There's room for film noir that can inhabit real places and plausible people while still having all the necessary ingredients to make them as cool as the genre demands. With a deep homage to noir coupled with a big dose of 1970's-esque conspiracy thrillers, director Jenna Ricker, in her second feature film, presents "The American Side" starring her Greg Stuhr and a notable ensemble cast. Using upstate New York, Ricker has created a living and breathing seedy side out a wholesome American city and tourist destination. As a film, "The American Side" is satisfying and a constantly engaging throwback detective story that surpasses its glitzy and more expensive Hollywood peer "The Nice Guys."

MOVIE REVIEW: Finding Dory

Unless the title begins with "Toy Story," Disney/Pixar has not had very good luck with effective sequels. "Cars 2" aimed too high for a bigger international stage and "Monsters University" failed as a bonding origin story prequel. Thirteen years after the original, "Finding Dory" changes that weak trend with a winning flourish. Teeming with plenty of vibrant energy and anchored by Pixar's signature punch of finely tuned emotional storytelling, this sequel will delight audiences young and old and earns its mature place as a companion piece to the classic "Finding Nemo."

MOVIE REVIEW: High-Rise

"High-Rise," starring Tom Hiddleston, is a strongly constructed blend of experimental science fiction with colossal political and social commentary. The layers of symbolism, analogy, and allegory are as tall as the building itself. There is a richly disturbing and dark fascination in observing how all of this frivolity comes crashing down in unpredictable and unlimited disaster.

MOVIE REVIEW: Elvis & Nixon

Combine the oft-used expression "a picture is worth a thousand words" with the idiom "a fly on the wall," and you will have the contagious vigor that is "Elvis & Nixon." The most famous loose collar in the land meets the most-buttoned up Commander-in-Chief of this generation in a comedy of jovial possibilities. There is better-than-good chance that not a lick of "Elvis & Nixon" is true, but that doesn't ruin the fun of examining a documented moment of star-crossed brevity.

MOVIE REVIEW: Louder than Bombs

"Louder than Bombs" is the English language debut of Norwegian director Joachim Trier and his writing partner Eskil Vogt, best known for their 2006 Academy Award-nominated foreign language film "Reprise." Their newest work was a competitor for the Palme d'Or at the 2015 Cannes Film Festival, Norway's first since 1979. Possessing a compelling rotation of inner monologues, the heavily dramatic film observes a fractured family of men dealing with the overhanging aftermath of losing their iconic matriarch.

MOVIE REVIEW: The Invitation

Adorned with the weights of divorce, loss, and tested friendship, “The Invitation” wears those issues like a cloak to hide its real menacing intent and implications underneath. Karyn Kusama’s film holds a marvelous poker face that siphons your piqued curiosity and unraveling attention. “The Invitation” might be labeled as a horror film, but it far better fits the prodigious “mindfuck film” subgenre. Enjoy the steady increased heart rate and spinning cerebrum this film has to offer.

MOVIE REVIEW: Born to Be Blue

Any savvy film fan should know that first-rate musical biography films are less about the music and more about the artist. The music becomes extroverted accompaniment to the introverted human elements behind the persona. Presenting a career-best performance from Ethan Hawke, "Born to Be Blue" earns its place as one of the best jazz movies to grace the screen. The film is an impressive creative step forward for Canadian director Robert Budreau in just his second feature-length effort.

MOVIE REVIEW: Midnight Special

In the Merriam-Webster Dictionary, the adjective form of "special" can be defined as "held in particular esteem" and "readily distinguishable from others in the same category." For a film to earn that distinction it has to do more than have the word in its title, as is the case with the Jeff Nichols film "Midnight Special." It has to possess exemplary qualities to revere that enable it to stand out from its peers. As one of the most striking, imposing, and spell-binding original science fiction films in recent memory, "special" is fitting trademark for "Midnight Special."

MOVIE REVIEW: Everybody Wants Some!!

Through two parallel veins of his filmmaking career, director Richard Linklater freely operates between free-wheeling fun and poignant realism with scant middle ground. His movies are either a party or a deep character study. Kick back and turn off the introspection for "Everybody Wants Some!!" This is a shameless dudes' flick and Party Linklater of the highest order. Those of you with Y chromosomes are going to love every minute.

MOVIE REVIEW: 10 Cloverfield Lane

It sure is nice to see a surprise stay a surprise. In today's day and age of instant and nearly universal access to information, news, and buzz, it's very hard to keep anything the size of a movie a secret. The filmmakers of "10 Cloverfield Lane" and its studio have pulled off a marketing stunt that has now paid off as a entertainment coup. "10 Cloverfield Lane" is capricious blast of horror, drama, and science fiction all rolled into one twisty enigma.

MOVIE REVIEW: Race

Highlighting the worthy American legend that is James Cleveland "Jesse" Owens, the new film "Race" may not roundly deviate from the tried-and-true sports film formula we have seen in dozens of films. Nonetheless, director Stephen Hopkins's film radiates an impassioned heart that few other films of the sports genre can rival or surpass. In a present day of questionable athletic role models (and on the timely heels of Black History Month), this is the kind of film we should be sending buses of school students of all ages to instead of "Teenage Mutant Ninja Turtle" movies.

MOVIE REVIEW: Hail, Caesar!

For this writer and website, the films of Joel and Ethan Coen are pegged as acquired tastes. Slot the brothers and their work right next to Quentin Tarantino in that regard. Their creative brilliance and their reverent place in the upper echelon of superb storytellers are indisputable, proven by their six Oscar wins. Sometimes, in the measure of taste, their choices and results are a maddening or confounding mess. When the Coen brothers are on their game, they are white hot. "Hail, Caesar!" won't go down as one of their best, but there is no denying its draw as a thoroughly entertaining hoot.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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