinkle and flavor.
Read MoreCombine the oft-used expression "a picture is worth a thousand words" with the idiom "a fly on the wall," and you will have the contagious vigor that is "Elvis & Nixon." The most famous loose collar in the land meets the most-buttoned up Commander-in-Chief of this generation in a comedy of jovial possibilities. There is better-than-good chance that not a lick of "Elvis & Nixon" is true, but that doesn't ruin the fun of examining a documented moment of star-crossed brevity.
Read MoreIn "The Playground," ominous storytelling speaking of kingdoms, favor, covenant, cleansing, and benevolence using a "Jack and Jill" analogy spoken by a mostly unseen middle-aged man to a girl alone on a titular schoolyard comprises the auspicious start to a societal microcosm hanging in the balance. Director Edreace Purmul's intriguing new film and second feature dives towards such high-minded territory of dark omens. "The Playground" recently won Best Film honors from Film Consortium San Diego at their 2016 San Diego Film Awards.
Read More"Louder than Bombs" is the English language debut of Norwegian director Joachim Trier and his writing partner Eskil Vogt, best known for their 2006 Academy Award-nominated foreign language film "Reprise." Their newest work was a competitor for the Palme d'Or at the 2015 Cannes Film Festival, Norway's first since 1979. Possessing a compelling rotation of inner monologues, the heavily dramatic film observes a fractured family of men dealing with the overhanging aftermath of losing their iconic matriarch.
Read MoreBy employing all of the bells and whistles of today's digital effects and key frame animation, director Jon Favreau's live-action reimagining of Walt Disney's adaptation of Rudyard Kipling's "The Jungle Book" sets its own stage very quickly to put adventure and peril first and foremost. The groovy and memorable song-and-dance numbers from the original's 1967 soundtrack are forever revered as the leading component of the traditional animated classic's charm. Those episodes of music have been trimmed from six songs to about two-and-a-half. Ferocity steps ahead of frolic and you might ask yourself how you feel about that when you watch "The Jungle Book."
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