Throw out all of the Star Wars fan theories you’ve read or heard in the last two years. Ignore all of the online noise and irresponsible think piece editorials that have piled up on the web since Star Wars: The Force Awakens. Most importantly, relinquish whatever warped and selfish expectations that have been formulated by the blitz of marketing buzz. Star Wars: The Last Jedi takes its mountain of hype and shoves it away to make something nonconformist and wholly compelling in quite possibly the richest and most expressive entry of the storied franchise.

2017, 4 STARS, ADVANCE MOVIE REVIEW, MOVIE REVIEW, SPECIALDon ShanahanDecember 12, 2017Dolby ATMOS at AMC River East 21Comment

MOVIE REVIEW: Darkest Hour

Darkest Hour and Gary Oldman exhibit tremendous fight to match the vigor of the era. The film builds its mounting prospects of calamity and clashes of dissension with polish and gumption, avoiding many of the dull notes normally saddling most other behind-the-war-room yak-fest. The screenplay shrewdly skips laborious biographical notes and tautly fixates primarily on the two weeks of debate leading up to Operation Dynamo

2017, 4 STARS, MOVIE REVIEWDon ShanahanDecember 5, 2017Landmark Century Centre CinemasWinston Churchill, Darkest Hour, Joe Wright, Lily James, Kristin Scott Thomas, World War II, Operation Dynamo, Dunkirk, Clementine Churchill, Tinker Tailor Soldier Spy, Harry Potter, The Dark Knight, Best Actor in a Leading Role, Best Actor Oscar, Gary Oldman, Dario Marianelli, Atonement, Pan, Stephen Frears, Valerio Bonelli, Bruno Delbonnel, Amelie, The Theory of Everything, Anthony McCarten, Ben Mendelsohn, Prime Minister, King Edward VI, film critic, movie critic, film review, movie review, film commentary, movie commentary, 2017 Holiday Films, Churchill, life lessons, life lessons from film, life lessons from movies, life lessons from films, Oscar contenders, Donald Shanahan, Don Shanahan, Every Movie Has a Lesson Comments

MOVIE REVIEW: The Shape of Water

Soaringly endearing elements of romance enrapture with a heading spoonful of the perverse for good measure. Fantastical triumphs of mortal spirit over evil forces are applied to inhuman oddities with jarringly violent consequences. This is a film of stark peculiarity that challenges your safe zones and clashes with your sense of normalcy for the themes at play. It asks you to relish in an abnormal spectacle that dazzles with vintage style and extraordinary boldness.

2017, 4 STARS, Chicago Film Festival, Film Festival, Independent Film, MOVIE REVIEWDon ShanahanDecember 4, 201753rd Chicago International Film FestivalComment

MOVIE REVIEW: Mercury in Retrograde

Michael Glover Smith’s words of mounting depth and weight turn idle chatter into soapboxes that eventually become proverbial fortifications built around questioned principles and shattered wills. The ensemble of performers delivers on the required heavy lifting from the director to make the multitude of human flaws believable yet still approachable. Mercury in Retrograde is a hidden gem.

2017, 4 STARS, Film Festival, Independent Film, MOVIE REVIEW, Social MediaDon ShanahanNovember 27, 20174th Annual Oakton Pop-Up Film Festival2017, independent films, micro-budget film, Mercury in Retrograde, Best Narrative Feature, Full Bloom Film Festival, 2017 Full Bloom Film Festival, 4th annual Oakton Pop-Up Film Festival, Oakton Pop-Up Film Festival, Michael Glover Smith, Michael Smith, Najarra Townsend, Alana Arenas, Jack C. Newell, Rubber, Contracted, Open Tables, Pam Powell, Pamela Powell, Reel Honest Reviews, The Daily Journal, Oakton Community College, Gene Siskel Film Center, Mercury retrograde, Charles-Camille Saint-Saens, The Carnival of Animals, Wolfgang Strutz, Jason Chiu, Roxane Mesquida, Cool Apocalypse, Dashiell Hammett, Ned Beaumont, The Glass Key, Fennville, Saugatuck, southwest Michigan, Chicago, Kevin Wehby, Shane Simmons, Mercury, movie review, film review, film critic, movie critic, film commentary, movie commentary, life lessons, life lessons from film, life lessons from movies, life lessons from independent films, Don Shanahan, Donald Shanahan, Every Movie Has a LessonComment

MOVIE REVIEW: Coco

Wait until the rest of Coco’s stirring vibrancy awakens even more senses and heartstrings. Softening a setting of gallows humor as few films have, family entries or otherwise, Coco is a divine representation of the human condition rooted respectfully within marvelous cultural heritage. Nearly every pluck of an animated guitar string in Coco strums chords of creativity and compassion.

2017, 4 STARS, MOVIE REVIEWDon ShanahanNovember 22, 2017AMC River East 21 Comments

MOVIE REVIEW: Princess Cyd

Bright as the summer is sunny, thoughtful as the literature being referenced, and raw as the emotions running through it, Princess Cyd is a pertinent and inspiring triumph from writer and director Stephen Cone. We are privy to private moments, yet welcomed in for sake of common ground and personal growth. The sublime polish and volume of empathy amid this film’s themes is utterly magnetic.

2017, 4 STARS, Chicago Film Festival, Film Festival, Independent Film, MOVIE REVIEWDon ShanahanNovember 7, 2017Gene Siskel Film CenterComment

MOVIE REVIEW: Mr. Roosevelt

This entire film is a head-turning and striking first impression if you missed Noel’s single season on Saturday Night Live four years ago. As aforementioned with a passion project like this, you beg and wonder how autobiographical a wild story like this has to be. No matter if it’s true or entirely created, the appreciation measures the heavily positive same. The jokes come from all angles and hit with every effect from belly laugh to full cringe.

2017, 4 STARS, Chicago Film Festival, ADVANCE MOVIE REVIEW, Independent Film, MOVIE REVIEWDon ShanahanNovember 3, 2017Comment

MOVIE REVIEW: Thor: Ragnarok

Paired perfectly as a double-feature follow-up to this summer’s spacefaring Guardians of the Galaxy Vol. 2, Taika Waititi’s Thor: Ragnarok is a raucously rad roller coaster that shoots rainbows out of every digitally-rendered pore. Blasting with energetic pace in the complete opposite direction from the dreary and grayish Game of Thrones Lite tone of Thor: The Dark World, this new chapter is a cinematic box of Crayola crayons laced with dynamite.

2017, 4 STARSDon ShanahanNovember 2, 2017AMC Navy Pier IMAX2017 Holiday Films, 2017, Thor, Thor: The Dark World, Thor: Ragonark, Marvel Cinematic Universe, Marvel Phase 3, Marvel Films, Marvel, Marvel Comics, Marvel Entertainment, Disney/Marvel, Marvel Studios, Taika Waititi, Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Guardians of the Galaxy, Guardians of the Galaxy Vol. 2, Mark Mothersbaugh, Mjolnir, Kat Dennings, Hunt for the Wilderpeople, What We Do in the Shadows, Team Thor, YouTube, Vacation, Ghostbusters, Benedict Cumberbatch, Mark Ruffalo, Planet Hulk, Tessa Thompson, Jeff Goldblum, The Grandmaster, Clancy Brown, Surtur, Hela, Loki, Anthony Hopkins, movie review, film review, movie commentary, film commentary, film critic, movie critic, God of Thunder, Goddess of Death, God of Mischief, Ragnarok, Odin, comic book films, Comic Book Guy, comic book movies, comic book movie, DC Comics, life lessons, life lessons from movies, life lessons from film, Every Movie Has a Lesson, Don Shanahan, Donald ShanahanComment

MOVIE REVIEW: Liquid Truth

The discolored and dingy tile grout at the bottom of a swimming pool and the imagery effect of rippling water seen under the surface bending the images above perspective starkly symbolize the many warped dimensions of Liquid Truth. The truth in the title is as slippery as the water in director Caroline Jabor’s simmering social commentary. The film may be foreign from Brazil, but it typifies all too many social media ills that would explode in a parallel fashion here in this country.

2017, 4 STARS, ADVANCE MOVIE REVIEW, Chicago Film Festival, Film Festival, Foreign Film, Independent Film, MOVIE REVIEW, Social MediaDon ShanahanOctober 23, 2017The 53rd Chicago International Film Festival2017, Brazil, Liquid Truth, helicopter parenting, WeAreTeachers, Dr. Carolyn Daitch, Lucas Paraizo, Best Narrative Film, Rio International Film Festival, Aos Teus Olhos, Audience Award, Malu Galli, Stella Rabello, Luiz Felipe Mello, Marco Ricca, Facebook, Instagram, Luisa Arraes, Daniel de Oliviera, 53rd Chicago International Film Festival, Chicago International Film Festival, World Cinema, Cinema of the Americas, Caroline Jabor, film review, movie review, foreign film, Foreign films, foreign langugage film, foreign films, life lessons from foreign films, movie critic, film critic, CIFCC, CIFF, #CIFCCattheCIFF, social commentary, social media platform, social media, life lessons, life lessons from movies, independent film, independent films, films of Brazil, film festival, Festival review, Festival coverage, festival preview, movie reviews, movie commentary, film commentary, Donald Shanahan, Don Shanahan, Every Movie Has a Lesson, Lisa TrifoneComment

SHORT FILM REVIEW: Message Received

The character of James in Message Received, played by David Chin, is a married man whose extramarital activities has been discovered by a mystery person. His actions that follow in the taut 11-minute short demonstrate how desperation can make that downward cycle even more steep and slippery. Things get worse instead of better and he has no one to blame but himself.

MOVIE REVIEW: Marshall

Can you learn about a popular band by listening to their B-sides instead of their greatest hits? Can you get a sense of the brilliance within a writer from their early drafts and not their published masterpieces? Can you spot the traits of a future Hall of Fame sports legend solely by their work in college or the minor leagues before the professional ranks? The answer to each is quite likely the same: sometimes, but not always. Tally one in the sometimes column for Reginald Hudlin’s Marshall and its biographical podium choice.

4 STARS, 2017, Chicago Film Festival, Film Festival, MOVIE REVIEWDon ShanahanOctober 12, 201753rd Chicago International Film Festival53rd Chicago International Film Festival, Chicago International Film Festival, CIFF, CIFCC, #StandUpForSomething, Marshall, Biopics, Biographical films, lawfare, NAACP, Reginald Hudlin, Hidden Figures, Serving Sara, Boomerang, dramatic license, drama, legal drama, courtroom drama, Supreme Court, U.S. Supreme Court, E-Man's Movie Reviews, Eman, Eman's Movie Reviews, Emmanuel Noisette, Chadwick Boseman, Black Panther, Mr. Biopic, Joseph Spell, State of Connecticut vs. Joseph Spell, White Savior, white savior, Josh Gad, Dan Stevens, James Cromwell, Sam Friedman, Sterling K. Brown, 42, Get On Up, Kate Hudson, Opening Night Film, Opening Night Gala, Brown vs. Board of EducationComment

MOVIE REVIEW: Our Souls at Night

Even from a different generation than the present day, you can’t get more Hollywood than Robert Redford and Jane Fonda. Both are emeritus stars of Tinseltown royalty on multiple levels, respected and celebrated as award-winning performers, icons of style, sex symbols, and vigilant political personas off-screen. To see the two of them together again, for the fifth time and the first time in 38 years in Our Souls at Night, is a revitalizing treat unto itself, but to see their shared film be staunchly non-Hollywood in stature is even more refreshing.

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