Each time Maggie’s employers, the fictional world-renowned recording artist Grace Davis played by Blackish’s Tracee Ellis Ross and her manager Jack Robertson played by Ice Cube, summarily dismiss her to stay in her lane or fetch some inconsequential thing, The High Note gets better because the real talent is allowed to emerge. To love underdog moxie, or any moxie for that matter, you have to have it. The flimsy Dakota Johnson doesn’t. She, and the movie, would be better served by her getting out of the way just like her shunned Maggie.
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