"Southside with You" is a date movie. It just happens to be about impossibly famous people. One of this film's many strong accomplishments is its ability to enamor and enchant you often to forget that the two main characters are the future President and First Lady of the United States of America. That is no small feat and one accomplished through flourishing grace from the filmmakers and magnetic allure from its lead performers.
Read MoreTo use a boxing term favored by commentators, “Hands of Stone” has a “big fight feel.” The ferocious energy and volatile personality of Edgar Ramirez’s Roberto Duran emits enough heat to liquefy lead. Add in the smooth and suave Sugar Ray Leonard, played by a game Usher Raymond IV, as the titan to topple and the effect is multiplied. “Hands of Stone” doesn’t break any new ground, but it operates with low mistakes to be a step above competent and solid within the sports film genre.
Read MoreLeave it to renowned filmmaker Werner Herzog to hit you with a buffet's worth of food for thought. His musings on the origins of the internet and its growing ramifications, both positive and negative, on this modern world are sternly served in his new documentary "Lo and Behold, Reveries of the Connected World." Scintillating one minute and sobering the next, this film is required viewing for anyone who has seen how far we've come with connectivity and wonders fearfully just how high this Icarus of technology can fly towards the Sun before it melts and crashes back to Earth.
Read MoreAs a clever and unusual experiment, “Level Up” maintains a sobering edge of straight-faced menace. Set to the electronica of the British musical duo Plaid, any sense of humor is present purely as a WTF moment of reminder of this scenario’s gonzo craziness. Targeting the metaphor of video game violence, once the clues bear fruit and darker confrontations ensue, “Level Up” earns your twisted interest and delivers on its high-concept potential with an adequate amount of thrill.
Read MoreLaika Entertainment, the Portland-based and Phil Knight-backed stop-motion animation studio that brought you “Coraline,” “ParaNorman, and “The Boxtrolls” have outdone themselves with their newest effort. “Kubo and the Two Strings” leaps off the screen with an original foreign folk tale that employs a rich originality and builds a strong base of emotional connection that rivals its Disney/Pixar contemporaries. Everything about its surface is finely crafted and creatively awe-inspiring. Who and what lies behind this film’s skin are its most egregious flaws that keep it from being a justifiable, full-fledged classic.
Read MoreFive top-light film critics of the Chicago Independent Film Critics Circle went down to the seedy parts of West Texas and lived to tell about it after an advance screening of the crime thriller "Hell or High Water." Enjoy the hot takes and breakdowns of Leo Brady, Pamela Powell, myslef, Emmanuel Noisette, and Jim Alexander!
Read MoreYou know the "Goodfellas" tropes: excessive narration, ordinary people getting rich or powerful doing extraordinary and often illegal activities played by colorful actors or actresses, dramatic license spinning a likely lesser true story, a kicking period soundtrack, pervasive drug use, freeze-frame shots to stamp moments, and a tidy epilogue of comeuppance. Imitation may be the sincerest form of flattery, but it is also lazily standing on the shoulders of giants. That’s the impact and existence of Todd Phillips’s “War Dogs” in a gun… err… nutshell.
Read More”Blood Father” resurrects the cagey and fierce Mel Gibson. Languishing on an invisible black list, the “Braveheart” Oscar winner is living in a new age demographic and hoping to crack back into the larger spotlight. Mel might not be able to leap through dozens of stunt sequences anymore, but the man has lost none of his psychological vigor or resolve. His brand of crazy still works in this throwback actioner.
Read MoreIf I was trying to create a snazzy pull quote to add to the "Hell or High Water" lobby poster (one that is already filled with oversold promises), it would be "redneck edge." Fashioned as a genre-advancing Modern Western from the same screenwriter that knocked us out with "Sicario" last year, director David Mackenzie's new film is inspired in ambition but lax in execution. Its edge is the inability to decide whether to bark or bite.
Read MoreBlooming out of a cradle of artistic and narrative perseverance, it is clear a philosophy of great care and pleasant patience was given to “Pete’s Dragon” by Lowery and company. The film enhances the magical charm audiences remember from the original with newly gained maturity to operate as a loving family drama and touching adventure of friendship. It is a welcome and calming addition of heft painted by that superb idyllic tone. The wonderment never overplays its moments.
Read MoreThe adjectives "titan" and "humble" are not commonly found together. Famed television producer Norman Lear is an iconoclast in every way. His successful shows and the waves they created are forever chiseled into that industry. Away from the his seat as a creative czar, the man remained a hard-working and vigilant self-made man of activism and integrity. In his 90s, Lear has crossed unimaginable measures of impact and history. The new documentary "Norman Lear: Just Another Version of You" stylishly chronicles his vast contributions.
Read MoreFour comic fans and film critics of the Chicago Independent Film Critics Circle wrestle with the villainy and quality of the hotly anticipated "Suicide Squad" after a recent advance screening for the press. Enjoy the heroic work of myself, Emmanuel Noisette, Jon Espino, and Jim Alexander!
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