Posts in MOVIE REVIEW
GUEST CRITIC #63: The United States vs. Billie Holiday

by Lafronda Stumn

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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MOVIE REVIEW: Voyagers

This is going to get confusing, but critiquing Voyagers calls upon several illustrative conflicts. First off, science fiction is the realm of high-minded concepts of fantasy, and yet organic humanity creates and drives each and every great idea in the genre. In the same regard, you have homage versus originality in applying prototypical themes to the luster of new settings. Lasty, you have an audience’s subjective aim to project any number of thoughts out of a movie while the work was created with certain objectives in mind that may not be seen or readily interpreted. All three of those dichotomies clash in Neil Burger’s new film with mixed results.

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MOVIE REVIEW: Thunder Force

This is the fifth husband-and-wife/director-and-star collaboration between Ben Falcone and Melissa McCarthy. Sure, the Frank Sonnnenberg saying of “If work isn’t fun, you’re not playing on the right team” applies to this ensemble. Everyone’s clearly having fun but the “because I’m fun” lines aren’t enough this time. Once again, we’ve seen these “think before you act” and “don’t get carried away” manchild pleadings too much outside of superhero costumes to be duped into enjoying them just because they’re now clad in muscular leather and special effects.

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MOVIE REVIEW: The Tunnel

The genre of disaster movies loves to take the well-worn “Murphy’s Law” of “anything that can go wrong will go wrong" as pseudo-logical permission to get excessively creative with their hazards and menaces. There’s most certainly spectacle to be generated but also overindulgence. Just ask Roland Emmerich. The new Norwegian dramatic thriller The Tunnel from director Pål Øie is somewhere wisely in between.

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MOVIE REVIEW: Godzilla vs. Kong

Punch up the peril. Amplify the spectacle. Turn the big boys loose. That’s it. Should it really be that hard, especially when you pair the two most popular monster properties in cinema history? They’re billed as ancient enemies of a never-ending rivalry. Would it really be that difficult to stand back in Godzilla vs. Kong and “let them fight?” Evidently, it still is. Apparently, monsters are still dragged down by convolution and pesky people.

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MEDIA APPEARANCE: Guest on the "CinemaJaw" podcast #508

This past week, I was stoked to join my critic peers as a guest on the CinemaJaw podcast, hosted by fellow Chicago Indie Critic members Matt Kubinski and Ryan Jagiello. This was my fourth appearance on their show. CinemaJaw remains one of the best and entertaining movie podcasts in this or any city. Give their work a like and a follow!

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MOVIE REVIEW: Nobody

Our former schlub begins punching, shooting, stabbing, plotting, huffing, and puffing through an escalating network of Russian mobsters. Bob Odenkirk puts his 53-year-old self through two years of training in the hands to become a polo-shirted wraith of wanton violence. In between fights, Odenkirk’s graveled voice and line delivery pushes the severity of his morals and mindset to match his fists and trigger finger. He’s simply awesome and owns this movie.

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GUEST CRITIC #62: Pieces of a Woman

by Lafronda Stumn

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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MOVIE REVIEW: Zack Snyder's Justice League

Give the determined and reinvigorated 300 and Watchmen director four-hours, extra millions, and full creative control and you get this kind of beefy result. Zack Snyder’s Justice League builds the saga both the audiences and characters deserved four years ago. Nearly every artistic and technical layer moves with a different beat and flourish. Even with the problematic precedent this whole odyssey set into motion from a fan outrage/support standpoint, this new result is a positive testament to what this second attempt means for and earns both the creators and the consumers.

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GUEST CRITIC #61: Hoodlum

by Lafronda Stumn

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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MOVIE REVIEW: Cherry

Cherry feels like the cinematic embodiment of the expression “throw everything at the wall to see if it sticks.” The Collins Dictionary defines that to mean saying something “that is not believable but hoping that what is said will be acceptable as truth.” For the movie, it’s about the performers and filmmakers piling on every trope and trick they can to try and get noticed for praise. To that end, Cherry is trying way, way too hard.

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SHORT FILM REVIEW: Batman: Dying is Easy

The medium of movies fits the swelling urge to be big and loud. They are sensory explosions we love, but that only goes so far in that endless style vs. substance debate. No matter the noise or spectacle, in this critic’s opinion, story and character are what secure success the most. The crowdfunded Batman: Dying is Easy is precisely that example. The short film from Sean and Aaron Schoenke of Bat in the Sun Productions nails its characters without overplaying spectacle. That’s likely a lecture that we may very well revisit this very week with a certain hotly anticipated director’s cut fanning all the fanboy flames in sight.

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