Through two parallel veins of his filmmaking career, director Richard Linklater freely operates between free-wheeling fun and poignant realism with scant middle ground. His movies are either a party or a deep character study. Kick back and turn off the introspection for "Everybody Wants Some!!" This is a shameless dudes' flick and Party Linklater of the highest order. Those of you with Y chromosomes are going to love every minute.
Read MoreWhat makes "Boyhood" this extraordinary experience and achievement is the opposite of that adjective: the ordinary. Linklater and company sought to deliver a genuine interpretation of a life experience without flashy movie bells and whistles. There is a subdued beauty behind the technical expertise. They know real life events don't play out or turn out like they do in the movies. They aren't announced with inane plot-descriptive dialogue by supporting characters and sidekicks. Real lives move in moments and operate in nuances. Our lives aren't backed by an orchestrational score and neither is "Boyhood." By operating in that style, the uniqueness of this divorce, divided family, and period of long change becomes approachable and even ordinary compared to other over-the-top family dramas that require multiple grains of salt to accept so many contrivances.
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