When it comes to crime families in movies, any contenders and pretenders that want to be taken seriously are kissing the Corleone ring of “The Godfather” trilogy. That’s not happening with the Cutler clan in Adam Smith’s “Trespass Against Us.” As a mishmash of trailer park trash puffing their chests to operate with supposed principles, they occupy the polar opposite end of the glamorous spectrum of organized crime. Call them an “Irish fugazi,” if you will, complete with their own membership rings and cracks in the hierarchy.
Read MoreBut all of those lofty intentions will not be automatically transcendent for everyone. Let me say it like this as delicately as I can. The level of your Christian faith, or lack thereof, will formulate your reaction, appreciation, or acceptance of “Silence.” It is an agonizing personal test for an audience, just the same as it is for the characters on screen. This will either be a soul-rattling testament or maddening torture.
Read MoreThe micro-budgeted indie film “Hunter Gatherer” is the directorial debut of art director Josh Locy. The filmmaker has cut his teeth creating the visual palettes of independent fare such as an art director on David Gordon Green’s “Prince Avalanche” and Peter Sattler’s “Camp X-Ray.” His film, led by a charismatic performance from Andre Royo, shows the egotistical plight of a recently released con trying to reinsert himself in his old South Central Los Angeles neighborhood.
Read MoreNow in its third phase, Marvel continues to take C-level and D-list comic book characters and titles, breath cinematic life into them with top-notch talent in front of and behind the camera, and turn the obscure in newly minted household names and merchandising windfalls. "Doctor Strange" continues the studio's blueprint of Midas Touch success while jubilantly kicking down the door for magic and mysticism in the MCU. You may not know him yet, but Stephen Strange is a major player and huge addition to an already-loaded heroic panorama.
Read MoreFull disclosure, my goal in this review is to use as many synonyms as possible for the words “ridiculous” and “entertaining.” The range between those two attributes comprises the pendulum swing of “The Accountant,” the latest Ben Affleck-led actioner from “Warrior” director Gavin O’Connor. The film has a dual personality between the entertaining and ridiculous that weaves through every component and cuts to its core.
Read MoreIreland is a proud country where a pagan history has been blended with Christianity for two millennia. Mythology has merged with scripture and history has absorbed legend. “The Lark’s View” is a documentary reflecting the current and lost traditions on the century anniversary of the significant Easter Rising conflict of 1916.
Read MoreTongues are inserted into cheeks at a rapid-fire pace in “Bridget Jones’s Baby. The euphemisms, drollery, puns, wild physical gags, and self-deprecating farce originate from all directions and target anyone with eyes and a smile. The writing is harebrained in the most smart and witty ways possible and, trust me, that is a compliment. Better yet, when it needs to, the movie turns off the jokes and hits you with the necessary heart to make all the silly stuff enormously endearing.
Read MoreAs a clever and unusual experiment, “Level Up” maintains a sobering edge of straight-faced menace. Set to the electronica of the British musical duo Plaid, any sense of humor is present purely as a WTF moment of reminder of this scenario’s gonzo craziness. Targeting the metaphor of video game violence, once the clues bear fruit and darker confrontations ensue, “Level Up” earns your twisted interest and delivers on its high-concept potential with an adequate amount of thrill.
Read More”Blood Father” resurrects the cagey and fierce Mel Gibson. Languishing on an invisible black list, the “Braveheart” Oscar winner is living in a new age demographic and hoping to crack back into the larger spotlight. Mel might not be able to leap through dozens of stunt sequences anymore, but the man has lost none of his psychological vigor or resolve. His brand of crazy still works in this throwback actioner.
Read MoreIf I was trying to create a snazzy pull quote to add to the "Hell or High Water" lobby poster (one that is already filled with oversold promises), it would be "redneck edge." Fashioned as a genre-advancing Modern Western from the same screenwriter that knocked us out with "Sicario" last year, director David Mackenzie's new film is inspired in ambition but lax in execution. Its edge is the inability to decide whether to bark or bite.
Read MoreThe simplified noun definition of “comfort” reads “a state or situation in which you are relaxed and do not have any physically or emotionally unpleasant feelings.” Especially during this summer season of loud blockbusters and mayhem, when was the last time you felt simple comfort coming out of film? What types of films bring you comfort? That is a formula few genres and films can crack. William Lu’s patient romance and successful festival award winner is entitled “Comfort” and does its absolute best to deliver that very feeling.
Read MoreIn the words of professional wrestling Hall of Famer Razor Ramon, “Say hello to the bad guy!” Warner Bros. and their DC Entertainment wing need a rebound from the maligned “Batman v. Superman: Dawn of Justice” and are banking getting you to cheer for villains instead of heroes with “Suicide Squad.” Packed with a head-turning cast of wild cards and very little shame for spectacle, this film aims to combine the delicious referential villainy you loved in “Deadpool” with the anti-hero team dynamics of “Guardians of the Galaxy.”
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