MOVIE REVIEW: Landline

If the Windy City can show us anything, it’s that die-hard Chicago Cub fans come in all shapes, sizes, and ages. More so, fans come from different walks of life, waving flags of different colors, including, best of all, the rainbow-colored variety. “Landline,” from local do-it-all filmmaker Matthew Aaron, is a fun-loving LGBTQ+ comedy merging ardent North Siders with snappy musings on our societal obsessions with technology, all in proximity to the heavenly palace that is Wrigley Field.

2017, 2 STARS, ADVANCE MOVIE REVIEW, Independent Film, MOVIE REVIEW, Video on DemandDon ShanahanMarch 26, 2017Music Box Theatre2017, Landline, Matthew Aaron, LGBT, LGBTQ+, LGBTQ, Chicago, Chicago films, Ryne Sandberg, Chicago Cubs, Hall of Fame, Jim O'Heir, Tom Arnold, Chicago premiere, VOD, Video on Demand, Video On Demand, Music Box Theatre, Nick Searcy, Parks and Recreation, Breaking Bad, Patrick Hartigan, Chad Michael Singer, Betsy Brandt, Justified, Castaway, Wrigley Field, Lagunitas, Garnier, film review, movie review, independent films, indie film, Chicago filmmakers, film commentary, movie commentary, life lessons, life lessons from film, life lessons from movies, Life lessons, Every Movie Has a Lesson, Facebook, Facebook page, Nina Metz, Chicago Tribune, Donald Shanahan, Don Shanahan Comments

CAPSULE REVIEWS: The Oscar nominees for Best Animated Short

This year’s Academy Award nominees for Best Animated Short are an eclectic bunch. One of them, “Borrowed Time,” I have previously reviewed in full on this website. Here are my collected capsule reviews of the slate of five, complete with my signature life lessons. Look for the theaters this month bundling these nominees together for public viewing and ticket opportunities.

2 STARS, 2016, 2017, 3 STARS, 4 STARS, Best Films, CAPSULE REVIEW, MOVIE REVIEW, Independent Film, SHORT FILMS, Video on DemandDon ShanahanFebruary 11, 2017Landmark Century Centre CinemaBest Animated Short Film, Best Animated Short, 2016, 2017, Borrowed Time, Pixar, Gustavo Santaolalla, Pearl, Piper, Finding Dory, Alan Barillaro, Marc Sondheimer, Best Short Film, Chicago Independent Film Critics Circle, Adrian Belew, Blind Vaysha, Georgi Gospodinov, Caroline Dhavernas, Theodore Ushev, Kottarashky, Pear Cider and Cigarettes, Uwe Rafael Braun, Mass Mental, Dave Nunez, Anitek, Robert Valley, life lessons, life lessons from animated shorts, life lessons from short films, life lessons from film, life lessons from films, movie review, short film review, Short Film, Short films, short film commentary, Every Movie Has a Lesson, Donald Shanahan, Don ShanahanComment

MOVIE REVIEW: Go North

All too often, the recent young adult wave of big studio dystopian fiction films contain three root faults. First, they shoot off preposterous peril for the sake of peril like a pyromaniac loose in a fireworks warehouse. Secondly, within the peril is the overused trope of militarizing teens and children. Finally, the screenwriters feel the need to over-explain every little thing about its created universe as if the audience can’t think for themselves or be challenged to draw an inference or two. For the most part, the small budget independent film “Go North” successfully and thankfully operates above those three traps.

MOVIE REVIEW: Barry

Every influential man or woman had a formative period of their life where their impressionable knowledge coalesced into cemented principles that would guide them going forward. The outgoing 44th President of the United States, Barack Obama, is no different. The new Netflix and VOD entry “Barry,” from director Vikram Gandhi, muses on the internal and external catalysts that shaped the then-20-year-old piece of unformed clay into the future leader of the free world.

MOVIE REVIEW: Trespass Against Us

When it comes to crime families in movies, any contenders and pretenders that want to be taken seriously are kissing the Corleone ring of “The Godfather” trilogy. That’s not happening with the Cutler clan in Adam Smith’s “Trespass Against Us.” As a mishmash of trailer park trash puffing their chests to operate with supposed principles, they occupy the polar opposite end of the glamorous spectrum of organized crime. Call them an “Irish fugazi,” if you will, complete with their own membership rings and cracks in the hierarchy.

COLUMN: 16 hidden gem films from 2016

Even with my access to more-than-most with festival coverage and press credentials, I can’t see everything. What I can do is prop up some hidden gems that I was lucky enough to see and review. Here are 16 under-seen winners from 2016. The qualifier for the list was title earning less than $1 million at the box office. They are ranked from highest-scoring review to least.

MOVIE REVIEW: Hunter Gatherer

The micro-budgeted indie film “Hunter Gatherer” is the directorial debut of art director Josh Locy. The filmmaker has cut his teeth creating the visual palettes of independent fare such as an art director on David Gordon Green’s “Prince Avalanche” and Peter Sattler’s “Camp X-Ray.” His film, led by a charismatic performance from Andre Royo, shows the egotistical plight of a recently released con trying to reinsert himself in his old South Central Los Angeles neighborhood.

2016, 3 STARS, ADVANCE MOVIE REVIEW, Chicago Film Festival, Film Festival, Independent Film, MOVIE REVIEW, Video on DemandDon ShanahanDecember 8, 2016Chicago International Film Festival2016, Hunter Gatherer, Joshua Locy, Josh Locy, Andre Royo, Chicago International Film Festival, 52nd Chicago International Film Festival, U.S. Indies, independent films, micro-budget film, Ashley Wilkinson, George Sample III, Adam Robinson, Jon Aguirresarobe, X-Ray, Prince Avalanche, The Wire, Kellie Stewart, life lessons, life lessons from film, life lessons from movies, life lessons from films, life lesson, movie review, film review, movie commentary, film commentary, Every Movie Has a Lesson, Donald Shanahan, Don Shanahan, VOD, Video On Demand, SXSW Film Festival, 2016 SXSW Film Festival, Best Narrative Feature, Best Actor, Camp X-RayComment

DOCUMENTARY REVIEW: Resilience: The Biology of Stress and Science of Hope

The light shed by the shared research, connections, and testimonials of James Redford’s documentary “Resilience: The Biology of Stress and the Science of Hope” opens eyes and stirs immediate personal reflection. Toward your own self or in the role of a parent, “Resilience” puts the right mirrors in front of faces. It is a worthy alarm notification that encourages more character building than being told to “pull up your bootstraps.”

SHORT FILM REVIEW: The Story of 90 Coins

"The Story of 90 Coins" is a microcosm of pure and modern young love that transfers in any language and is free of unnecessary cinematic obstacle courses that strain believability. This short story is completely relatable and endearing melodrama in all its approachable beauty that succeeds in under 10 minutes to tug heartstrings and linger in your consciousness. Don’t you dare call this an overlong greeting card, a miniature soap opera, or a expanded touchy-feely TV commercial.

MOVIE REVIEW: Middle Man

52nd Chicago International Film Festival U.S. Indies entry and presentation

“Middle Man” blends an acidic edge with showy panache that bleeds from every character, large and small. Credit the devious fun of Crowley for the snappy dialogue that pops from each character. The comedy is clever instead of coarse while maintaining its darkness. Nearly every speaking part of this colorful cast of funhouse mirrors nails a zinger or two that fits right into that line of taste.

MOVIE REVIEW: Certain Women

Spareness and simplicity can either be a fountain of nuance and austerity or it can be a vacuum of plainness and lethargy. Filmmaker Kelly Reichardt is a celebrated torchbearer of the minimalist film movement and her newest feature, “Certain Women,” boast three strong female leads in Laura Dern, Michelle Williams, and Kristen Stewart. Despite that base of acting forte and the patronage of Todd Haynes as an executive producer, the void outweighs any wellspring.

MOVIE REVIEW: Batman: Return of the Caped Crusaders

Batman has evolved, but the long-standing love for that old TV show has only sweetened. The new WB Animation entry “Batman: Return of the Caped Crusaders” unlocks a time capsule and reminds us why Batman can be just as fun when he’s not brooding and sulking. With the triumphant returns of original cast members Adam West, Burt Ward, and Julie Newmar reassuming their Batman, Robin, and Catwoman mantles as voice actors, this new film possess audible and visual treats to behold.