There exists a wide range of adjectives between the pleasurable place of “thrill” and unpleasant extreme of “terrify” that one could apply to stimulating movie experiences. Just like the films themselves from indies to blockbusters, joys or jitters come in all shapes and sizes. For the festival darling The Vast of Night being streamed on Amazon Prime, the proverbial needle of its excitement amplification lands on a very nifty word: TINGLES.
Read MoreGosh, that is such a smooth and stirring way to express something profound. Rarely veering to hardest of hard or the ugliest of ugly, there is much more of that homely wisdom to be had in Elfar Adalsteins’ debut feature film. Identifying the “rebels” from the “kind-hearted” is relatively easy. The challenges become to what degree agitation within the malcontent can be healed and where strength can develop next to grace in the kindly. End of Sentence is available on VOD from Gravitas Ventures and it is a worthy dramatic experience.
Read MoreEach time Maggie’s employers, the fictional world-renowned recording artist Grace Davis played by Blackish’s Tracee Ellis Ross and her manager Jack Robertson played by Ice Cube, summarily dismiss her to stay in her lane or fetch some inconsequential thing, The High Note gets better because the real talent is allowed to emerge. To love underdog moxie, or any moxie for that matter, you have to have it. The flimsy Dakota Johnson doesn’t. She, and the movie, would be better served by her getting out of the way just like her shunned Maggie.
Read MoreHere’s the rub though. For “hi-jinks ensue” to work and live up to its promise, you need strong and effective events to come before and after when that phrase is planted. Have a weak setup and the absurdity of hi-jinks after can feel like a jolting improvement or tail-spinning crash. Have a great setup and the hi-jinks that follow can either evolve or devolve the auspicious start. This “one wild night” romp of The Lovebirds has about half of each measure in that balance.
Read MoreOne of the classic catchphrases of the old Scooby Doo franchise is the vocalized signal, often from the eager mouth of their de facto leader Fred, of “looks like we’ve got another mystery on our hands.” The new CGI reboot Scoob! now on VOD platforms answers that rhetorical realization with both possible extremes. The movie doesn’t have one and the canyon-sized narrative hole because of it leaves us more perplexed than satisfied with a shoulder shrug and a chin rub of our own.
Read MoreThat name brings forth a gusher of overplayed stereotypes and caricatures. If you think you’re going to see the decadence of the historical figure’s prime, you’ve come to the wrong movie. If you think you’re going to see another Ben Gazzara or Bob De Niro galavanting as the king of his own court, you’ve come to the wrong movie. If anything, Josh Trank intentionally and subversively pushes back against the romanticized urban legend of “Scarface,” “Big Al,” “Big Boy,” “Snorky,” and “Public Enemy No. 1.”
Read Moreby Maria Jones
Kodi is a wonderful application through which you can not only view Hollywood movies and TV series but for the Bollywood movies enthusiasts, it is also possible to watch Hindi movies online now through Kodi. New, old, and all-time classic are available here. It is a fact that Bollywood movies have fans all across the globe as these movies feature a wide range of vibrant characters, action, melodic songs, colorful sceneries, and romance at best.
Read MoreLet’s just say it. The subgenre of redneck crime films is a messy place. The “black hat” is almost always a crazy SOB engaged with a less crazy SOV “white hat.” Slickness is replaced by stains. Dazzle is replaced by dinge. Calling any of them “sagas” is too much credit and heft. Unless you’re the Coen brothers (and even if you’re them too), spicing up this slow-and-low movie barbecue takes some of that absent slickness and dazzle injected into either the filmmaking or storytelling departments, or both.
Read MoreMovies becoming timely is almost always an accident. They’re made months in advance and can never reliably predict the future they will enter when released. The right match of content and happenstance can elevate a film’s mystique, even that of a tiny little indie that normally wouldn’t carry much of one at all. The award-winning Working Man, filmed in and around Chicago last year, debuts on VOD services today to a sheltered public facing jobless claims that topped 30 million in two short quarantined months. The distinctive part about this movie is that it displays a sense of workplace fulfillment that would still work if that bellwether statistic was zero. Timeliness only makes it better.
Read MoreReaching those bold heights of bracing social commentary, it is fair and complimentary to call Joe Robert Cole’s movie more important than entertaining. Mark that goal as accomplished. The Black Panther co-writer uses not a drop of sugarcoating in his first directorial effort in nine years. The brutality against the hearts in All Day and a Night hurts more than harm subjected to any flesh. In that regard, it is also fair to question the place and mentality of this movie’s bravery during a current civil climate where negative racial examples do not need more perpetuation. That is an uphill battle without a welcoming core to embrace.
Read Moreby Lillian O’Brien
Well, a romantic comedy is not a favorite genre for many people especially men, however, you can't deny that they are sweet and remind you how beautiful love is. I love watching romantic comedies because they always remind me how easy and wonderful life can be if we don't take things too seriously. The storylines of rom-coms are pretty similar still there are so many rom-coms come out every year and they do cuddle you when you watch them. Why I love watching them is because they create a cozy atmosphere and make you believe in a miracle...even if you are 30
Read MoreCall this a meandering musing, but it’s a tad quizzical how far apart the definitions of “mercy” and “mercenary” are despite their beginning spellings. There is not harming someone you have power over versus a soldier paid to fight for money. You won’t find those two words supporting the old “one hands washes the other” expression. Nonetheless, here in the new Netflix Chris Hemsworth vehicle Extraction one could wring a towel dripping with the unexpected mix of blood and suds. That makes for a messy and albeit entertaining proposition on the wiggle room to have mercy in a mercenary.
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