Justice League comes across like attempted course correction done on that Etch-a-Sketch. The artist, or artists in this case, are trying to retrace old paths and smooth over past missteps with redrawn swirls, lighter hues, and a fluffy cover-up we call comedy. That effort on the cinematic Etch-a-Sketch indeed changes the initial picture, but only after unnecessarily tedious effort and some remaining messy results.
Read MoreThis entire film is a head-turning and striking first impression if you missed Noel’s single season on Saturday Night Live four years ago. As aforementioned with a passion project like this, you beg and wonder how autobiographical a wild story like this has to be. No matter if it’s true or entirely created, the appreciation measures the heavily positive same. The jokes come from all angles and hit with every effect from belly laugh to full cringe.
Read MoreHaynes’ Wonderstruck still evokes true and impassioned power. The film strides within a sensitive middle ground of approachable and praiseworthy quaintness in addressing difficult youthful challenges and emotions. The effect is a grown-up experience audiences can, and should, appreciate compared to the mindless popcorn fluff and weightless distractions studio shovel into the PG marketplace. If a new definition could be created for the term “wonderstruck,” it would read “rapt attention.”
Read MoreThe discolored and dingy tile grout at the bottom of a swimming pool and the imagery effect of rippling water seen under the surface bending the images above perspective starkly symbolize the many warped dimensions of Liquid Truth. The truth in the title is as slippery as the water in director Caroline Jabor’s simmering social commentary. The film may be foreign from Brazil, but it typifies all too many social media ills that would explode in a parallel fashion here in this country.
Read MoreChasing the Blues is a dark comedy through and through. Director Scott Smith and his co-writer Kevin Guifoile crafted an engaging yarn of hijinks and hilarity. Their narrative might feel like something out of a Coen brothers rough draft, but this film sides with a far less gonzo approach that suits its shrewder stature. Like the musical genre at its core, patient storytelling is at the forefront. Could it use a stiffer punch or two? Maybe, but then it wouldn’t be the blue and not everything has to be shock cinema. Waiting for the payoff in this tidy 77-minute film is an easy and worthwhile short hike to climb.
Read MoreIn each winsome second, Lucky continuously unearths affecting ways of making cantankerous endearing. With grizzled resolve and humor as dry as the desert he walks in, the late Harry Dean Stanton personifies the charm culled from the crotchety put on display in John Carroll Lynch’s straight-shooting film. Far from any Grumpy Old Men folly and possessing a hidden heart twice the size of Alexander Payne’s Nebraska, meet a lovable unlovable asshole that flourishes to galvanize unexpected wholesomeness from the prickliest of cacti.
Read MoreNot all actors and actresses are motivated by fame and profit. Some are in it for the performance and chance to share culture through an artistic medium. Before the hey-day of cinema, one such actress captured the fascination of an audience higher than any Hollywood premiere and did so as an ostracized minority. Better yourself with a slice of history to learn about Mary Frances Thompson, or, as she was called on stage, Te Ata.
Read MoreThere is extreme thematic and visceral content in mother! that will rattle even the toughest souls. Metaphorical imagery and symbolism are everywhere, and the number of literal and figurative interpretations of what is implicitly or explicitly transpiring can kill as many brain cells as it multiplies. The film begs endless questioning. Surviving and absorbing the film becomes a maddening experience. In the end, what is evident to celebrate is also categorically impossible to fully condone.
Read MoreThe buzzing North Carolina public within the film Logan Lucky dub the central robbery a “hillbilly heist” and an “Ocean’s 7-11” perpetrated by “redneck robbers” and “Hee Haw heroes.” With diegetic puns like those being thrown around, how could you not be entertained by Steven Soderbergh’s first feature film in four years? It’s almost an invitation to pile on. How does “clodhopper caper” sound? What about “Podunk pilfering” or “backwoods buffoonery?” I’ll settle for “hayseed hijinks.”
Read MoreFor a film like Detroit with difficult content thrust upon audiences to endure, this is not a place to seek entertainment or joy. Instead, Detroit is a challenge of cementing respect and achieving an empathy deeper than basic sympathy. Step into a beyond-cautionary tale of history that school books skipped or have forgotten. Let Detroit stir and inspire conversations. Let the emotions, good and bad, come and talk about them.
Read MoreAs technically proficient and respectful to history as Dunkirk is, no substantial human anchors of emotion emerge in this film that wants to be seen as an inspiring rescue saga before a war film or historical epic. The totems of fear and survival are ever-present, but there are no magnetic characters to carry those existential burdens. It is a critical flaw in an otherwise astounding dramatic thriller.
Read MoreSpider-Man: Homecoming counts as a clean slate for Peter Parker’s web-slinger. Now nestled into the established Marvel Cinematic Universe, Tom Holland is a true teenage Spider-Man, one that was never successfully conveyed by two previous franchises and their over-aged actors. Aiming to please and bursting with effervescent zest at every flip, swing, and turn, John Watts’ Spider-Man: Homecoming succeeds as a brand new jumping off point for a character that badly needed course correction.
Read More
