That crucial third act would make a heck of a short film on its own. If we could fast-forward to there, we would be in business. Instead, we get the Eastwood hero worship vanity project parade. Invisible yet incredibly overt, The 15:17 to Paris freely flies its flags of god-fearing conservative morals, manly superiority, unwavering courage, dreams of glory, and military brotherhood. The content isn't lowered for Eastwood’s credibility, but the execution is, even if there is an audience for this sort of thing.

VINTAGE REVIEW: The Astrologer

In a reversal of this practical parable’s usual cadence, one man’s treasure is another man’s trash. This is where the tastes, descriptions, and comparisons begin for 1975’s The Astrologer. A young man named Craig Denney set out to direct and star is his own feature film to break into stardom. It was a passion project of sorts derailed by a backstory of avoidable failure. Along the same lines as trash versus treasure, one filmmaker’s passion project is another man’s vanity film.

MOVIE REVIEW: Bilal: A New Breed of Hero

Some causes and plights are universal to the heroism within the human condition no matter the era or culture. Comporting itself with admirable respect for the ennobling experience of its chosen history, Bilal: A New Breed of Hero portrays such heroism for film audiences. This animated feature film presents common themes and intrepid messages within a folklore not often given a Western stage. Named the “Best Inspiring Film” on Animation Day at last year’s prestigious Cannes Film Festival, Bilal: A New Breed of Hero earns a great deal of that praise.

2015, 2018, MOVIE REVIEW, 2 STARS, Social Media, Foreign FilmDon ShanahanFebruary 1, 2018Comment

MOVIE REVIEW: Justice League

Justice League comes across like attempted course correction done on that Etch-a-Sketch. The artist, or artists in this case, are trying to retrace old paths and smooth over past missteps with redrawn swirls, lighter hues, and a fluffy cover-up we call comedy. That effort on the cinematic Etch-a-Sketch indeed changes the initial picture, but only after unnecessarily tedious effort and some remaining messy results.

2017, ADVANCE MOVIE REVIEW, MOVIE REVIEW, 2 STARSDon ShanahanNovember 15, 2017AMC River East 21Justice League, Marvel Cinematic Universe, Blueprint, DCEU, DC Extended Universe, DC Comics, DC Universe, DC, Etch-a-Sketch, 2017, 2017 Holiday Films, Etch A Sketch, Buddy the Elf, Batman V. Superman: Dawn of Justice, Ben Affleck, Batman, The Batman, Ciarin Hinds, Steppenwolf, Apokolips, Mother Boxes, Man of Steel, Bruce Wayne, Wonder Woman, Gal Gadot, Ezra Miller, The Flash, Barry Allen, Arthur Curry, Aquaman, Jason Momoa, Victor Stone, Cyborg, Ray Fisher, Jeremey Irons, Alfred Pennyworth, Lois Lane, Amy Adams, Commissioner Gordon, J.K. Simmons, Suicide Squad, James Wan, Henry Cavill, Victor Frankenstein, Fabian Wagner, Danny Elfman, Spider-Man, Hans Zimmer, reshoots, Zack Snyder, Joss Whedon, movie critic, film critic, movie review, film review, movie commentary, film commentary, life lessons, life lessons from movies, life lessons from film, life lessons from films, Don Shanahan, Donald Shanahan, Every Movie Has a Lesson Comments

MOVIE REVIEW: Suburbicon

Suburbicon lazily delivers a caper that lacks cleverness, smarts, and anything edgy other than the spurts of hemoglobin that stain a few starched shirts. Even if it is pitch black by design, the final ingredient of fake sentimentality glazed over the proceedings is ineffective to add any varnish to the acidic angle of white-collar crime. Nonsensical twist follows nonsensical twist for an aimless purpose.

MOVIE REVIEW: Brad's Status

For better or worse, Brad’s Status, speaks from a very insulated and ostentatious point of view, that of the taboo term of “white privilege.” Even dramatized for soft realistic fiction, Mike White’s feature directorial debut tries to be a wakeup call of sorts. The dramedy carries a message, a fair and good one mind you, but one that will, unfortunately, fall on multiple deaf ears.

MOVIE REVIEW: Viceroy's House

The most superlative aspect of Viceroy’s House and its chronicle of national history for the countries of India and Pakistan is the personal passion behind the project. Bend it Like Beckham and Bride and Prejudice director Gurinder Chadha is the granddaughter of family displaced by the largest migration of people in recorded human history that occurred during the Partition of India of seventy years ago. There is an undeniable core of importance and respect present in the film that shows the great care of Chadha and all involved.

2017, 2 STARS, Foreign Film, Independent Film, MOVIE REVIEWDon ShanahanSeptember 11, 2017Landmark Century Centre Cinemas2017, 2017 Fall Movies, Viceroy's House, Gurinder Chadha, Bend it Like Beckham, Bride and Prejudice, Partition of India, Pakistan, Bangladesh, Louis Mountbatten, Hugh Bonneville, Gillian Anderson, Lily Travers, Hastings Ismay, Michael Gambon, Jawaharlal Nehru, Tanveer Ghani, Muhammad Ali Jinnah, Denzil Smith, Mahatma Ghandi, Neeraj Kabi, Manish Dayal, The Hundred-Foot Journey, Huma Qureshi, Gangs of Wasseypur, Ben Smithard, A.R. Rahman, Rashtrapati Bhavan, Lee Daniels' The Butler, The Butler, Romeo and Juliet, Shakespearean, film review, movie review, film commentary, movie commentary, foreign film, India, World War II, Dominion of India, life lessons, life lessons from film, life lessons from films, life lessons from movies, historical drama, romantic dramas, film critic, movie critic, Don Shanahan, Donald Shanahan, Every Movie Has a LessonComment

MOVIE REVIEW: The Book of Henry

Grant Focus Features, director Colin Trevorrow, and debuting feature writer Gregg Hurwitz all the balls in the world for putting out a movie this daringly original during the summer marketplace. Ambition notwithstanding, the extreme tonal shifts, while effective at keeping you invested in The Book of Henry to see what happens next, only half work in totality.

MOVIE REVIEW: My Cousin Rachel

Roger Michell stiffens his upper lip from his Love, Actually and Notting Hill fare to tackle a costume drama with My Cousin Rachel. Oddly enough, this film can stake a serendipitous claim as the second Michell-directed film about “kissing cousins” after Hyde Park on the Hudson. Unfortunately, more than a little uncomfortable laughter of preposterousness pokes out of this film while trying to portray itself as flowing romantic drama. That’s not going to sweep anyone.

2 STARS, 2017, Foreign Film, Independent Film, MOVIE REVIEWDon ShanahanJune 8, 2017Landmark Century Centre Cinema2017, 2017 Summer Movies, independent films, independent film, foreign films, foreign film, Foreign films, female leads, strong female character, My Cousin Rachel, Sam Clafin, Rachel Weisz, Roger Michell, Daphne du Maurier, Rebecca, The Birds, Rael Jones, Hugh Grant, Me Before You, Hyde Park on the Hudson, Notting Hill, 1952, Olivia de Havilland, Richard Burton, Holliday Grainger, Pierfrancisco Favino, World War Z, The Hunger Games, keep it in the family, film review, movie review, film commentary, movie commentary, life lessons, life lessons from movies, life lessons from film, life lessons from films, Don Shanahan, Donald Shanahan, movie melodramas, melodramas, mystery, costume drama, Chicago Independent Film Critics CircleComment

MOVIE REVIEW: The Dinner

More often than not, the label of “private family matter” spells doom and gloom. A good time is not going to be had. That’s the unfortunate impetus that brings two disunified brothers and their wives together for “The Dinner.” Compressing layers of familial discontent and rancor thinly-masked by the repulsive worst of white privilege, the tightly-wound urgency and shattering purpose of this titular meeting reveals itself over the film’s two hours.

MOVIE REVIEW: Sand Castle

Wars transform the soldiers that participate in them. Men and women in combat can be broken down, built up, or both in positive and negative ways. Because the young tend to serve, their stories, and the films that tell them, can mirror a late-term version of the “coming-of-age” archetype. The fingerprints of forced maturity appear all over the likes of “The Deer Hunter,” “Platoon,” “Jarhead,” and dozens of other films. In all honesty, the trope is overused and over-familiar and that’s the first mistake of “Sand Castle.”

MOVIE REVIEW: The Sex Addict

“The Sex Addict” is tailor-made to serve comedy fans that soak up humor akin to “The Office” and “Parks and Recreation.” The humor is naturally vulgar and dark, which isn’t everyone’s cup of tea. The crowd that will be repulsed can be replaced by those rolling on the floor laughing. “The Sex Addict” is a ways away from the supreme mockumentary exemplars of Christopher Guest, but that’s the perfect plane for Amir Mo and company to aspire to.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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