With its buoyant humor and stellar energy, DC League of Super-Pets is the finest pampering treat we’re going to get and it’s a welcome one, even if a treat like this is a tad on the unhealthy side. With no apologies to Joss Whedon, Zack Snyder, or anyone else, it took bringing in a bunch of animal characters, the writers of The LEGO Batman Movie, and shifting to animation to give us the best theatrical Justice League movie we’ve had to date.
Read MoreCombining Cumming’s lifting presence, snippets of archival TV coverage, and the animated sequences, My Old School has beguiling charm mirroring the fascinating central figure and the wry smiles on the faces of the Bearsden alumni telling their yarns. Viewers will absorb this tall tale and ask how much fraudulence is either acceptable or too much in a true-life “fake it until you make it” story. There is an irreverent delight to be had measuring that scale person-to-person and case-by-case.
Read MoreBoth men are stupendously deadly in their own ways. Seen and unseen pushers and handlers with unreliable agendas have tied hands, and forced ones too, for the repercussions to come. Pit these two men and their motives against each other, and the unpredictability ignites itself in The Gray Man. Wall to wall, the Russos have unleashed what may stand as the best pure action movie of 2022.
Read MoreIf, from here on out, the Thor series is going to stay in Taika Waititi’s control, so be it. Let him own it and be all things Thor. Hemsworth’s natural charisma and self-deprecating personality, put on blast in Thor: Love and Thunder (buns and all) more than it’s ever been in that shiny armor, match the zany route Waititi has taken with this character. Going back to the bold spirit of Branagh’s mythic origins seems difficult, if not damn near impossible, where Waititi and company would be better off sticking with the fluffy cheese and not even trying. For better or worse, this is Thor now. Maybe at least, even in sideshow comedy mode, this character will finally have consistency.
Read MoreProcessing such delirium for 159 minutes from what could have been 240, Elvis is an opus of exhaustion. Luhrmann’s fever dream veers from campfire fable to therapy session and is as gaudy as its subject. You don’t just succumb to the Aussie filmmaker’s trademark visual and aural excessiveness. You submit to it, because, goodness gracious, it’s Elvis Aaron Presley and the stature of his legend on this display is indomitable.
Read MoreIn both keen and ineffective ways, mood confusion is the slant of choice for Joseph Kosinski’s Spiderhead opening on Netflix this week. Targeting both the narrative characters and us in the voyeurs’ seats, purposeful choices are made to set a certain vibe. That curated atmosphere is meant to cloak and subvert a more impactful identity underneath. The clinchers for Spiderhead’s engagement as a thriller are how tantalizing the constructed mood is and how provocative is the hidden truth.
Read MoreThere is a tremendous dichotomy of thought and talk amid Pixar’s Lightyear. Within the movie, we are granted a dramatic hero truer than the memorable action figure caricature we have come to cherish playing alongside other toys. This beefier Buzz Lightyear may still be narrating to himself, but his talk expresses strong emotions and virtuous desires more than push-button quips. He is his own man, not a packaged program of settings and market research.
Read MoreThis gravity of consequence, importance, muscle, and heritage permeates every airspace of Top Gun: Maverick. Updated for a contemporary environment, the raw machismo is remodeled to match the progressive excellence and fortitude demanded of pilots today. The days of Marlboro Man-level cowboy pilots are virtually over– all save one: Capt. Pete “Maverick” Mitchell, played by, as many are calling “the last real movie star,” Tom Cruise.
Read MorePut the atlas away and send the stenographer on vacation. For this one, you’re going to need a Ouija board, a witch doctor, a semester’s worth of Disney+ homework, and either a giant Ambian or the PASIV machine from Inception to join the dream party. OG Spider-Man trilogy director Sam Raimi stuffs this movie with all of his signature garish monstrosity that can fit under a PG-13 rating. Prepare to be dazzled and prepare to be dizzy as well.
Read MoreWhen it comes to entertainment value versus artistic value, much can be forgiven about a film when its heart is in the right place. Beginning as a romantic comedy, The Sound of Violet has a beginning premise that veers very much into a cloying territory. Once the drama of its chosen realities thicken and the laughs no longer come easy, its sense of correction can feel quite heavy-handed. Normally, such an imbalance would be the death knell for a movie. Somehow, the openly hemorrhaging sweetness of The Sound of Violet grants a few critical pardons.
Read MoreThat Night may buzz around the living spaces and late-night haunts of the Windy City on a path to sunrises, but every pitfall or bit of good luck comes back to our main leads with karma and consequence. Through the boozy haze, Stacey and Lily confronting their uncertain futures is the locked core of the movie. Montenegro and Gester demonstrate excellent chemistry in their shared conversations where will-they/won’t-they cliches are challenged every step of the way.
Read MoreThe good storytellers at Pixar take all the possible cringeworthy “red” jokes and mask them through creatively conceived metaphors that soften the obligatory embarrassment with heart, humor, and courage. After all, to the Chinese culture on display in Turning Red, the potentially frightening shade of crimson counts as a lucky color of vitality, success, and happiness. Leave it to the ever-reliable Pixar to swim freely within that intrinsic good fortune as they so often do.
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