MOVIE REVIEW: Swiss Army Man

As ambiguous as this sounds, your love or hate of the new film and Sundance favorite, “Swiss Army Man,” will say something about your inner quirkiness, mindset, and, most of all, your heart. Packed with detail and imagination beyond belief, this film defies classification and destroys the hyperbole, pretense, and comparative euphemisms that normally define films about friendship, the genre of buddy movies, and even unconventional screen love stories. Movies that tug our heartstrings with a smile normally kill us with kindness. The polarizing “Swiss Army Man” kills us with weirdness. This film lets its WTF freak flag fly and encourages you to do the same.

VIDEO: Post-film reactions to "The Legend of Tarzan"

The critics of the Chicago Independent Film Critics Circle have heard the call of the jungle! Watch and enjoy the first takes of myself and my fellow CIFCC members including Jon Espino of "The Young Folks," Pamela Powell of The Kankakee Daily Journal and "Reel Honest Reviews," and, but not least, Emmanuel Noisette of "Eman's Movie Reviews" offering their hot-and-bothered impressions on "The Legend of Tarzan." Enjoy!

VIDEO: Post-film reactions to "The BFG"

Four of the esteemed members of the Chicago Independent Film Critics Circle were lucky enough to catch a very early advance screening of "The BFG" from director Steven Spielberg. It did not go well. Here are their immediate post-movie reactions. Enjoy the hot takes from myself, El'Ahrai Stanek and John Robinson of "The Harvey and Bob Show," and Jim Alexander of "The Movie Blog."

VIDEO: Post-film reactions to "Free State of Jones"

Last week, myself, another member of the Chicago Independent Film Critics Circle, and a special guest first-timer dished out their thoughts and reactions to "Free State of Jones" starring Matthew McConaughey and directed by Gary Ross. We weighed the historical drama for its strong points and weaknesses.

EDITORIAL: The Best of 2016 (so far)

Many of my personal most-anticipated picks and my crystal ball Oscar prognostications are still coming, but I have been lucky enough to see over 50 film films in the first half of 2016. Since it's only been a half-year, I'll split a year-end "10 Best" list into a Top 5. True to this website's theme, I present you my picks for the "Best of 2016 (so far)" coupled with their best life lesson from my full reviews.

MOVIE REVIEW: The Legend of Tarzan

Swinging off the big screen and flexing all kinds of sweaty muscles, “The Legend of Tarzan” is an able and exciting summer blockbuster entry just in time for the holiday weekend. Former “Harry Potter” franchise steward David Yates has packed enough sweep and scope for high adventure while employing enough modern bells and whistles to launch the pulp character further than ever before on the silver screen. With stunning production pieces, wallet-worthy 3D, buff bods, beautiful people, and a bevy of carnal excitement, this newfangled interpretation delivers a throwback experience of intensity and thrills fitting for the classic hero.

MOVIE REVIEW: The BFG

Faithful and imaginative as “The BFG” may be, the proceedings lack contagious inspiration that should come from a film of this intended caliber. Other than “whizpopper” humor, the slivers of cuteness present are ineffectual and the intended themes on dreams are lost in yawns. The silliness misses any chance at meaning. The film is too ridiculous to be approachable and too bizarre to be endearing. Meet Steven Spielberg's worst film.

MOVIE REVIEW: The Shallows

“The Shallows” gives Blake Lively the chance to not only prove she’s more than a Hollywood hot body, but also one-up her husband Ryan Reynolds in survival film department next to his little 2010 gem “Buried.” Prominent click bait out there will have you believe that “The Shallows” is the best shark movie since “Jaws.” That bold statement is a bit of overrated hyperbole. “Open Water” and “Deep Blue Sea” might have something to say about that. However, there more than enough impressive rush and originality from “The Shallows” to stand out in a crowded summer marketplace of retreads and sequels.

MOVIE REVIEW: Independence Day: Resurgence

The advent of computer-generated visual effects in the 1990s raised the scope of what and how much disaster movies could destroy on screen. No better film encapsulated that new era than the raucous and wildly successful “Independence Day” from 1996 with aliens laying waste to world monuments and making a star out of Will Smith. In the twenty years since, the evolution of CGI filmmaking of bigger and more opulent destruction has elevated the craft to the moniker of “disaster porn.” Returning with the grand ambitious sequel “Independence Day: Resurgence,” the former standard-bearer enters a present day where audiences have been desensitized by asteroids, comets, natural disasters, monsters, Transformers, and superheroes dozens of times over. What was awesome the first time isn’t jaw-dropping anymore.

MOVIE REVIEW: Free State of Jones

Since Hollywood has become a hit-generating factory more than a garden of artistry and truth, a historical drama film like “Free State of Jones” only has to raise its barometer to a midpoint of “good enough.” That is because there is nearly unwinnable tug-of-war of disservice between history lessons and entertainment value, especially when your poster reads “based on a true story.” Veer away from the facts too far with dramatic license and the film becomes disingenuous. Veer too close to history without cinematic flashiness and no one will pay to see it. “Free State of Jones” falls somewhere in the middle of that mud pit.

MOVIE REVIEW: The Wait (L'attesa)

The award-winning Juliette Binoche is one of those actresses who can captivate an audience in complete silence. Binoche has long been a reflective master of inflection and nuance. She doesn’t have to say a word to convey the waterfall of thoughts an end emotions going on within her characters. She is a true artist for performance and the latest proof of that is her staggering dramatic role in “The Wait,” the directorial debut of Italian filmmaker Piero Messina.

SPECIAL: CIFCC coverage of the Chicago premiere of "The American Side"

Fellow Chicago Independent Film Critics Circle director Jim Alexander and I were approached by the local film publicity and The Wilmette Theatre to cover the Chicago premiere of "The American Side," the second feature film from writer/director Jenna Ricker. Its June 17, 2016 premiere featured a post-film Q&A session hosted by Oriana Oppice of Women in Film Chicago. The guests were Ricker, her co-writer and star Greg Stuhr, and executive producer Mary Henry.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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