Posts in MOVIE REVIEW
MOVIE REVIEW: Beverly Hills Cop: Axel F

Unlike his musclebound beefy action star peers of the 1980s and 90s, what made Axel Foley an entertaining and enduring character for Eddie Murphy was his riffing eloquence with all matters of verbal communication. The fast talker was the best bullshitter in the business. As long as Murphy could resummon that fluent tempo in Beverly Hills Cop: Axel F– that crass, disarming, and profanity-soaked gift of gab– and keep it with some stamina for another lavish action comedy, all that was necessary would be fulfilled. Well, queue the popular wrestling crowd chant, because he’s still got it… and then some!

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MOVIE REVIEW: Horizon: An American Saga: Chapter 1

By golly, there’s something satisfying about watching an expert working in their element at a high level. They could be a laborer doing their job perfectly or an master artist flowing fully and freely within their given medium. At this stratum, to really appreciate what you’re seeing before your eyes, the observer needs to, at the very least, understand the medium and the artist in question. That is compulsory and, it needs to be said, the semi-restrictive provisions to approach Kevin Costner’s Horizon: An American Saga: Chapter 1. 

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MOVIE REVIEW: A Family Affair

If everything and everyone fell into place at the same time, we wouldn’t have a rapturous movie to enjoy, meaning the patience for that chase of schedules is part of the romance genre’s whole appeal. Directed by a returning professional in the department of silver screen love, Richard LaGravense, A Family Affair understands these principles well and bends them to its will and modern sensibilities.

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MOVIE REVIEW: Daddio

Therein lies the real key to unlocking a memorable conversation higher than chit-chat: Mood. Two people– not just one– have to want to talk. One person can have all the wisdom in the world or be a fountain of entertainment, but the other will never know it if genuine curiosity and investment aren’t reciprocated. Daddio doesn’t lose a second introducing a pair of differing dispositions prime for participation and initiative.

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MOVIE REVIEW: Midas

Midas writer-director TJ Noel-Sullivan, making his feature-length debut after an award-winning early career in shorts, is savvy to realization and has formulated a slick new heist film fit for modern times. Noel-Sullivan also knows that today’s Robin Hoods are not going after miserly members of royalty hoarding all the proverbial gold. The current people of the highest wealth and power control companies, not countries. They are the despised new targets.

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MOVIE REVIEW: The Bikeriders

Amid the ostentatious theatricality of actors making all kinds of noise in The Bikeriders, the other sound the film absolutely nails is the unmistakable deep bass rumble caused the asymmetrical arrangement of firing cylinders in Harley-Davidson engines. One by itself will get your attention. Five rolling together will rattle your windows. A dozen or more churning as a fleet becomes an aural maelstrom. Your selected reaction to that hellacious harmony will be your tinted gateway into Jeff Nichols’ petulant film.

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MOVIE REVIEW: Thelma

Well, eat your f’n heart out, Tom Cruise! In the first lead performance of her seven-decade career, June Squibb proves she can get around just fine at a venerable age of 93! Sure, the speeds of the pursuits are exponentially slower and the heights of the obstacles are far closer to the ground, but, make no mistake, there are thrills to be had and laughs to be enjoyed with Thelma. With all due respect to Ryan Gosling, Will Smith, Martin Lawrence, and Glen Powell, June just leapfrogged them all to be the must-see action hero of the 2024 summer blockbuster season.

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MOVIE REVIEW: Kinds of Kindness

Each chapter has their zany swerve at that magic 50-minute mark that throws viewers for a reflective loop while also grinding any earned momentum to a halt. The twists are so obscure, even by Lanthimos’ standards, that any salted suspension of disbelief strains credulity worth any investment in by the time the hammer falls for a mid-movie roll of credits and a hard transition. That kind of abruptness happens three times, sometimes right when a tangential storyline was hitting a grove, making the shifts to entire new settings and characters jarring and, worse, defeating.

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MOVIE REVIEW: Ezra

That is the imperfect and crooked road taken by Ezra helmed by actor/director Tony Goldwyn (The Last Kiss, Someone Like You). The sincere film dives into the complicated dynamics within the extended family of the titular young boy. Embodied by pre-teen neurodiverse actor William Fitzgerald in his feature film debut, Ezra is diagnosed with autism and is indeed the kind of apple where the tree that bore it demands its own attention.

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MOVIE REVIEW: Bang Bang

Sure, it may have taken a bit to get there, but talented writer-director Vincent Grashaw demonstrated the shrewd patience to make those culminating moments happen on their own time and without some grand public showdown or audience. The “what for” and the “why” came to a head with dramatic focus. Bang Bang was never built to be anything close to a cliched sports movie. Instead, what burned intimately for the people involved stayed intimate to the bitter–and therefore realistic–end. 

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MOVIE REVIEW: Guy Friends

Guy Friends circles its wagons and makes the fresh duo of Jaime and Sandy the core of the film. The main plot and their gestating sample examination of friendship establishment are shot in black-and-white by writer-director Jonathan Smith and mirror little full-color vignette testimonies of real people describing how they became best friends. In less witty hands, these arcs of burgeoning female connection and the well-worn looking-for-love plight would conveniently be vanquished in a grandiose and, in all likelihood preposterous, rom-com climax involving some kind of public shenanigans.

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MOVIE REVIEW: Hit Man

This baked-in layer of brains amid the brawn in Hit Man is credited to Linklater and Powell working together to punch up a screenplay together allowing fun to frolic next to intrigue. All of the nerdy philosophy would normally feel like serendipitous mumbo-jumbo tacked on a less intelligent premise. Instead, Hit Man’s slick polish and playful panache combine to create witty smartness seething with sensational sexiness at a level higher and hotter than we have seen in years with romantic comedies and crime capers. This date night delight is just what this summer season needs, be that in a theater or on your Netflix couch. 

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