MOVIE REVIEW: Bridge of Spies

Sewn with care to document an unopened storybook file on little-rememberd, forgotten Cold War heroics and theatrics, "Bridge of Spies" is the kind of historical drama that Steven Spielberg can make in his sleep. In a way, this is Spielberg's throwback answer to "Argo," three years after Ben Affleck's film swept the top Oscars away from Spielberg's own "Lincoln." He doesn't need that one-upmanship for his ego. "Bridge of Spies" is more a reminder that the master is still capable of making a winner with ease.

MOVIE REVIEW: Embers

51st Chicago International Film Festival special presentation

With "Embers," we definitely have something to bite into from first-time director Claire Carre. The film occupies a domestic world after an unseen neurological disaster that caused societal collapse. People drift aimlessly through urban ruins trying to eek out existence and survival. Worst of all, the people still alive now are stricken with amnesia and now have the inability to keep short-term memory. Think "Memento" on a community-sized scale.

MOVIE REVIEW: Everest

Marketed like a thrilling disaster film yet playing like a respectful drama, "Everest" is still carries the sheen of every other Hollywood mountain climbing movie while offering enough of a eulogistic history lesson to be respectful of its true story. Based on the real 1996 events documented in Jon Krakauer's massively best-selling novel "Into Thin Air," astute viewers who know how it will all end will still be engaged and entertained through the cliches. Director Baltasar Kormakur veils the seams of Hollywood dramatization enough to not sour the experience.

MOVIE REVIEW: Black Mass

Not to put on the school teacher hat, but let's pose a few questions and directions. Raise your hand if Johnny Depp has let you down since 2003 when he hit the big time playing Captain Jack Sparrow and became a caricature instead of an actor? Alright. That's most of you. Now, how many times did he let you down? Twice? Five times? More than five? Wow. That's still a lot of hands. Last question, how many of you miss Johnny Depp, The Actor who made us marvel as a serious performer back in films like "Blow" and "Donnie Brasco" Yup, that's everyone. Rest assured, class, "Black Mass" is here.

DOCUMENTARY REVIEW: Electric Boogaloo: The Wild, Untold Story of Cannon Films

Sometimes, the best documentaries aren't about stirring victories, historic successes, or heroic people. Sometimes, the best documentaries are about losers, accidental stardom, hubris, and horrible people. We are equally fascinated by a trainwreck as much as we are a space shuttle launch, maybe even more so. The captivation and interest factor doesn't wain. That's the draw of the new documentary "Electric Boogaloo: The Wild, Untold Story of Cannon Films." It makes a trainwreck fascinating.

MOVIE REVIEW: Vacation

To this writer, the success of a remake, reboot, or sequel is contingent upon matching the tone of the original work to the best of its ability. If a film gets that tone right, it can be a drastic revision full of changes and updates and still feel respectfully aware and in tune with the previous well-remembered greatness the new film is trying to emulate. That's the taste test that should be put on "Vacation," the new long distance sequel/update of the 1983 National Lampoon comedy classic.

MOVIE REVIEW: Trainwreck

The amount of love and appreciation you will garner for "Trainwreck" will entirely depend on your taste and tolerance level for its star, Amy Schumer. The groundbreaking comedienne wrote this screenplay as a fictionalized take on herself. If you love her brash comedy and clever subversive feminism, "Trainwreck" is a star-making arrival and a triumph as rare female-centered romantic comedy. If you're not into the crassness and randomness of her act, the film is going to feel like episodic fits and starts within a flawed romantic comedy that feels like pieces from different and better films.

MOVIE REVIEW: Ant-Man

Creative differences, bad PR, and terrible marketing have sunk greater and lesser films. "Ant-Man" survives each those kisses of death to be a fun, entertaining, and clever blockbuster. The creativity is more than present to veer away from Marvel's usually enormous scale of worldwide crisis-aversion and give us a true small-scale (literally and figuratively) "regular guy" hero that was missing among the billionaires, scientists, soldiers, assassins, and demi-gods Marvel has elevated so far to its cinematic pedestals. "Ant-Man" is packed with a plentiful amount of humor, spirit, and surprises that trump both the bad PR and overindulgent marketing. It was saving some aces up its sleeve.

OVERDUE REVIEW: The Age of Adaline

In a new subset of movie reviews on my main website, I am circling back to see and review reasonably recent films that I either missed during their main theatrical runs or saw later then their window of mainstream prominence. As a guy with a traveling day job and a new father of "two-under-two," I can't see everything every week and I have to choose my spots to head out to the theater. These are my educational-themed "OVERDUE REVIEWS" and the life lessons are still in full effect.

MOVIE REVIEW: San Andreas

"San Andreas" is one of those terrible-to-OK movies that Dwayne Johnson makes either passable or good solely through his presence, heroics, and charisma alone. We're a long way from great here, but "San Andreas" counts as mind-numbing fun that's fit for the summer season. The errors, implausibilities, and eye rolls are as high as the city-leveling casualty rate, but Warner Bros. and company weren't aiming very high.

MOVIE REVIEW: Tomorrowland

Thinly veiled beneath the powerhouse studio running the show, Disney's "Tomorrowland" is your new lightning rod between poignant and preachy. It is, with absolute certainty, an enormous message movie hiding behind a summer blockbuster. Brad Bird's film is a platform for big ideas that knows it's on a platform to also sell tickets and merchandise, putting it in that very divisive place between intention, tone, and how people are going to interpret it. If that surprises you, get in line. Everyone that was likely expecting a whimsical family-friendly film with gadgets and adventure are instead getting what stands to be the most polarizing film of the season, if not the year. That might not be a bad thing.

MOVIE REVIEW: Mad Max: Fury Road

For this writer, "Mad Max: Fury Road" is a daunting challenge for this website's definition of mindless action as a movie genre. Mindless action has its range from the trash of Michael Bay to the treasure of the "Fast and Furious" franchise. However, what separates the trash from the treasure is quality and impact. The quality speaks to the action and the impact speaks to the story being sewn along the way, even if it's secondary. The really good mindless action movies offer just enough heft of a compelling story to make the action matter and resonate beyond just superficial coolness. As incredible in stunt work and thrills as "Mad Max: Fury Road" is, it is missing too much of that heft to matter beyond being really cool to watch.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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