MOVIE REVIEW: Far from the Madding Crowd

The prose and tasteful passion captured by the classic writers then put the tawdry and repetitive theatrics of today's writers to shame. In that same regard, so too do solid film adaptations that tap the proper classic roots. "Far from the Madding Crowd" is a stellar example of this. Permeating with possibilities and charged with the right measure of passion in every engrossing layer, Danish director Thomas Vinterberg's film stands head and shoulders above the feeble likes of today's lesser efforts of cinematic literary romance. It's cliche to say, but they don't make them like they used to and this film proves it.

MOVIE REVIEW: Welcome to Me

"Welcome to Me" is a Mobius strip of a trainwreck. The film is a trainwreck... of a trainwreck. Starring an extremely invested Kristen Wiig, the film is, to its credit, a bold character piece and black comedy that seeks to put a trainwreck of a person on display in an effort to preach larger moral questions. As bold as it is in that intention, "Welcome to Me" doesn't achieve that and overshoots every landing possible. It's that really well planned gag or stunt that can't match the real thing because it's been too manufactured to where the unpredictability is taken away or feels forced. It's the second coming of "Dinner for Schmucks," in terms of cringe comedy, and that film was bad but at least funnier.

MOVIE REVIEW: Avengers: Age of Ultron

Raising the stakes and swinging for the fences like a good film sequel should, Joss Whedon’s latest Marvel film pays off the studio’s Phase 2 initiative with both a new level of groundbreaking effort beyond the first peak three years ago and a continued dedication to the master blueprint of a grander big picture.

MOVIE REVIEW: The Water Diviner

"The Water Diviner" arrives as the directorial debut of Oscar-winning Australian actor Russell Crowe. Released last year in his home country, Crowe's film was the highest grossing film in Australia for 2014 and netted three Australian Academy Awards last year including Best Film. In an industry where everyone is constantly being compared and measured against their peers, most will to prognosticate Crowe already. Does he have it in him to be the next Robert De Niro behind the director's chair, the next Kevin Costner, or the next Clint Eastwood? Let's vote for "none of the above" and give him some time. Fashioned better than most directorial debuts, "The Water Diviner" isn't perfect, but it's a solid start from Russell Crowe climbing into a new chair.

MOVIE REVIEW: Ex Machina

"Ex Machina" has much more good than bad and much more surprise than contrivance when it comes to traversing the mine field that can be the science fiction topic of artificial intelligence, especially with a potentially damning title like that. The high-minded science is there. The ominous ambiance of implications and ramifications is properly defined. "Ex Machina" is very smartly created and makes the list of good (excuse my language) "mindfuck" films, joining the excellent and underseen "The One I Love" from last summer. But, it's still missing that next edge of sharpness or gear to ascend to the next level.

MOVIE REVIEW: While We're Young

Folks, I have to come right out and warn you that this going to more of a blog post than a movie review, but it will count for both. I just watched Noah Baumbach's new film "While We're Young" and I learned a lot about myself, but not all in a good way. Through the title of this website, I say that "every movie has a lesson." That's my hook and that's the lens I see movies with and I stand by it. Seeing this film tonight was the kind of challenging and humbling experience I need as an amateur movie critic from time to time.

MOVIE REVIEW: Danny Collins

In the new film "Danny Collins," the directorial debut of screenwriter Dan Fogelman, the titular main character played by Al Pacino has a way with conversation that is completely charasmatic and disarming. His character can uncannily cover up his sleazy flaws, misdeeds, celebrity status, and filthy rich persona with charm, honesty, self-deprecating humor, and the right measure of heartfelt sincerity. Danny "kills them with kindness," as the expression says, but then backs it up with legitimate follow-through. This character trait is a masterful creation from Pacino and a pleasure to watch. It might as well be a microcosm for the entire film. It too will hide its flaws and charm you to pieces.

MOVIE REVIEW: Clouds of Sils Maria

The new foreign-backed "Clouds of Sils Maria" is the latest film to challenge the parallels of a performer channeling what may or not be a version of themselves. Written and directed by Olivier Assayas, "Clouds of Sils Maria" premiered in competition at last year's Cannes Film Festival and worked the film festival circuit last winter, including stops in Toronto, New York, and the 50th Chicago International Film Festival. The film finally makes its limited U.S. theatrical release on April 10th. Honed down to a serious scale far smaller and more intimate than the likes of "Notting Hill," the cinematic star in the center of this solar system microcosm is Academy Award winner Juliette Binoche. As a gracefully aging actress of peripheral prominence playing a fictional one of the same sort in a different situation, we are taken inside a phenomenal character study. "Clouds of Sils Maria" is a fascinating actor's showcase that deserves and earns your attention for the behind-the-scenes tribulations of acting and the livelihood attached to that career.

MOVIE REVIEW: Furious 7

I'm going go out on a limb right now and make a bold statement after watching the amazing "Furious 7" that I didn't think I could or would say about this series a decade ago. Outside of maybe, and I mean maybe, the "Harry Potter" film series, I don't think any singular film franchise or series in cinematic history has gotten better with age more than "The Fast and the Furious." Yeah, I said it and I dare you to name something better that has spanned five-plus entries.

GUEST CRITIC #11: Cinderella

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, sometimes a simple sentence or two from a friend says it all. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for quick-hit movie reviews. Here's Natalie's take on "Cinderella."

MOVIE REVIEW: '71

Even as a little movie that most aren't going to see, let along hear of, "'71" enters my scorecard as the first great film of 2015. This is one is going to get remembered all year on this website. It will make the half-way "Best of 2015 (so far)" list in late June and will hang around until the year-end. Like my fervent love of "Whiplash," I may have found another hidden gem to stump for.

MOVIE REVIEW: The Salvation

American Westerns have become a lost art and a dying breed. So much has been done that it's hard to find a fresh take. If you have felt that loss and need a jolt, an extremely taut and good homage to the American Western has emerged in "The Salvation," playing now in limited release and Video on Demand, from Danish filmmaker Kristian Levring. Headlined by Mads Mikkelsen, Eva Green, Jeffrey Dean Morgan, and Jonathan Pryce, the film moved the needle a bit during the 2014 film festival circuit, including a pair of screenings at the 50th Chicago International Film Festival last October (where yours truly caught the ride).

EVERY MOVIE HAS A LESSON

by Don Shanahan

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