Through 42 Grams, documentary director Jack C. Newell muddles away the self-importance and crafts his own dish laced with affinity and rapport. Following the trials and tribulations of gifted chef Chicago chef Jake Bickelhaupt and his wife Alexa, Newell’s film looks beyond the culinary decadence to reveal a core essence of ambition as relatable as any other version of the American Dream. The captive fascination swelling from that gathers attention and an audience where it normally would not.
Read MoreScoot Cooper’s grizzled western Hostiles opens with a quote from novelist D.H. Lawrence that reads: "The essential American soul is hard, isolate, stoic, and a killer. It has never yet melted.” Those four adjectives and labels assigned by the English writer ring true for the late 19th century historical era he observed and also for the film itself you will watch. Each of those traits are embedded within Cooper’s difficult and impressive film.
Read MoreThrow out all of the Star Wars fan theories you’ve read or heard in the last two years. Ignore all of the online noise and irresponsible think piece editorials that have piled up on the web since Star Wars: The Force Awakens. Most importantly, relinquish whatever warped and selfish expectations that have been formulated by the blitz of marketing buzz. Star Wars: The Last Jedi takes its mountain of hype and shoves it away to make something nonconformist and wholly compelling in quite possibly the richest and most expressive entry of the storied franchise.
Read MoreDarkest Hour and Gary Oldman exhibit tremendous fight to match the vigor of the era. The film builds its mounting prospects of calamity and clashes of dissension with polish and gumption, avoiding many of the dull notes normally saddling most other behind-the-war-room yak-fest. The screenplay shrewdly skips laborious biographical notes and tautly fixates primarily on the two weeks of debate leading up to Operation Dynamo
Read MoreSoaringly endearing elements of romance enrapture with a heading spoonful of the perverse for good measure. Fantastical triumphs of mortal spirit over evil forces are applied to inhuman oddities with jarringly violent consequences. This is a film of stark peculiarity that challenges your safe zones and clashes with your sense of normalcy for the themes at play. It asks you to relish in an abnormal spectacle that dazzles with vintage style and extraordinary boldness.
Read MoreMichael Glover Smith’s words of mounting depth and weight turn idle chatter into soapboxes that eventually become proverbial fortifications built around questioned principles and shattered wills. The ensemble of performers delivers on the required heavy lifting from the director to make the multitude of human flaws believable yet still approachable. Mercury in Retrograde is a hidden gem.
Read MoreWait until the rest of Coco’s stirring vibrancy awakens even more senses and heartstrings. Softening a setting of gallows humor as few films have, family entries or otherwise, Coco is a divine representation of the human condition rooted respectfully within marvelous cultural heritage. Nearly every pluck of an animated guitar string in Coco strums chords of creativity and compassion.
Read MoreBright as the summer is sunny, thoughtful as the literature being referenced, and raw as the emotions running through it, Princess Cyd is a pertinent and inspiring triumph from writer and director Stephen Cone. We are privy to private moments, yet welcomed in for sake of common ground and personal growth. The sublime polish and volume of empathy amid this film’s themes is utterly magnetic.
Read MoreThis entire film is a head-turning and striking first impression if you missed Noel’s single season on Saturday Night Live four years ago. As aforementioned with a passion project like this, you beg and wonder how autobiographical a wild story like this has to be. No matter if it’s true or entirely created, the appreciation measures the heavily positive same. The jokes come from all angles and hit with every effect from belly laugh to full cringe.
Read MorePaired perfectly as a double-feature follow-up to this summer’s spacefaring Guardians of the Galaxy Vol. 2, Taika Waititi’s Thor: Ragnarok is a raucously rad roller coaster that shoots rainbows out of every digitally-rendered pore. Blasting with energetic pace in the complete opposite direction from the dreary and grayish Game of Thrones Lite tone of Thor: The Dark World, this new chapter is a cinematic box of Crayola crayons laced with dynamite.
Read MoreThe discolored and dingy tile grout at the bottom of a swimming pool and the imagery effect of rippling water seen under the surface bending the images above perspective starkly symbolize the many warped dimensions of Liquid Truth. The truth in the title is as slippery as the water in director Caroline Jabor’s simmering social commentary. The film may be foreign from Brazil, but it typifies all too many social media ills that would explode in a parallel fashion here in this country.
Read More