This year’s Academy Award nominees for Best Animated Short are an eclectic bunch. One of them, “Borrowed Time,” I have previously reviewed in full on this website. Here are my collected capsule reviews of the slate of five, complete with my signature life lessons. Look for the theaters this month bundling these nominees together for public viewing and ticket opportunities.
Read MoreShameful as this sounds, I have not seen the first "John Wick" and I was not a place to catchup before "John Wick: Chapter 2." Meet Emmanuel Noisette of Eman's Movie Reviews. He is an emerging film critic tackling both written and video reviews. His YouTube channel is must-watch and automatic subscribe material. Emmanuel is a colleague of man with the Chicago Independent Film Critics Circle (CIFCC). Eman is a big fan of the first and the second one impressed him greatly.
Read MoreThe documentary “I Am Not Your Negro” from director Raoul Peck unearths “Remember This House,” an unfinished 1979 manuscript of the James Baldwin’s recollections of Medgar, Malcolm, and Martin. This outstanding and informative film presents Baldwin’s musings alongside sobering imagery of both the turbulent history of the era and parallel occurrences of modern racial unrest that echo the same violence, inequality, anger, and sorrow. As an Oscar nominee in a banner year for feature documentaries, “I Am Your Negro” is essential viewing.
Read MoreCall me a softy or a sunny optimist, but I will take "The Space Between Us" over the next "Percy Jackson and the Hunger Maze Runner City of Bones Games with the 5th Wave of Divergent Mortal Instruments." The YA movie marketplace is overfilled with militarized kid-on-kid peril in the science fiction department. “The Space Between Us” is cheesy, corny, and pretends to be better than it really is, but, gosh darnit, the film has a charming and positive core that is hard to ignore.
Read MoreRenowned Spanish filmmaker Pedro Almodovar seizes our attention and lights the fires of intrigue with human simplicity in “Julieta,” his 20th feature film and Spain’s entry this year for the Best Foreign Language Film Academy Award. Concocting a brew of passion coupled with remorse across personal history young and old, Almodovar unspools the tangled threads of a guilt-ridden woman’s heart. Adapted from three Alice Munro short stories, “Julieta” is a strong return to the female-focused storyscapes that have made him a legend.
Read MoreDirected by Christoforos “Christopher” Papakaliatis, “Worlds Apart” presents three narratives and three different flavors of passion. Each surrounds a Greek native in a burgeoning romantic relationship with an immigrant from another land. Thematically, all that transpires in the film riffs on recurring imagery and commonality with the mythical story of Eros, the Greek god of love. Layering a topical worldview tinged with allegory every step of the way, “Worlds Apart” is a mature and beguiling romantic drama.
Read MoreAll too often, the recent young adult wave of big studio dystopian fiction films contain three root faults. First, they shoot off preposterous peril for the sake of peril like a pyromaniac loose in a fireworks warehouse. Secondly, within the peril is the overused trope of militarizing teens and children. Finally, the screenwriters feel the need to over-explain every little thing about its created universe as if the audience can’t think for themselves or be challenged to draw an inference or two. For the most part, the small budget independent film “Go North” successfully and thankfully operates above those three traps.
Read MoreEvery influential man or woman had a formative period of their life where their impressionable knowledge coalesced into cemented principles that would guide them going forward. The outgoing 44th President of the United States, Barack Obama, is no different. The new Netflix and VOD entry “Barry,” from director Vikram Gandhi, muses on the internal and external catalysts that shaped the then-20-year-old piece of unformed clay into the future leader of the free world.
Read MoreWhen it comes to crime families in movies, any contenders and pretenders that want to be taken seriously are kissing the Corleone ring of “The Godfather” trilogy. That’s not happening with the Cutler clan in Adam Smith’s “Trespass Against Us.” As a mishmash of trailer park trash puffing their chests to operate with supposed principles, they occupy the polar opposite end of the glamorous spectrum of organized crime. Call them an “Irish fugazi,” if you will, complete with their own membership rings and cracks in the hierarchy.
Read MoreJ.A. Bayona’s film, based on the 2011 novel of the same name and adapted for the screen by the author himself, Patrick Hess, operates with a similar dichotomy and balancing act with its genre. “Fantasy” and “genuine” are two words that do not normally mix together. “A Monster Calls” creates an engrossing tale of allegory and myth and still roots it in a setting of stark reality filled with family and flaws.
Read MoreWhere using a composite character gets dicey is when they are made the lead because their fictional presence can outweigh the history and accuracy around them. Too much can be skewed to suit a character that doesn’t exist. That is exactly what occurs in “Patriots Day,” Peter Berg’s third consecutive collaboration with Mark Wahlberg. The makings for a stocked and stacked ensemble drama are dismantled by the misplaced hero worship that becomes little more than a vanity project.
Read MoreEvery winning streak has to end to some time. “Live by Night” will go down as the first “L” in the loss column for Ben Affleck as a film director. After climbing to the top of the mountain with the trio of “Gone Baby Gone,” “The Town,” and the Oscar parade of “Argo,” there was nowhere to go but down, but this newest film is a little more than down.
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