VIDEO: Post-film reactions to "Hell or High Water"

Five top-light film critics of the Chicago Independent Film Critics Circle went down to the seedy parts of West Texas and lived to tell about it after an advance screening of the crime thriller "Hell or High Water." Enjoy the hot takes and breakdowns of Leo Brady, Pamela Powell, myslef, Emmanuel Noisette, and Jim Alexander!

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MOVIE REVIEW: War Dogs

You know the "Goodfellas" tropes: excessive narration, ordinary people getting rich or powerful doing extraordinary and often illegal activities played by colorful actors or actresses, dramatic license spinning a likely lesser true story, a kicking period soundtrack, pervasive drug use, freeze-frame shots to stamp moments, and a tidy epilogue of comeuppance.  Imitation may be the sincerest form of flattery, but it is also lazily standing on the shoulders of giants.  That’s the impact and existence of Todd Phillips’s “War Dogs” in a gun… err… nutshell. 

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MOVIE REVIEW: Blood Father

”Blood Father” resurrects the cagey and fierce Mel Gibson.   Languishing on an invisible black list, the “Braveheart” Oscar winner is living in a new age demographic and hoping to crack back into the larger spotlight.  Mel might not be able to leap through dozens of stunt sequences anymore, but the man has lost none of his psychological vigor or resolve.  His brand of crazy still works in this throwback actioner. 

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MOVIE REVIEW: Hell or High Water

If I was trying to create a snazzy pull quote to add to the "Hell or High Water" lobby poster (one that is already filled with oversold promises), it would be "redneck edge."  Fashioned as a genre-advancing Modern Western from the same screenwriter that knocked us out with "Sicario" last year, director David Mackenzie's new film is inspired in ambition but lax in execution.  Its edge is the inability to decide whether to bark or bite.

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MOVIE REVIEW: Pete's Dragon

Blooming out of a cradle of artistic and narrative perseverance, it is clear a philosophy of great care and pleasant patience was given to “Pete’s Dragon” by Lowery and company.  The film enhances the magical charm audiences remember from the original with newly gained maturity to operate as a loving family drama and touching adventure of friendship.  It is a welcome and calming addition of heft painted by that superb idyllic tone.  The wonderment never overplays its moments.

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DOCUMENTARY REVIEW: Norman Lear: Just Another Version of You

The adjectives "titan" and "humble" are not commonly found together.  Famed television producer Norman Lear is an iconoclast in every way.  His successful shows and the waves they created are forever chiseled into that industry.  Away from the his seat as a creative czar, the man remained a hard-working and vigilant self-made man of activism and integrity.  In his 90s, Lear has crossed unimaginable measures of impact and history.  The new documentary "Norman Lear: Just Another Version of You" stylishly chronicles his vast contributions.

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VIDEO: Post-film reactions to "Suicide Squad"

Four comic fans and film critics of the Chicago Independent Film Critics Circle wrestle with the villainy and quality of the hotly anticipated "Suicide Squad" after a recent advance screening for the press. Enjoy the heroic work of myself, Emmanuel Noisette, Jon Espino, and Jim Alexander!

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VIDEO: Post-film reactions to "Jason Bourne"

Three critics of the Chicago Independent Film Critics Circle wake themselves up from the collective boredom and talk about "Jason Bourne" after an advance screening. Enjoy the popcorn throwing of Pamela Powell, myself, and Emmanuel Noisette.

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VIDEO: Post-film reactions to "Wiener-Dog"

Critics of the Chicago Independent Film Critics Circle, and a special guest, take off the leash and dish out the kibble on Todd Solondz's dark comedy "Wiener-Dog."  Hear from Gabrielle Bondi, Scott Pfeiffer, Leo and Christina Brady, special guest Brian Thompson, myself, Jim Alexander, and Emmanuel Noisette talking on the film. Enjoy!

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MOVIE REVIEW: Comfort

The simplified noun definition of “comfort” reads “a state or situation in which you are relaxed and do not have any physically or emotionally unpleasant feelings.”  Especially during this summer season of loud blockbusters and mayhem, when was the last time you felt simple comfort coming out of film?  What types of films bring you comfort?  That is a formula few genres and films can crack.  William Lu’s patient romance and successful festival award winner is entitled “Comfort” and does its absolute best to deliver that very feeling.

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MOVIE REVIEW: Suicide Squad

In the words of professional wrestling Hall of Famer Razor Ramon, “Say hello to the bad guy!”  Warner Bros. and their DC Entertainment wing need a rebound from the maligned “Batman v. Superman: Dawn of Justice” and are banking getting you to cheer for villains instead of heroes with “Suicide Squad.”  Packed with a head-turning cast of wild cards and very little shame for spectacle, this film aims to combine the delicious referential villainy you loved in “Deadpool” with the anti-hero team dynamics of “Guardians of the Galaxy.”

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MOVIE REVIEW: Little Men

Celebrated director Ira Sachs channels a shade of William Shakespeare with his latest film "Little Men."  An often-repeated quote from Shakespeare's "The Merchant of Venice" reads "the sins of the father are to be laid upon the children."  Sachs puts a beautiful spin on that notion using modern-day Brooklyn, two struggling families from different backgrounds, and a blossoming friendship characterized by two terrific debuting teen actors.  "Little Men" may be small in scope, but it speaks volumes in repercussions.

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