Not to sound like a barista at a coffee shop, but we’ve reached a point after 83 years of character history across innumerable pages and screens that one has to ask, “How do you take your Batman?” Do you need emblematic cream, sugar, ice, extra caffeine, froth, or some similar fancy twist? If you take it black, filmmaker Matt Reeves has a trenta special called The Batman with your name on it.
Read MoreInstead of empathy leading to absorb the full breadth of such a possible tragedy, the conjured thrills selfishly serve only one side of the story and plead a hollow case by the end. By staying on Amy and her radical involvement in the climax, the movie forgets to consider the unseen characters in the story that do not fare as well. The movie is laser-focused on this one mom and her one kid with very little respect extended to the fullness of the event or larger issue. Even with the objective of making a claustrophobic and voyeuristic movie, that larger picture cannot responsibly be dismissed for selfish or singular gain.
Read MoreThat exchange is one of few that typifies the giddy hospitality and the bizarre allure of Strawberry Mansion from the writing and directing team of Kentucker Audley and Albert Birney. The movie extends a coy and welcome hand to join its descent into weirdness while still spinning plenty of heady oddities to rattle cages of normal sensibilities. Go ahead and take this movie’s leap into the surreal. You may just like what you find.
Read MoreNone of those interactions and traits do Tom Holland any favors in a big spot that he should have been allowed to outright own. By golly, it’s a good thing the kid (see, there I go doing it too) is an upper-level movie star athlete pulling off his own moves and an even better thing the high adventure that requires him to run, jump, leap, flip, and swing without his trusty Marvel webs is very entertaining. Still, what should be the second coming of Indiana Jones comes off more like a graduation and gender swap of Dora the Explorer.
Read MoreIn his second screen appearance as the famed private investigator Hercule Poirot, both the camera and our eyes are magnetized to Kenneth Branagh. There are drop dead gorgeous and expressive characters gallivanting all around, and we can’t pull away from the diminutive observer with that prominent mustache and those impeccable suits. Watch him in character.
Read MoreBetter than that academic boost, you will find a zealous movie that stands with decisiveness as one of the finest films of the year. The Tragedy of Macbeth seizes that prominence with precisely those two aforementioned traits: an inspired look and fire within the performers. There is no shortness of acting brilliance or production value perfection in every corner and millisecond of this picture.
Read MoreThat’s why American Underdog carries the kind of story we may never see again. Kurt Warner is a special individual and, as history shows, more than his athletic prowess. Fewer stories this past quarter-century were riper for cinematic celebration and fewer hero worship subjects were more deserving. Go ahead and lionize this man. He’s the real deal and he earned it.
Read MoreGeorge Clooney’s The Tender Bar has, above everything else, a crucial mentor character that wins over the entire film with everything he does. When regular dads are absent or inadequate, father-figures are incredibly important for an malleable kid. We’ve seen plenty of them in movies before, but Ben Affleck’s Charlie character feels more spot-on and special than usual. When he’s there putting an arm around a shoulder or mixing a martini, you’ll either wish for or recall your own Uncle Charlie from your life.
Read MoreThe successes spring forth from the roller coaster of crowd reactions between cheers and tears that you yourself will undoubtedly witness (or share) at your own theater visit. Imagine if everything you eventually see was a protected surprise and that measurement goes through the multiplex roof even further. Top to bottom from a production standpoint and crowned with a smile from ear to ear, this is what big screen escapism and dream fulfillment looks like at the highest level.
Read MoreThough the nostalgic director has rightfully earned a carte blanche status from galactic success to make whatever he wants, it feels like Spielberg had not really challenged himself for the better part of the last two decades. Yet, here he is making his first musical with the energy of a man half or even a quarter of his age. Populated with fresh faces, sung with fiery voices, and varnished with spirited hues of toughness and beauty, his resulting West Side Story can win over the purists and cure those remake value worries. We (myself included) can put the memes away for this one.
Read MoreCalling down the inspirational Biblical thunder of Psalm 22:20 that swings like a pendulum between beloved darlings delivering souls and the deadly teeth of sin, The Power of the Dog allows straight bitterness to build its texture of smoke. You have a western that doesn’t pull a trigger to make its points. It kills without blades or bullets. Call it a woman’s touch, if you must, but that would be dismissive when you consider the source material and its notable twists.
Read MoreTry as she may, though, I look at the woman playing Princess Diana, even with all the clear personal commitment, and all I see is Kristen Stewart. Thanks to her own natural twitches under her blonde helmet of hair, Stewart’s same agape expressions and same exasperating line deliveries land a lip bite or two away from showing us it’s more her than who’s she playing.
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