Martin McDonagh’s new film puts prickly in the pastoral glazing its country charm with absolute acid every chance it gets. Part stern crime drama and part small-town chicanery, Three Billboards Outside Ebbing, Missouri displays the next level of McDonagh’s talent and potential. Always the sharp storyteller since his roots on the Irish stage, McDonagh’s writing prowess elevates a premise that would fall flat as pure farce in other hands
Read MoreMichael Glover Smith’s words of mounting depth and weight turn idle chatter into soapboxes that eventually become proverbial fortifications built around questioned principles and shattered wills. The ensemble of performers delivers on the required heavy lifting from the director to make the multitude of human flaws believable yet still approachable. Mercury in Retrograde is a hidden gem.
Read MoreFamily, friends, coffee, a dog’s love, your favorite blue jeans, J.D. Power-award winning cars, ice cream, a warm blanket, duct tape, God, and Denzel Washington. That’s the absolute list of the most dependable and reliable things in this world. The soon-to-be 63-year-old two-time Academy Award winner never gives a bad performance and employs a focus on each role that is second to none. Cloaked inside a frumpy legal savant, Roman J. Israel, Esq. is another exemplary piece of evidence to this man’s range, focus, and presence.
Read MoreWait until the rest of Coco’s stirring vibrancy awakens even more senses and heartstrings. Softening a setting of gallows humor as few films have, family entries or otherwise, Coco is a divine representation of the human condition rooted respectfully within marvelous cultural heritage. Nearly every pluck of an animated guitar string in Coco strums chords of creativity and compassion.
Read MoreEmmanuel Noisette of the newly updated E-Man's Movie Reviews called for a wingman on a team-up movie. He was kind enough to invite me to represent Every Movie Has a Lesson on a recorded SPOILER-FILLED podcast of our immediate reactions after watching the Zack Snyder/Joss Whedon concoction of Justice League. We sit down and discuss what we saw, what we liked, and didn't like.
Read MoreIn a return engagement for a zany sequel, Every Movie Has a Lesson welcomes back the four fine ladies and working moms of the "TTC" (Terrific Teacher Committee). Say hello again to Donna Ferretti, Kelly Johnson, Manda Torres, and my own wife, Mrs. Thanh Shanahan, the purveyor of this website's "Pillow Rankings" section. Sixteen months ago, they reviewed Bad Moms on this website as "Guest Critics."
Read MoreThis past week, I was cordially invited and honored to join a panel on the "Kicking the Seat" podcast hosted by Ian Simmons. As always, Ian is joined by his regular wingman David Fowlie of Keeping it Reel. We left a seat warm for mutual friend Emmanuel Noisette of E-Man's Movie Reviews, but he couldn't make it. Ian, David, and I have talked comic book movies before, so it was only proper to get together for Justice League.
Read MoreI do my best to write professional grade film criticism fit for a formal audience, becoming best friends with a thesaurus and using my big boy words. By day, I'm an elementary school educator. At work this year, I've been organizing a special field trip for 5th graders to see Wonder after they've been reading the novel all fall. This second "student-friendly" movie review is for them and other younger readers. Revised, this review scales down my review down from an 11.6 Flesch Kincaid readability level to a comfy 4.4 average.
Read MoreWonder’s buoyant messages are the moving jolt of empathy this generation needs. Even better, its literal and figurative precepts carry an inspiring weight worthy to last many generations more. Directed by the good hands of Stephen Chbosky, Wonder is an instant classic, sure to become a new favorite, for its target audience and a winning (and rare) example of a film taking great care to do justice by the book it is based on.
Read MoreJustice League comes across like attempted course correction done on that Etch-a-Sketch. The artist, or artists in this case, are trying to retrace old paths and smooth over past missteps with redrawn swirls, lighter hues, and a fluffy cover-up we call comedy. That effort on the cinematic Etch-a-Sketch indeed changes the initial picture, but only after unnecessarily tedious effort and some remaining messy results.
Read MoreIn her solo feature directorial debut, Greta Gerwig has stepped in and pushed this cinematic species tremendously forward with the dramedy Lady Bird. The film destroys any notion of the “manic pixie dream girl” fakery. Lady Bird is a cornucopia woven with striking candor and filled with delightful oxymorons artfully composed to challenge taboos and stereotypes. Let’s give each oxymoron a life lesson and a paragraph or two along the way.
Read MoreRichard Linklater operates between free-wheeling fun and poignant realism with little middle ground. No matter which parallel, the quality of his romps on one side or his character studies on the other are equally and rightfully celebrated. It has reached the point where you have to ask if we’re getting "Party Linklater" or "Serious Linklater." Contrary to the little middle ground previously mentioned, Last Flag Flying tries both.
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