At first glance, be it the poster of car-riding mayhem or a closer look at the textured exaggerations of the animation style amid the slick futuristic adversaries, a title like The Mitchells vs. The Machines from Netflix likely evokes shades of Scott Pilgrim Vs. the World stirred with a scoop of Clark Griswold-like shenanigans. That’s a fair read, yet there’s, of course, more to it than that. Believe it or not, there’s some finger-wagging and heart-affirming family truthfulness within the zany scribbles.
Read Moreby Lafronda Stumn
As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.
Read More2021’s new Mortal Kombat, debuting simultaneously in reemerging theaters and on HBO Max April 23rd, is a catechism of created clout. It passes tonal tests and achieves feats of action strength to renew and amplify the original zest powered by that inescapable theme song that evaporated from a bad sequel nearly 25 years ago. Bolstered by a commitment to build a mythology beyond the button-smashing combos, Mortal Kombat should ensnare new and old fans alike.
Read Moreby Lafronda Stumn
As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.
Read MoreThis is going to get confusing, but critiquing Voyagers calls upon several illustrative conflicts. First off, science fiction is the realm of high-minded concepts of fantasy, and yet organic humanity creates and drives each and every great idea in the genre. In the same regard, you have homage versus originality in applying prototypical themes to the luster of new settings. Lasty, you have an audience’s subjective aim to project any number of thoughts out of a movie while the work was created with certain objectives in mind that may not be seen or readily interpreted. All three of those dichotomies clash in Neil Burger’s new film with mixed results.
Read MoreThis is the fifth husband-and-wife/director-and-star collaboration between Ben Falcone and Melissa McCarthy. Sure, the Frank Sonnnenberg saying of “If work isn’t fun, you’re not playing on the right team” applies to this ensemble. Everyone’s clearly having fun but the “because I’m fun” lines aren’t enough this time. Once again, we’ve seen these “think before you act” and “don’t get carried away” manchild pleadings too much outside of superhero costumes to be duped into enjoying them just because they’re now clad in muscular leather and special effects.
Read MoreThe genre of disaster movies loves to take the well-worn “Murphy’s Law” of “anything that can go wrong will go wrong" as pseudo-logical permission to get excessively creative with their hazards and menaces. There’s most certainly spectacle to be generated but also overindulgence. Just ask Roland Emmerich. The new Norwegian dramatic thriller The Tunnel from director Pål Øie is somewhere wisely in between.
Read MorePunch up the peril. Amplify the spectacle. Turn the big boys loose. That’s it. Should it really be that hard, especially when you pair the two most popular monster properties in cinema history? They’re billed as ancient enemies of a never-ending rivalry. Would it really be that difficult to stand back in Godzilla vs. Kong and “let them fight?” Evidently, it still is. Apparently, monsters are still dragged down by convolution and pesky people.
Read MoreThis past week, I was stoked to join my critic peers as a guest on the CinemaJaw podcast, hosted by fellow Chicago Indie Critic members Matt Kubinski and Ryan Jagiello. This was my fourth appearance on their show. CinemaJaw remains one of the best and entertaining movie podcasts in this or any city. Give their work a like and a follow!
Read MoreOur former schlub begins punching, shooting, stabbing, plotting, huffing, and puffing through an escalating network of Russian mobsters. Bob Odenkirk puts his 53-year-old self through two years of training in the hands to become a polo-shirted wraith of wanton violence. In between fights, Odenkirk’s graveled voice and line delivery pushes the severity of his morals and mindset to match his fists and trigger finger. He’s simply awesome and owns this movie.
Read Moreby Lafronda Stumn
As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.
Read MoreGive the determined and reinvigorated 300 and Watchmen director four-hours, extra millions, and full creative control and you get this kind of beefy result. Zack Snyder’s Justice League builds the saga both the audiences and characters deserved four years ago. Nearly every artistic and technical layer moves with a different beat and flourish. Even with the problematic precedent this whole odyssey set into motion from a fan outrage/support standpoint, this new result is a positive testament to what this second attempt means for and earns both the creators and the consumers.
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