For their 72nd episode, two fed-up film critics, explosive dads, and stuntman school teachers Will Johnson and Don Shanahan got to have a full circle moment with the Russo brothers. Their follow-up to Cherry, on the first Cinephile Hissy Fit shows, is the new Netflix assassin action movie The Gray Man. Because both of our hosts like this movie against the norm, this episode spurred a detour into the current state of film criticism and whether or not critics can recognize or have fun anymore.
Read MoreBoth men are stupendously deadly in their own ways. Seen and unseen pushers and handlers with unreliable agendas have tied hands, and forced ones too, for the repercussions to come. Pit these two men and their motives against each other, and the unpredictability ignites itself in The Gray Man. Wall to wall, the Russos have unleashed what may stand as the best pure action movie of 2022.
Read MoreThe Netflix Family Summer Truck Tour features a kids and family friendly film & series-themed truck which is making its way across the U.S. during July and August with stops at MLB games, aquariums, malls, piers and a host of other locations. Family fun includes giveaways, character meet-and-greets and an immersive photo experience highlighting the best “what to watch” films and series for families this summer.
Read MoreIn both keen and ineffective ways, mood confusion is the slant of choice for Joseph Kosinski’s Spiderhead opening on Netflix this week. Targeting both the narrative characters and us in the voyeurs’ seats, purposeful choices are made to set a certain vibe. That curated atmosphere is meant to cloak and subvert a more impactful identity underneath. The clinchers for Spiderhead’s engagement as a thriller are how tantalizing the constructed mood is and how provocative is the hidden truth.
Read MoreThrough all of these little shocks to the system, nostalgia trips, and learning leaps is Rebel Wilson’s bull in a China shop. Much like Ryan Reynolds, Rebel Wilson is at her best playing Rebel Wilson. She has his commitment-to-the bit where her saucy signature personality and quick wit always follow her physical comedic bravery. She tells it like it is and we love it. Like her character, Rebel herself is more beautiful, smart, and funny that we give her full credit for.
Read MoreNot if, but when, you watch The Trial of the Chicago 7 on Netflix, know that, like all movies based on historical events, what you’re watching is a cherry-picked and tidy two-hour dramatization of legal proceedings that lasted just short of 150 days. Normally when that happens, the dramatic license to make an entertaining product has added any number of embellishments for showmanship’s sake. Folks love the challenge, especially in a courtroom movie, of sniffing out the sugarcoating to wonder “did that really happen?” up and down every narrative peak and valley. The crazy thing is the exact opposite is happening here from Aaron Sorkin.
Read MoreThose posters clearly catch the eye, but once Coffee & Kareem attempts to evoke the promotional notion that it is worthy of standing next to classic giants like those three films as a homage or even as an lesser riff, it’s asking to bomb. When you fail, even intentionally, you become one more shitty cop movie from a generation ago. Does someone get an award somewhere from some lofty agency of aficionados when you make a shitty cop movie precisely as shitty as the old shitty cop movies this shitty cop movie emulates and remembers? Is that a Razzie or something else?
Read MoreFar rarer than they used to be twenty-plus years ago, easy and breezy flicks like Always Be My Maybe from Netflix remind us the traditional romantic comedy is alive and well. Best of all, the nostalgia present in today’s artists from growing up during that 1990s heyday are now making their own movies with their own lens. Smash hit stand-up comedienne Ali Wong and the ever-affable Randall Park of Fresh Off the Boat fame are clearly two of those people. Affectionately blending their own societal zest from their place in America’s Melting Pot, Wong and Park bring new voices as a genius comic pairing. Much of the method of Always Be My Maybe may be routine, but the resulting charm is unfailingly welcome.
Read MoreEven from a different generation than the present day, you can’t get more Hollywood than Robert Redford and Jane Fonda. Both are emeritus stars of Tinseltown royalty on multiple levels, respected and celebrated as award-winning performers, icons of style, sex symbols, and vigilant political personas off-screen. To see the two of them together again, for the fifth time and the first time in 38 years in Our Souls at Night, is a revitalizing treat unto itself, but to see their shared film be staunchly non-Hollywood in stature is even more refreshing.
Read MoreWars transform the soldiers that participate in them. Men and women in combat can be broken down, built up, or both in positive and negative ways. Because the young tend to serve, their stories, and the films that tell them, can mirror a late-term version of the “coming-of-age” archetype. The fingerprints of forced maturity appear all over the likes of “The Deer Hunter,” “Platoon,” “Jarhead,” and dozens of other films. In all honesty, the trope is overused and over-familiar and that’s the first mistake of “Sand Castle.”
Read MoreDare I say it, I think Joe Swanberg has turned a corner with “Win It All,” a new release available on Netflix. Coherency has been the bane of mumblecore’s existence and, for at least one film, the celebrated Chicago filmmaker has found the right palatable proportions of his craft. With “Win It All,” Swanberg stays true to the naturalistic everyday settings and improvisational dialogue that he thrives on and thankfully applies them to tighter narrative structure.
Read MoreEvery influential man or woman had a formative period of their life where their impressionable knowledge coalesced into cemented principles that would guide them going forward. The outgoing 44th President of the United States, Barack Obama, is no different. The new Netflix and VOD entry “Barry,” from director Vikram Gandhi, muses on the internal and external catalysts that shaped the then-20-year-old piece of unformed clay into the future leader of the free world.
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