Far rarer than they used to be twenty-plus years ago, easy and breezy flicks like Always Be My Maybe from Netflix remind us the traditional romantic comedy is alive and well. Best of all, the nostalgia present in today’s artists from growing up during that 1990s heyday are now making their own movies with their own lens. Smash hit stand-up comedienne Ali Wong and the ever-affable Randall Park of Fresh Off the Boat fame are clearly two of those people. Affectionately blending their own societal zest from their place in America’s Melting Pot, Wong and Park bring new voices as a genius comic pairing. Much of the method of Always Be My Maybe may be routine, but the resulting charm is unfailingly welcome.
Read MoreThat unfortunate fate could not be farther away from a film like Alfonso Cuaron’s Roma. For all of those possible extrapolations of commitment and dedication taking place within the craft of filmmaking, you may never, not this year and maybe several more after, see a more intimate artistic expression than this powerful and personal film. To the man making Roma, this film is special. To those viewing it, this film is important. To the art it serves, this film could be a potential masterpiece.
Read MoreFilmmaker David Mackenzie’s strapping Netflix epic Outlaw King starts with prologue notes surrounding the glowing heat of a single candle in close-up. The flickering warmth is inviting and a tone of liberating light coming out of darkness is set to parallel the recreated history that will follow. But how much heat can one candle emit? Try as it may, no matter what measures of warm blood and sweaty brawn is infused into Outlaw King, it is very difficult to find or create sizzle out of something balmy.
Read MoreBefore it even debuted, Annihilation, wunderkind filmmaker Alex Garland’s big studio follow-up to Ex Machina, was labeled “too intellectual” and “too complicated.” Come what may, the film is quite exactly those two qualities and then some. However, what might be a smearing hindrance for some is a emblem of brilliancy to others. Because the film could land either way, the intrigue and anticipation surrounding Annihilation couldn’t be better. You will undoubtedly get your mind’s worth and your money’s worth stepping up the cerebral challenge of this film.
Read MoreEven from a different generation than the present day, you can’t get more Hollywood than Robert Redford and Jane Fonda. Both are emeritus stars of Tinseltown royalty on multiple levels, respected and celebrated as award-winning performers, icons of style, sex symbols, and vigilant political personas off-screen. To see the two of them together again, for the fifth time and the first time in 38 years in Our Souls at Night, is a revitalizing treat unto itself, but to see their shared film be staunchly non-Hollywood in stature is even more refreshing.
Read MoreWars transform the soldiers that participate in them. Men and women in combat can be broken down, built up, or both in positive and negative ways. Because the young tend to serve, their stories, and the films that tell them, can mirror a late-term version of the “coming-of-age” archetype. The fingerprints of forced maturity appear all over the likes of “The Deer Hunter,” “Platoon,” “Jarhead,” and dozens of other films. In all honesty, the trope is overused and over-familiar and that’s the first mistake of “Sand Castle.”
Read MoreDare I say it, I think Joe Swanberg has turned a corner with “Win It All,” a new release available on Netflix. Coherency has been the bane of mumblecore’s existence and, for at least one film, the celebrated Chicago filmmaker has found the right palatable proportions of his craft. With “Win It All,” Swanberg stays true to the naturalistic everyday settings and improvisational dialogue that he thrives on and thankfully applies them to tighter narrative structure.
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