Posts in MOVIE REVIEW
CAPSULE REVIEWS: Playing catch-up on December awards contenders

Though the day job work was no longer in the way, good times with family and friends was the better thing to do than lock myself in a room on a laptop and write.  Three of these films are cracking my Top 20 of 2017 and possibly even my final “10 Best” list.  A year-end bang like that deserves to be talked about, and I couldn’t keep sitting on them without getting something out to you.  To get the good word out there, here are some quick hot take capsules of the films with full reviews in the works.

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MOVIE REVIEW: The Post

The Post feels like Spielberg painting by numbers, continuing a bit of a downward trend for the filmmaker.  This was accomplished because it was easy, didn’t require a rush, and still cost a sizable $50 million, not because a director was shedding trappings to do a rough and raw film.  The Post is a highly polished quality story gift-wrapped to Spielberg and completed with a precision that is pleasing and purposeful.  It is effective, but not affecting or truly but not truly demanding for a director, ensemble, and creative team of this caliber.

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MOVIE REVIEW: Star Wars: The Last Jedi

Throw out all of the Star Wars fan theories you’ve read or heard in the last two years.  Ignore all of the online noise and irresponsible think piece editorials that have piled up on the web since Star Wars: The Force Awakens.  Most importantly, relinquish whatever warped and selfish expectations that have been formulated by the blitz of marketing buzz.  Star Wars: The Last Jedi takes its mountain of hype and shoves it away to make something nonconformist and wholly compelling in quite possibly the richest and most expressive entry of the storied franchise.

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MOVIE REVIEW: Darkest Hour

Darkest Hour and Gary Oldman exhibit tremendous fight to match the vigor of the era.  The film builds its mounting prospects of calamity and clashes of dissension with polish and gumption, avoiding many of the dull notes normally saddling most other behind-the-war-room yak-fest.  The screenplay shrewdly skips laborious biographical notes and tautly fixates primarily on the two weeks of debate leading up to Operation Dynamo

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MOVIE REVIEW: The Shape of Water

Soaringly endearing elements of romance enrapture with a heading spoonful of the perverse for good measure.  Fantastical triumphs of mortal spirit over evil forces are applied to inhuman oddities with jarringly violent consequences.  This is a film of stark peculiarity that challenges your safe zones and clashes with your sense of normalcy for the themes at play.  It asks you to relish in an abnormal spectacle that dazzles with vintage style and extraordinary boldness.

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MOVIE REVIEW: Three Billboards Outside Ebbing, Missouri

Martin McDonagh’s new film puts prickly in the pastoral glazing its country charm with absolute acid every chance it gets.  Part stern crime drama and part small-town chicanery, Three Billboards Outside Ebbing, Missouri displays the next level of McDonagh’s talent and potential.  Always the sharp storyteller since his roots on the Irish stage, McDonagh’s writing prowess elevates a premise that would fall flat as pure farce in other hands

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MOVIE REVIEW: Mercury in Retrograde

Michael Glover Smith’s words of mounting depth and weight turn idle chatter into soapboxes that eventually become proverbial fortifications built around questioned principles and shattered wills.  The ensemble of performers delivers on the required heavy lifting from the director to make the multitude of human flaws believable yet still approachable.  Mercury in Retrograde is a hidden gem.

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MOVIE REVIEW: Roman J. Israel, Esq.

Family, friends, coffee, a dog’s love, your favorite blue jeans, J.D. Power-award winning cars, ice cream, a warm blanket, duct tape, God, and Denzel Washington.  That’s the absolute list of the most dependable and reliable things in this world.  The soon-to-be 63-year-old two-time Academy Award winner never gives a bad performance and employs a focus on each role that is second to none.  Cloaked inside a frumpy legal savant, Roman J. Israel, Esq. is another exemplary piece of evidence to this man’s range, focus, and presence.

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MOVIE REVIEW: Coco

Wait until the rest of Coco’s stirring vibrancy awakens even more senses and heartstrings.  Softening a setting of gallows humor as few films have, family entries or otherwise, Coco is a divine representation of the human condition rooted respectfully within marvelous cultural heritage.  Nearly every pluck of an animated guitar string in Coco strums chords of creativity and compassion.

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STUDENT-FRIENDLY MOVIE REVIEW: Wonder

I do my best to write professional grade film criticism fit for a formal audience, becoming best friends with a thesaurus and using my big boy words.  By day, I'm an elementary school educator.  At work this year, I've been organizing a special field trip for 5th graders to see Wonder after they've been reading the novel all fall.  This second "student-friendly" movie review is for them and other younger readers.  Revised, this review scales down my review down from an 11.6 Flesch Kincaid readability level to a comfy 4.4 average.

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MOVIE REVIEW: Wonder

Wonder’s buoyant messages are the moving jolt of empathy this generation needs.  Even better, its literal and figurative precepts carry an inspiring weight worthy to last many generations more.  Directed by the good hands of Stephen Chbosky, Wonder is an instant classic, sure to become a new favorite, for its target audience and a winning (and rare) example of a film taking great care to do justice by the book it is based on.

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MOVIE REVIEW: Justice League

Justice League comes across like attempted course correction done on that Etch-a-Sketch.  The artist, or artists in this case, are trying to retrace old paths and smooth over past missteps with redrawn swirls, lighter hues, and a fluffy cover-up we call comedy.  That effort on the cinematic Etch-a-Sketch indeed changes the initial picture, but only after unnecessarily tedious effort and some remaining messy results.

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