Joe Swanberg steps in front of the camera and retains the mega-popular and former Oscar nominee Anna Kendrick for "Happy Christmas." The film premiered this past winter at the Sundance Film Festival and now finally opens this weekend for a limited nationwide theatrical release. It is also concurrently available on Video On Demand platforms for digital viewing at home.
Read MoreWoody Allen has the Midas touch of artistic credibility. Non-actors become notable presences. No-name actors become discovered somebodies. Name actors look better than they normally do and great actors get even greater, even when the films aren't that great. In his latest film, "Magic in the Moonlight," Allen bestows that touch on one great actor and one name actress with Colin Firth and Emma Stone as his leads.
Read MoreIf you've seen that trailer, then you've seen 90% of the best that this movie has to offer. As is often the case when a 2-3 minute trailer is better than a 90-minute-and-change movie, something I call "The 'Nacho Libre' Effect," the filmmakers had a really good pitch, premise, and starting idea, but couldn't develop it right from there. The wandering cliches pile on and they start to lose their sense and value by the time we get to the necessary end.
Read MoreAs busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, sometimes a simple sentence or two from a friend says it all. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for quick-hit movie reviews.
Read MoreEvery single positive piece of praise and advanced buzz about this movie is completely true. The is the best movie I have seen this summer, by a landslide. This film is tremendous on every single level. This is the summer blockbuster you need to pay to see. This is the movie you'll make a point to put on the shelf or the digital library in the future. This is the movie that, years from now, you will point to as the coming out party for something even bigger that's happened since. This is the movie we were promised and were waiting for. This one is going to leave a mark on our cinematic memory.
Read MoreDisclaimer: I pulled this trick out a few years ago in comparing “The Expendables” with “The Expendables 2” where, because of the incredibly repetitive scenarios between the original and the sequel, I literally wrote on top of the first review for the review of the second movie. After seeing “22 Jump Street,” a movie that intentionally aims to copy its first effort, I knew this was a good chance to have a little editor’s fun again. Follow the strike-throughs below for edits and the bold writing for new language inserts. Other than that, the review for the first film might as well be the review for the second film. It’s that similar.
Read MoreI'm going to go out on a limb and say that we might have a new entry into the pantheon of parody classics with the recent release "They Came Together." The new comedy from director David Wain, best known to audiences for "Wanderlust," "Role Models," and "Wet Hot American Summer," checks all of those above boxes for being a great parody. The film is packed with smart humor, joke complexity, clever approaches, and an elaborate sense of storybuilding and delivery that most parodies lack. Best of all, Wain assembles a near-perfect cast of his old pals, led by Paul Rudd and Amy Poehler, that never cease to entertain.
Read MoreGo ahead and continue Tom Cruise's solid streak one more movie with the very entertaining "Edge of Tomorrow" opening this week. The funniest thing is Tom is essentially playing the opposite of his usual macho self and it still works. We're used to the take-charge man-of-action characters out of him, not the wimp and coward he plays here. Because of that, there's a certain unexpected humor coming out of "Edge of Tomorrow" that boosts its doom-and-gloom alien invasion setup.
Read MoreAll the buddy cop measurements and prerequisites are plugged into the new film "Let's Be Cops," which opens this coming August. I was lucky enough to catch a very advance screening of the film. The writers here, led by director Luke Greenfield of the forgettable "Something Borrowed," have the potential of a unique idea and a decent pair of leads to work with, but it's the real cop stuff that bogs the film down.
Read MoreBuyer beware, do not go into this movie hungry. You will chew the arm off of the person next to you and that's never a good date move (unless you're watching a zombie flick, which this is far from). Folks, do the dinner before the movie on this one, ladies and gentlemen, or you will willingly overeat afterwards. I warned you now. You'll see.
Read MoreThe successful revitalization brought by “X-Men: First Class” and the unfaded star power of Hugh Jackman have brought us to “X-Men: Days of Future Past.” Original series director Bryan Singer, fresh from “Jack the Giant Slayer,” and “X-Men: The Last Stand” screenwriter Simon Kinberg have returned to correct old mistakes, untangle the knots, and realign this previously failed franchise for a healthy new lease on cinematic life and relevance.
Read MoreAmazingly, I’m happy to report that this “Godzilla,” while actually having a trainwreck in it (two in fact), is not a complete trainwreck itself. This is a legitimate summer blockbuster in scale and in quality. The promised size and scope of monster carnage that the 1998 film failed to compellingly deliver and, honestly, we never thought we would see done right on the big screen is successfully accomplished in a big way. This new film makes “Pacific Rim” look as silly as it really is, “Transformers” look downright weak and tiny, and even makes the controversial city destruction final act of “Man of Steel” look like a knocked-over sand castle or two.
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