Through every snowflake and gunshot, Taylor Sheridan cuts to the marrow and keeps Wind River firmly on track with its layered stages of discovery. Tighter than Hell or High Water and more humane than Sicario, this film creates a tone of toughness balanced adroitly by human realities occurring in a dangerous place with a different set of rules. The end result is a highly engrossing mystery with the edge we have come to appreciate and admire from Sheridan.
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Asking someone if they subscribe to the science of climate change might as well be as tenuous as asking a person if they believe in God. Climate change has become a divisive firebrand topic like few others in the decade since the Oscar-winning and punctually motivating documentary An Inconvenient Truth. In several ways, the topic has come a long way in some places only to slip backward in other measures. An Inconvenient Sequel: Truth to Power is a persuasive update on the matter.
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Add all of The Dark Tower up, the ineffective length, the nonsensical plot, threadbare mythology, leashed acting, and limited thrills, and you get the lowest sum of calculations. You get the sheer absurdity we started with. I'm sure it's all meant to be substantial and worthy of audience investment, but how is any of it supposed to give us gravity to grasp if it's all presented in such a cursory degree?
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If you remember from my recent appearance on an minisode of the Feelin' Film podcast, I cannot be the only person who needed a therapy session after this film. David Lowery's film has been a transcendental experience for some audiences and something oddly impatient that sends others that will walk out scratching their heads. See where I fall with the "Movie Classroom" version of my review
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Excellent romantic comedies have been a rare thing for the entire 17 years so far of this century. For one to arrive and stand above the crowd as one of the best romantic comedies in years and one of the best films of the year, period, is special. If you haven't already, meet The Big Sick starring Kumail Nanjiani, Zoe Kazan, Holly Hunter, and Ray Romano. Through the ShowMe app on the Every Movie Has a Lesson YouTube channel, hear and see what my review has to say about the film and why it's my #2 film of 2017 so far.
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I cannot beat the drum for the word "timely" enough when it comes to Kathryn Bigelow's Detroit. Her follow-up to Zero Dark Thirty is a jarring yet important film that speaks volumes and draws numerous parallels from 1967 to 2017. As hard as it is to watch, it is equally essentially viewing that poses the challenges for progress, increased empathy, and improved dialogue on a multitude of racial, ethical, and societal issues that have not gone away in a half-century and beyond.
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There are not enough loud writing colors on the ShowMe app to give the splashy neon of Atomic Blonde the rub it deserves, but, hopefully, my words do the trick. Come and bow at the altar of Charlize Theron, as I did for this review. The film may not be anything special in the spy department, but the Monster Oscar winner deserves the fist-pumps for the toughness and guile she put on display.
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YouTube creator extraordinaire Mike Crowley of the "You'll Probably Agree" channel, a.k.a. YPA Reviews, invited me as an on-camera guest for the second time. This past May, we ranted on the overrated qualities of Terrence Malick. This time, we throw down on all things Dunkirk, including full reviews, fighting and tempering Christopher Nolan fandom, and the state of art house vs. Netflix. Mike's show can be digested in three parts: the Dunkirk review, the sidebar talk on Nolan, and the full uncut version of all topics.
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I had the honor and pleasure this past week to join a league of movie-loving dads talking about a true fathers' movie: 1983's Mr. Mom. Host Patrick Hicks orchestrated myself and fellow regular Feelin' Film contributor Jeremy Calcara in a lively discussion covering the film, dad jokes, how our own upbringing informed our own parenting styles, our tremendous wives, and what makes this John Hughes film worth revisiting.
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For a film like Detroit with difficult content thrust upon audiences to endure, this is not a place to seek entertainment or joy. Instead, Detroit is a challenge of cementing respect and achieving an empathy deeper than basic sympathy. Step into a beyond-cautionary tale of history that school books skipped or have forgotten. Let Detroit stir and inspire conversations. Let the emotions, good and bad, come and talk about them.
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Some movies move some people while leaving others scratching their heads. Welcome to an incredible movie therapy session. Aaron White of the Feelin' Film Podcast and I do our best to tell you what A Ghost Story is, and isn’t, so that you can decide if it’s worth your time. It will either frustrate you or leave you haunted. Listen now to this episide of "Feelin' It" to find out which you’ll be.
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The phrase “nuns behaving badly” sounds like a bad porno title or a silly hashtag. Alas, that’s the low-hanging fruit and chicanery afoot in The Little Hours. Tracing inspiration to a yarn from one of Giovanni Boccaccio’s collected 14th century novellas in The Decameron, the new ensemble film from Jeff Baena wraps it religious habit up with wit, erotica, and practical jokes from Italian prose translated into a modern vernacular.
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