This website has been moralizing for six years now its central message that "every movie has a lesson." As an educator, it is something that I firmly believe and stand by with every possible film, good or bad. I don't think, in all of my years of movie-going, I have ever seen a more real, living and breathing example of the power and magic of my website's theme than in the compelling and emotional new documentary "Life, Animated." A story like this is why I write. If that message speaks to you, go find "Life, Animated" immediately.

MOVIE REVIEW: Wiener-Dog

Commonly, there are only two general reactions to witnessing an elaborate intentional joke of dark comedy. You either admire the effort to relish the measured malice or you are appalled and disconnected to the sense of humor being exploited. There will be very little gray area between those reactions for Todd Solondz’s “Wiener-Dog.” Make no mistake. For lack of a better term, this is a filmmaker being an asshole on purpose because he can and he doesn’t care. You will either champion or loathe that supposed brilliance and brashness. Buyer beware, honest and true dog lovers need to stay far away from this film.

MOVIE REVIEW: Fathers and Daughters

Cynical critics and audiences will likely pontificate a headline of “Russell Crowe Goes Soft!” after watching his lead work in his new film “Fathers and Daughters” from “Pursuit of Happyness” director Gabriele Muccino. Watching the “Gladiator” Oscar winner play an ardent father of a heavy ensemble drama is a role that does not require the temperamental violence that normally fronts for the inner honor and heart we know resides inside many of the Australian tough guy’s most memorable roles. For once, he lets love do the talking instead of his fists.

MOVIE REVIEW: Hunt for the Wilderpeople

Cinema aficionados will quickly point fingers towards a few familiar comparisons for director Taika Waititi's New Zealand-based festival favorite, "Hunt for the Wilderpeople." The trouble is they will be shoehorning the film into an unshapely and narrow box where many containers are needed. "Hunt for the Wilderpeople" is rich and broad film with a charm and a sprawling ambition that will ping more that a few of your favorite film sensibilities. Broken into ten cheeky episodic chapters and boasting beautiful natural beauty shot by cinematographer Lachlan Milne, you will find a fun experience that may feel familiar, yet is wholly unique.

MOVIE REVIEW: The Dog Lover

It is entirely fair to grant that, out of the many animal breeders in the world, operations exist that are completely on the up-and-up with proper care and humane treatment of animals. No argument there. Not every dog breeder is a cruel and incensed perpetrator of animal slavery any more than not every Muslim is an ISIS terrorist or not every German was a Nazi. Advocating for such a truth is fine and dandy when the message is composed in a fair and balanced way. A film like the “The Dog Lover” is not the way to correct that message.

MOVIE REVIEW: The Secret Life of Pets

What keeps “The Secret Life of Pets” entertaining is the redeeming measure of charisma. Nothing is ever to a "Pixar Punch" level, yet the ever-present plucky pizzazz washes down the occasional preposterous stupidity with the right cooling chaser. You could do far worse for family summer fun at the theater. Now go home and hug that adorable pooch you left home from the movie theater. He or she has been waiting for you.

MOVIE REVIEW: Swiss Army Man

As ambiguous as this sounds, your love or hate of the new film and Sundance favorite, “Swiss Army Man,” will say something about your inner quirkiness, mindset, and, most of all, your heart. Packed with detail and imagination beyond belief, this film defies classification and destroys the hyperbole, pretense, and comparative euphemisms that normally define films about friendship, the genre of buddy movies, and even unconventional screen love stories. Movies that tug our heartstrings with a smile normally kill us with kindness. The polarizing “Swiss Army Man” kills us with weirdness. This film lets its WTF freak flag fly and encourages you to do the same.

VIDEO: Post-film reactions to "The Legend of Tarzan"

The critics of the Chicago Independent Film Critics Circle have heard the call of the jungle! Watch and enjoy the first takes of myself and my fellow CIFCC members including Jon Espino of "The Young Folks," Pamela Powell of The Kankakee Daily Journal and "Reel Honest Reviews," and, but not least, Emmanuel Noisette of "Eman's Movie Reviews" offering their hot-and-bothered impressions on "The Legend of Tarzan." Enjoy!

MOVIE REVIEW: The Legend of Tarzan

Swinging off the big screen and flexing all kinds of sweaty muscles, “The Legend of Tarzan” is an able and exciting summer blockbuster entry just in time for the holiday weekend. Former “Harry Potter” franchise steward David Yates has packed enough sweep and scope for high adventure while employing enough modern bells and whistles to launch the pulp character further than ever before on the silver screen. With stunning production pieces, wallet-worthy 3D, buff bods, beautiful people, and a bevy of carnal excitement, this newfangled interpretation delivers a throwback experience of intensity and thrills fitting for the classic hero.

MOVIE REVIEW: The BFG

Faithful and imaginative as “The BFG” may be, the proceedings lack contagious inspiration that should come from a film of this intended caliber. Other than “whizpopper” humor, the slivers of cuteness present are ineffectual and the intended themes on dreams are lost in yawns. The silliness misses any chance at meaning. The film is too ridiculous to be approachable and too bizarre to be endearing. Meet Steven Spielberg's worst film.

MOVIE REVIEW: The Shallows

“The Shallows” gives Blake Lively the chance to not only prove she’s more than a Hollywood hot body, but also one-up her husband Ryan Reynolds in survival film department next to his little 2010 gem “Buried.” Prominent click bait out there will have you believe that “The Shallows” is the best shark movie since “Jaws.” That bold statement is a bit of overrated hyperbole. “Open Water” and “Deep Blue Sea” might have something to say about that. However, there more than enough impressive rush and originality from “The Shallows” to stand out in a crowded summer marketplace of retreads and sequels.

MOVIE REVIEW: Independence Day: Resurgence

The advent of computer-generated visual effects in the 1990s raised the scope of what and how much disaster movies could destroy on screen. No better film encapsulated that new era than the raucous and wildly successful “Independence Day” from 1996 with aliens laying waste to world monuments and making a star out of Will Smith. In the twenty years since, the evolution of CGI filmmaking of bigger and more opulent destruction has elevated the craft to the moniker of “disaster porn.” Returning with the grand ambitious sequel “Independence Day: Resurgence,” the former standard-bearer enters a present day where audiences have been desensitized by asteroids, comets, natural disasters, monsters, Transformers, and superheroes dozens of times over. What was awesome the first time isn’t jaw-dropping anymore.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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