MOVIE REVIEW: Sunset Song

Beloved in its homeland of Scotland, Lewis Grassic Gibbon's 1932 novel "Sunset Song" is revered for its detailed and poignant tale of peasant life and the place of women during the transitional times of the early 20th century. The novel has been a long-gestating passion project for highly regarded British filmmaker Terence Davies. Brought to life with moments of 65mm grandeur, his sumptuously crafted and carefully refined film adaptation is another jewel in the filmmaker's crown, though one not without its source material's difficulties.

MOVIE REVIEW: The Lobster

With intentionally languid brushstrokes, "The Lobster," from Greek director Yorgos Lanthimos in his English language debut, creates a challenging moral setting that twists the realities and consequences of two human conundrums and fears: What happens when you are single and what happens when you die. His muse at the center is Colin Farrell in arguably the most understated performance of his career. With more talent and a high concept at play, "The Lobster" is missing the charm to tie it all together.

DOCUMENTARY REVIEW: June Bride: Redemption of a Yakuza

"June Bride: Redemption of a Yakuza" presents an international alternative to the Scared Straight programs that have become a fascination here in the United States. No, not this one (though enjoy a quick laugh), but prison initiatives like those chronicled in A&E's popular "Beyond Scared Straight: Success Stories. Rather than bombard subjects and audiences with fear, one man in Japan finds faith to be the greater answer.

MOVIE REVIEW: Dough

If you take one look at the doctored-up theatrical poster for the independent film "Dough," you might get the impression of an absurd weed romp to come. Very quickly within John Goldschmidt's film, you will see the depth behind the film's comedic costume. For better or worse, "Dough" is a strong mentor-mentee film that just happens to have a special funny ingredient in its cooking that adds wrinkle and flavor.

MOVIE REVIEW: Louder than Bombs

"Louder than Bombs" is the English language debut of Norwegian director Joachim Trier and his writing partner Eskil Vogt, best known for their 2006 Academy Award-nominated foreign language film "Reprise." Their newest work was a competitor for the Palme d'Or at the 2015 Cannes Film Festival, Norway's first since 1979. Possessing a compelling rotation of inner monologues, the heavily dramatic film observes a fractured family of men dealing with the overhanging aftermath of losing their iconic matriarch.

MOVIE REVIEW: Marguerite

Do we all remember the infamy of William Hung from 2004? You should. Take William Hung, turn back the clock 80 years, and, here's the kicker, give him a judging audience that won't tell him he's bad. If you can do that, you can step into the foreign film "Marguerite" from French director Xavier Giannoli playing now at the Landmark Theater locations in Lincoln Park and Highland Park. Divided into five chapters, "Marguerite" is an immersive character study into a would-be singer's obsession with talent.

MOVIE REVIEW: The Wave

Plenty of disaster movies pretend to lean on real science to justify their cinematic ambitions in order to offer belief an audience can accept and exude some form of intelligence. Too often, the manic energy to entertain exceeds the science and a two-hour turd polishing clinic results. The decent ones can touch base with the right science and blend in the theatrics. As long as you can stand subtitles and tray of cheese samples, you have a mild winner in "The Wave (Bolgen)" from Norway.

CHICAGO INTERNATIONAL FILM FESTIVAL: 10 must-see films of the 51st CIFF

Annually, the Chicago International Film Festival houses some of the first opportunities to Oscar contenders and world-class films. With so many choices, what are the high-profile or can’t-miss films appearing at the year’s festival? Here are this website’s picks for the top 10 must-see films of the 51st Chicago International Film Festival.

MOVIE REVIEW: The New Girlfriend

According to the Merriam-Webster Dictionary, the most basic two-part definition of the word "identity" is "who someone is" and "the qualities, beliefs, etc. that make a particular person or group different from others." That notion of identity speaks to both our distinguishing physical appearance and persona on the outside as well as our internal soul, thoughts, preferences, and desires. In 2015, a captivating year where our own country has legalized same sex marriage and the introduction of Caitlyn Jenner set off shockwaves, our society is coming around to learning and understanding that not all identities fit into the usual two check-boxes of "male" and "female." We are witnessing the emerging battle for LGBT (lesbian, gay, bisexual, and transgender) equality right before our eyes.

MOVIE REVIEW: Big Game

Bankrolled overseas for just under $10 million, the new film "Big Game," playing concurrently in limited theatrical release and Video On Demand, stars a sizable cast of Hollywood players stealing easy money and cashing quick paychecks. "Big Game" is a dumpster fire. It might be so incredibly terrible that it's too bad to ever become a "so-bad-it's-good" guilty pleasure and cult favorite. This might be beyond the boys at RiffTrax to mock, and that's saying something.

COLUMN: Facts and history of the Cannes Film Festival

If you are a casual follower of the movie industry, there's a good chance that you've probably heard of, but don't know much about, the Cannes International Film Festival. You probably have seen the fashion report on E! and a few red carpet interviews on Entertainment Tonight or Extra. First off, you've got to say it right to sound cinephile-cool. "Cannes" pronounced "CAN" and not "CANS". That will help right off the bat. In this column, I'm presenting this article on the facts and history of the prestigious Cannes Film Festival to help the unfamiliar and uninformed movie fan sound like one of the 1% of cinema aficionados.

MOVIE REVIEW: The Water Diviner

"The Water Diviner" arrives as the directorial debut of Oscar-winning Australian actor Russell Crowe. Released last year in his home country, Crowe's film was the highest grossing film in Australia for 2014 and netted three Australian Academy Awards last year including Best Film. In an industry where everyone is constantly being compared and measured against their peers, most will to prognosticate Crowe already. Does he have it in him to be the next Robert De Niro behind the director's chair, the next Kevin Costner, or the next Clint Eastwood? Let's vote for "none of the above" and give him some time. Fashioned better than most directorial debuts, "The Water Diviner" isn't perfect, but it's a solid start from Russell Crowe climbing into a new chair.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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