Richard Linklater operates between free-wheeling fun and poignant realism with little middle ground. No matter which parallel, the quality of his romps on one side or his character studies on the other are equally and rightfully celebrated. It has reached the point where you have to ask if we’re getting "Party Linklater" or "Serious Linklater." Contrary to the little middle ground previously mentioned, Last Flag Flying tries both.
Read MoreBright as the summer is sunny, thoughtful as the literature being referenced, and raw as the emotions running through it, Princess Cyd is a pertinent and inspiring triumph from writer and director Stephen Cone. We are privy to private moments, yet welcomed in for sake of common ground and personal growth. The sublime polish and volume of empathy amid this film’s themes is utterly magnetic.
Read MoreThis entire film is a head-turning and striking first impression if you missed Noel’s single season on Saturday Night Live four years ago. As aforementioned with a passion project like this, you beg and wonder how autobiographical a wild story like this has to be. No matter if it’s true or entirely created, the appreciation measures the heavily positive same. The jokes come from all angles and hit with every effect from belly laugh to full cringe.
Read MoreThe 53rd Chicago International FIlm Festival brings over 1,000 films of all genres and sizes to our fair city. There are premieres aplenty, between those making their world, North American, or Chicago debuts. Opening with a red carpet premiere of Marshall, peaking with the centerpiece of Greta Gerwig’s Lady Bird, and closing with the Oscar contender The Shape of Water from Guillermo del Toro, the 53rd CIFF fills the AMC River East 21 for two weeks. For the fourth year in a row, Every Movie Has a Lesson has been granted press credentials to cover the CIFF and here are my capsule reviews.
Read MoreThe discolored and dingy tile grout at the bottom of a swimming pool and the imagery effect of rippling water seen under the surface bending the images above perspective starkly symbolize the many warped dimensions of Liquid Truth. The truth in the title is as slippery as the water in director Caroline Jabor’s simmering social commentary. The film may be foreign from Brazil, but it typifies all too many social media ills that would explode in a parallel fashion here in this country.
Read MoreFor a while now, I have long wondered how someone could bottle that signature Pixar-level lightness for dramatic heft and pour it into a live-action piece with the same welcome whimsy. Pixar's animated feature films and shorts consistently have a special way with conveying humor within the most difficult emotions I might have found the closest attempt yet in Chad Hamilton’s lovely short film Not Yet.
Read MoreThe character of James in Message Received, played by David Chin, is a married man whose extramarital activities has been discovered by a mystery person. His actions that follow in the taut 11-minute short demonstrate how desperation can make that downward cycle even more steep and slippery. Things get worse instead of better and he has no one to blame but himself.
Read MoreThe filmmakers promised Loving Vincent to be nothing you’ve ever seen put to film and they were not lying. The sheer artistry is miraculous where even folded shirts look as dramatic as emoting faces. To call the biographical drama a work of art and astonishing technical achievement would be shameless understatements. The best part of all is the massive wellspring of creativity was thankfully applied to an engaged narrative worthy of the artistry and the legend cast by Vincent Van Gogh
Read MoreChasing the Blues is a dark comedy through and through. Director Scott Smith and his co-writer Kevin Guifoile crafted an engaging yarn of hijinks and hilarity. Their narrative might feel like something out of a Coen brothers rough draft, but this film sides with a far less gonzo approach that suits its shrewder stature. Like the musical genre at its core, patient storytelling is at the forefront. Could it use a stiffer punch or two? Maybe, but then it wouldn’t be the blue and not everything has to be shock cinema. Waiting for the payoff in this tidy 77-minute film is an easy and worthwhile short hike to climb.
Read MoreThe crucial emotional response The Florida Project demands of its viewers is empathy. If you can’t find that, if you turn your nose, close your eyes, and refuse to accept that this kind of American lifestyle exists, you are missing the hard truths, the teachable moments, and the larger points being presented. onvenient Hollywood endings don’t exist in the real life Baker’s film examines. Applaud a film that dares to push that stark reality.
Read MoreEven from a different generation than the present day, you can’t get more Hollywood than Robert Redford and Jane Fonda. Both are emeritus stars of Tinseltown royalty on multiple levels, respected and celebrated as award-winning performers, icons of style, sex symbols, and vigilant political personas off-screen. To see the two of them together again, for the fifth time and the first time in 38 years in Our Souls at Night, is a revitalizing treat unto itself, but to see their shared film be staunchly non-Hollywood in stature is even more refreshing.
Read MoreBy design and in the name of essential effectiveness, a good short film has to cut to the chase. Their tricks of cinematic shorthand in the exposition department are what make them entertaining. When the micro-budgeted Loyalty and Betrayal opens on the imagery of a man on his bedroom floor putting a gun to his forehead, a chase has certainly been cut. Writer/director Jonathan Vargas grabs us right there and locks our gaze.
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