The amount of love and appreciation you will garner for "Trainwreck" will entirely depend on your taste and tolerance level for its star, Amy Schumer. The groundbreaking comedienne wrote this screenplay as a fictionalized take on herself. If you love her brash comedy and clever subversive feminism, "Trainwreck" is a star-making arrival and a triumph as rare female-centered romantic comedy. If you're not into the crassness and randomness of her act, the film is going to feel like episodic fits and starts within a flawed romantic comedy that feels like pieces from different and better films.
Read MoreCreative differences, bad PR, and terrible marketing have sunk greater and lesser films. "Ant-Man" survives each those kisses of death to be a fun, entertaining, and clever blockbuster. The creativity is more than present to veer away from Marvel's usually enormous scale of worldwide crisis-aversion and give us a true small-scale (literally and figuratively) "regular guy" hero that was missing among the billionaires, scientists, soldiers, assassins, and demi-gods Marvel has elevated so far to its cinematic pedestals. "Ant-Man" is packed with a plentiful amount of humor, spirit, and surprises that trump both the bad PR and overindulgent marketing. It was saving some aces up its sleeve.
Read MoreI watch "Minions" and I don't see anything fresh or fun. I see a bloated adventure film that steals good ideas from better films because its own originality is tremendously limited. I hear and see repeated cliches around every corner that are only played for laughs because of mild physical comedy. I see a movie so annoying that I would punch my own child in the face for wanting to watch it over and over. I'll be the one that says it. This film is terrible and we can do better with family entertainment.
Read MoreWARNING: The following picture attached this website's review is an actual image from the film "Self/less" but it may indicate what your own facial expression will look like either live while watching "Self/less" or after seeing the film in its entirety. The timing and severity of this effect will vary among each audience member, but, make no mistake, this is the end result.
Read MoreCome to "Love and Mercy" for the music but stay for the involving double-barreled saga of creative energy, new-found redemption, and growing companionship. This film relishes the understated vibe it seeks. It's not earth-shatteringly profound as a story or a film. It's not going to jump off the screen or crush your emotions. However, this film will impress you and gain your respect. That's better than 90% of the tired biographical films that hit cinemas every year. Enjoy a winner right here.
Read MoreAs flashy as it is with tremendous and eye-popping special effects, "Terminator: Genisys" has created an extremely convoluted mess of merged timelines and revisionist storytelling that treads all over what made the 1984 original and superior 1991 sequel so great. This is more of an attempt of retcon than of homage. Even if you find yourself entertained by the return of Arnold Schwarzenegger to his signature franchise, you may be asking, maybe even screaming in outrage, why this revision exercise was even necessary.
Read MoreBankrolled overseas for just under $10 million, the new film "Big Game," playing concurrently in limited theatrical release and Video On Demand, stars a sizable cast of Hollywood players stealing easy money and cashing quick paychecks. "Big Game" is a dumpster fire. It might be so incredibly terrible that it's too bad to ever become a "so-bad-it's-good" guilty pleasure and cult favorite. This might be beyond the boys at RiffTrax to mock, and that's saying something.
Read MoreBy tackling the subject of cancer and doing so in the guise of a quirky high school comedy, "Me and Earl and the Dying Girl" stands out as proof that a movie can be earnest and humorous at the same time. It can be understated in one moment and then completely outgoing the next. It is a film that can feel facetious and yet still be profound. It takes the modern high school setting that is deliberately riddled with innate tropes, stereotypes, and cliches and masterfully steers around every single one of them to offer you something smart, touching, and, most of all, original. That is no small feat and something to stand up and celebrate.
Read MoreThe next sure-fire addition to any list of possibly great coming-of-age films is "Dope," the fifth feature film from writer-director Rich Famuyiwa ("Brown Sugar," "The Wood'). "Dope" debuted in dramatic competition at the Sundance Film Festival and was selected as the prestigious closing film of the Director's Fortnight at the Cannes Film Festival in France last month. Those are prominent feathers to have in any film's cap. Better yet, they are kudos that are more than earned by this film's energetic brilliance.
Read MoreThe prevailing feeling has been that the hallmark extra level of magic and poignancy that used to be Pixar's calling cards have been lost while they milked dollars from lackluster sequels and prequels like "Cars 2" and "Monsters University." We have missed the visual originality from "Monsters Inc." and "Cars." We have missed the sense of wonder from "Wall-E" and "Ratatouille." Most of all, we have sorely missed the strong familial dynamics of the "Up," the "Toy Story" series, and "Finding Nemo." "Inside Out" is exactly the redemptive return to form that Pixar desperately needed. The film rivals each of those prior greats in each of those areas. This is exactly what you loved and were missing while being something truly great that can stand on its own merits.
Read MoreSpectacle defines "Jurassic World" perfectly. Just as the dictionary definition states, the blockbuster is unusual, notable, and entertaining in an eye-catching, dramatic, and very public way. It is loud and dumb, but, hot damn, it sure is fun. More discerning tastes will definitely gravitate to the "object of curiosity and contempt" version of the definition and they wouldn't be wrong in doing so. In the end, the simple definitions seal "Jurassic World" too. It is an very impressive monster movie and it will indeed attract attention and shock.
Read MoreIn her two films since "Tammy," Melissa McCarthy has done both. Going against her bread-and-butter zaniness, playing it straight for a change in last fall's superb Bill Murray vehicle "St. Vincent" was the first step. The new summer spoof comedy "Spy" is the next step, thanks to McCarthy returning as the go-to muse for her "Bridesmaids" writer/director Paul Feig. With Feig and a stellar cast, "Spy" is clearly better company, but it's not a tremendous step up in material or acting for our star. "Spy" feels like one of those movies that is funny the first time and lasts for that one dose, but won't be something you'll revisit and likely something you'll regret you really liked five or ten years down the road. It is worth your Redbox rental, but not all that much more.
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