Posts in 2011
COLUMN: My Top 100 Movies of the 2010s

To build a master list, I turned to the Pub Meeple Ranking Engine.  I entered a list of just under 200 five-star and high four-star movies and let the hundreds of clickable “versus” matchup permutations slot everything.  It’s really a slick tool, and it nailed my results. The cream of the rose to the top, just as they should. I’ve said this before on other lists, but this is more about “best” than “favorites.” Also, I did not include documentaries.  Quality edges easy entertainment more often than not. Here are the results with a little commentary here and there in between!

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MEDIA APPEARANCE: Participant in "World of Reel" Critics Poll for Best Films of the 2010s

As I grow with press credentials and professional affiliation locally and nationally, I find myself more and more landing and conversing in circles with other film critics of various levels. Much like the David Ehrlich survey I participate in, I answered an open social media call from Jordan Ruimy of World of Reel. He is a fellow Rotten Tomatoes-approved critic who also has contributed to The Young Folks, The Playlist, We Got This Covered, and The Film Stage. His poll was to collect the Top 5 films of the 2010s from critics and other industry folk. I was honored to chime in with my quintet.

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MOVIE REVIEW: Melancholia

Melancholia is not your your typical science-fiction drama or even a typical family drama.  With Lars Von Trier and his track record (EuropaDogville, Antichrist), we shouldn't be surprised.  It's essentially a wedding movie about two very different, yet equally damaged sisters, but it has a lot more going on.  What's going on exactly?  Well, it's a little foggy and full of issues.

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MOVIE REVIEW: 50/50

50/50 will have you packing your tissue box to wipe away both tears of sorrow and tears of laughter.  It's more than a numbers game, though, in balancing humor with drama.  It's not about adding up equal parts.  It's about timing your jokes to fall in dramatic places when you need them and in funny places where they work like magic.  

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MOVIE REVIEW: Moneyball

Through Pitt’s performance, Moneyball has that outstanding character study that all great sports movies have to have. In a way, Moneyball feels like Jerry Maguire without the romantic comedy, where the smoothly-written business side of a sport trumps the game and players on the field. For those looking for a sports movie with a brain, that will impress you and spark your interest. If you need thrills and camaraderie, you're going to have to look somewhere else.

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MOVIE REVIEW: Crazy, Stupid, Love.

Crazy, Stupid, Love. is not divorce drama like Kramer Vs. Kramer.  You're not watching courtroom proceedings and messy custody battles.  Crazy, Stupid, Love. is bigger than that and so much more.  It's about personal reinvention, mentoring, courtship, fighting for love, and the idea of soulmates.  It's incredibly fresh, funny, emotional, daring, and, for a romantic "dramedy," has more jaw-dropping twists than big budget thrillers.

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DOUBLE FEATURE MOVIE REVIEW: Harry Potter and the Deathly Hallows: Parts 1 and 2

Beyond all that, the real progress that made the movie series tick is the dual-growth of Harry, Hermione, Ron, and the three actors that played them.  The classic aspects of teenage coming-of-age storytelling have always been present in the Harry Potter series, but on two distinct fronts.  As the characters, they have grown to find their skill, importance, and desires as to what really matters in the grand scheme of all that has transpired around them.  As actors, Radcliffe, Watson, and Grint have gone from unknown cute-faced children playing borderline stereotypes to mature and capable performers we genuinely care about and root for through this decade within their characters' shoes and robes.

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MOVIE REVIEW: Thor

The popular trend lately (Iron Man, Iron Man 2, Batman Begins, The Dark Knight) has been to create comic book movies that tone down the superpowers and focus on the realistic qualities and plausibility of human heroes capable of existing in our real world. Thor, unapologetically, does the absolute opposite.  It's a grand, epic, and galaxy-bending display of gods among men.  Never before has a superhero movie been so, well, super in its scope and size, yet still leaving room for a little dose of humanity.

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