2017 Chicago Irish Film Festival: Short Program II
Kids not only say the darndest things, but do the darndest things too. “The Debt” is a highly charming short film illustrating a child’s view of courtship and love. The romantic ways of the world are foreign to the young, so they make up their own ideas. Engaging and well-acted by youth performers, this short film will charm you to pieces.
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2017 Chicago Irish Film Festival: Shorts Program II
In the world of poker, they say all you need is a chip and a chair to play and be a factor. For a musician, all you need is a time and a place. Your voice and instruments can do the rest. Not every concert needs to be in front of hundreds or thousands of adoring fans powered by a stadium’s worth of light and speakers. A singer and a microphone can fit just about anywhere. Well, how about a barbershop, and not the quartet variety?
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2017 Chicago Irish Film Festival: Shorts Program I
Diverting from the other short films in this program at the Chicago Irish Film Festival, “Blackbird” leans to the existential and experimental. The abstract feel and weighty themes are in place to knock one’s socks off. However, in an ironic fashion, this is a short film that feels too short.
Read MoreSix very different people are stuck in an elevator, or “lift” if you will, as it is called across the Atlantic in Dublin. One of the occupants just beat lumps into a security guard and the rest are stuck fearing for their safety. This isn’t the most ideal place to find comedy, yet “Lift” fires a few quips at the expense of this predicament.
Read MoreTo come right to the point, “Get Out” is an 104-minute living embodiment of a slow-burning WTF moment that just keeps growing with every new detail. And it’s glorious for being that very thing. More psychological thriller than the spattered horror it’s being billed to be, Jordan Peele’s directorial debut is subversively edgy and devilishly clever.
Read More2017 Chicago Irish Film Festival: Shorts Program
Director Peter Delaney and writer Daniel Mooney flesh out miniature character study with decent results. Andrew Bennett gives a very solid performance to construct numerous shades of character within Joe. He is a man that is losing touch with his comfort zone. We never fully know his issues and we shouldn’t have to.
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As it plays out its thirteen minutes, “First Kiss” is hilarious and charming in its tidy simplicity. Written by Fitzpatrick himself and directed by Patrick O’Shea, the short film generates the right amplitude of sparks cooled by the right temperament of sweetness.
Read MoreThis year’s Academy Award nominees for Best Animated Short are an eclectic bunch. One of them, “Borrowed Time,” I have previously reviewed in full on this website. Here are my collected capsule reviews of the slate of five, complete with my signature life lessons. Look for the theaters this month bundling these nominees together for public viewing and ticket opportunities.
Read MoreCall me a softy or a sunny optimist, but I will take "The Space Between Us" over the next "Percy Jackson and the Hunger Maze Runner City of Bones Games with the 5th Wave of Divergent Mortal Instruments." The YA movie marketplace is overfilled with militarized kid-on-kid peril in the science fiction department. “The Space Between Us” is cheesy, corny, and pretends to be better than it really is, but, gosh darnit, the film has a charming and positive core that is hard to ignore.
Read MoreRenowned Spanish filmmaker Pedro Almodovar seizes our attention and lights the fires of intrigue with human simplicity in “Julieta,” his 20th feature film and Spain’s entry this year for the Best Foreign Language Film Academy Award. Concocting a brew of passion coupled with remorse across personal history young and old, Almodovar unspools the tangled threads of a guilt-ridden woman’s heart. Adapted from three Alice Munro short stories, “Julieta” is a strong return to the female-focused storyscapes that have made him a legend.
Read MoreDirected by Christoforos “Christopher” Papakaliatis, “Worlds Apart” presents three narratives and three different flavors of passion. Each surrounds a Greek native in a burgeoning romantic relationship with an immigrant from another land. Thematically, all that transpires in the film riffs on recurring imagery and commonality with the mythical story of Eros, the Greek god of love. Layering a topical worldview tinged with allegory every step of the way, “Worlds Apart” is a mature and beguiling romantic drama.
Read MoreEvery influential man or woman had a formative period of their life where their impressionable knowledge coalesced into cemented principles that would guide them going forward. The outgoing 44th President of the United States, Barack Obama, is no different. The new Netflix and VOD entry “Barry,” from director Vikram Gandhi, muses on the internal and external catalysts that shaped the then-20-year-old piece of unformed clay into the future leader of the free world.
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