Through two parallel veins of his filmmaking career, director Richard Linklater freely operates between free-wheeling fun and poignant realism with scant middle ground. His movies are either a party or a deep character study. Kick back and turn off the introspection for "Everybody Wants Some!!" This is a shameless dudes' flick and Party Linklater of the highest order. Those of you with Y chromosomes are going to love every minute.
Read MoreDo we all remember the infamy of William Hung from 2004? You should. Take William Hung, turn back the clock 80 years, and, here's the kicker, give him a judging audience that won't tell him he's bad. If you can do that, you can step into the foreign film "Marguerite" from French director Xavier Giannoli playing now at the Landmark Theater locations in Lincoln Park and Highland Park. Divided into five chapters, "Marguerite" is an immersive character study into a would-be singer's obsession with talent.
Read MoreIf we were to play Word Association and you were given the name Clive Owen, what would you say? The lucky astute of us who have followed Clive since 1998's "Croupier" have seen him play brash and gruff villains, antiheroes, and leading men. As of the new film "The Confirmation," you have very likely never seen him play a domestic father. Now, north of 50 years old, here's Clive Owen in a role that doesn't require, nor utilize, any of the sexy traits that made him a James Bond candidate before Daniel Craig.
Read MorePlenty of disaster movies pretend to lean on real science to justify their cinematic ambitions in order to offer belief an audience can accept and exude some form of intelligence. Too often, the manic energy to entertain exceeds the science and a two-hour turd polishing clinic results. The decent ones can touch base with the right science and blend in the theatrics. As long as you can stand subtitles and tray of cheese samples, you have a mild winner in "The Wave (Bolgen)" from Norway.
Read MoreIt was Oscar Wilde that famously said "life imitates art more than art imitates life." When that mantra gets applied to cinema, we commonly talk about how we, as audiences, live vicariously through the imagination and fantasies that films create for us. The first part of that quote gets talked about all the time in that way. It's not too often that the second half of that quote comes true, but I feel that Ethan and Joel Coen have achieved just that with their latest feature film, Inside Llewyn Davis. As a fictional documentation and internal look at a crucial week-long journey in the life of an aspiring folk singer in 1961 Greenwich Village within New York City, Inside Llewyn Davis uniquely feels more like a film taking on real life than one pretending the other way around, as is so often the case with movies. While unique, I don't know if that's necessarily a good thing. Let me explain.
Read MoreMany who will see The Spectacular Now are going to look on paper and see a 2013 Say Anything... That's great company for Ponsoldt's film to be mentioned in, but the comparisons are fair and unfair at the same time. Both films offer excellent high school romances that resonate and matter. There's no doubt about that, but the two movies couldn't be more different in time, purpose, and intention.
Read MoreIf old-school, methodical, and intelligent science fiction like Alien and Moon are up your alley more than those blockbusters, Europa Report is a movie you need to seek out. You probably haven't even heard of it.
Read MoreOnly God Forgives is everything Drive was only slower, quieter, dumber, and more incoherent in every methodical way possible. It's yet another case of something that is all style and no substance or point.
Read MoreThe Way Way Bank isn't going for American Pie-style raunch to prove its comedy. It would rather charm you with heart. That's what makes it great.
Read MoreFor this writer, Paul Thomas Anderson is a divisive tough sell. His movies, while technically sound and visually sharp, can frequently feel tiresome, bizarre, and vague to me. For many critics and cinephiles, those adjectives make him a courageous, risk-tasking genius instead. Such can be granted, but, with apologies, his nature and results can still make him exactly the former: tiresome, bizarre, and vague. The Master perpetuates that split sentiment.
Read MoreOverall, Lawless is on par with Public Enemies and is a worthy choice for those looking for a Western-like tale and a gangster film with a more rural and gritty country setting. For those modern folks out there, think of it as a prequel to FX's Justified.
Read MoreSafety Not Guaranteed dares to keep your attention at every turn and really succeeds. The script is brilliant and deserves the praise it has already gotten. From diving deeper into Kenneth's world to seeing the different motivations that come to light, for both our time travelers and our magazine team tailing him, more and more layers of interest keep coming into play. All the while, you feel the countdown and are driven to wonder if Kenneth and his time machine are the real deal when the time comes to leave. This pace makes the movie breeze by and, unlike some other edgy indie movies that sell you with teases, the payoff is really rich and deserved.
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