Through several editorial features, here is my analysis to formulate my official Academy Award predictions. In this sixth post, we look at the races for Best Actor and Best Supporting Actor. Stick with me and I will win you your Oscar pool!
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Through several editorial features, here is my analysis to formulate my official Academy Award predictions. In this fourth post, we look at the writing and directing awards covering Best Director, Best Original Screenplay, and Best Adapted Screenplay. Stick with me and I will win you your Oscar pool!
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Through several editorial features, here is my analysis to formulate my official Academy Award predictions. In this third post, we look at the visual and artistic categories which include Best Cinematography, Best Production Design, Best Film Editing, Best Visual Effects, Best Costume Design, and Best Makeup and Hair-Styling. Stick with me and I will win you your Oscar pool!
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Through several editorial features, here is my analysis to formulate my official Academy Award predictions. In this second post, we look at the obscure minor film categories that include foreign films, documentaries, animated films, and short films. Get the dartboard out, but stick with me and I will win you your Oscar pool!
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Through several editorial features, here is my analysis to formulate my official Academy Award predictions. In this first post, we look at the musical and sound categories that include original score, original song, sound editing, and sound mixing. Stick with me and I will win you your Oscar pool!
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As with any year, there are hot topics being debated immediately stemming from snubs and surprises. Here are my reaction and takeaways, consisting of five snubs and five surprises, coming out of this morning's nominations announcements.
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The 88th Academy Award nominations will be announced tomorrow morning, January 14, 2016, hot off of the weekend's 73rd Golden Globe awards. I've been following the full awards season over on my Awards Tracker page. Using that data as the tea leaves and a truckload of hunches, I'm going to attempt to closely predict the Oscar nominations for the "Big 8" categories for the third year in a row.
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Remember that scene in 1988's "Big" where Tom Hanks doesn't "get" the product pitch the so-called expert is feeding to him? That might be you after (or while) watching the animated feature "Anomalisa" from the fertile imagination of Charlie Kaufman. You may feel like Josh Baskin where you have a child's mind trying to wrap your head around an adult idea. You might come out of the film and know a better idea on how to convey human love. Mark this writer down in the Josh Baskin column with a interrupting raised hand.
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Tom Hooper's new film, "The Danish Girl" based on the fictionalized account of Lili Elbe, spearheads what has been a banner 2015 year for LGBT film subjects. This a film not about a character looking for love. All that person wants is to be the truest version of themselves on the inside in a time where what that means on the outside would not be accepted publicly. The philosophy of it all brings us back to Ralph Waldo Emerson when he said, "What lies behind you and what lies in front of you, pales in comparison to what lies inside of you." "The Danish Girl" delivers a story that matches the matter of Emerson's thoughts on the past, future, and inside.
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"Brooklyn" is an forthright, approachable, and esteemed historical drama where the dignity and honesty soar to heavenly heights to shine on the plights of love and independence. This tremendous film nestles a powerful love triangle within a touching immigrant and independent woman's saga from the 1950s. More than just being some high-end chick flick, "Brooklyn" stands as one of the finest films of the year and an immediate Oscar contender.
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Annually, the Chicago International Film Festival houses some of the first opportunities to Oscar contenders and world-class films. With so many choices, what are the high-profile or can’t-miss films appearing at the year’s festival? Here are this website’s picks for the top 10 must-see films of the 51st Chicago International Film Festival.
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Sewn with care to document an unopened storybook file on little-rememberd, forgotten Cold War heroics and theatrics, "Bridge of Spies" is the kind of historical drama that Steven Spielberg can make in his sleep. In a way, this is Spielberg's throwback answer to "Argo," three years after Ben Affleck's film swept the top Oscars away from Spielberg's own "Lincoln." He doesn't need that one-upmanship for his ego. "Bridge of Spies" is more a reminder that the master is still capable of making a winner with ease.
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