MOVIE REVIEW: The Equalizer

Denzel Washington's recent releases of "The Book of Eli," "Unstoppable," "Safe House," "Flight," and "2 Guns" have been some of the best financial earners of his career. He hasn't had a film open under $20 million since 2003. His age may have increased, but audiences still count on and flock to Denzel being the razor edge of intensity and initiative he's always been. His latest film is no different and it reunites Denzel with his "Training Day" director Antoine Fuqua. "The Equalizer" is a film remake of a CBS TV show that ran for four seasons from 1985 to 1989.

MOVIE REVIEW: A Most Wanted Man

This is still a bit of a tough sell. I think there's a large audience that wants explosions and sexiness with their spy thrillers. Some are going to call all of this quiet work boring and maybe even somber, matching some of the mainstream thoughts on other John le Carre film adaptations like "The Tailor of Panama," "Tinker Tailor Soldier Spy," "The Constant Gardner," and "The Russia House." Exciting or not, the man writes incredibly good thrillers. I see past the need for action and love that the devil is in the details. The slow burn factor works in "A Most Wanted Man" with compelling and steadily increasing story developments that maintain your investment.

MOVIE REVIEW: Calvary

The ominous meaning of the film's title soaks in quite well. The overwhelming sense of an impending showdown is excellent dramatic fuel to keep this journey taut and interesting. Filmed in County Sligo on the northwestern coast of Ireland, the raw landscape adds to the feeling of isolation and the intimate dynamics of a small, tight-knit community where everyone knows everyone. With that crafted tone, McDonagh's film feels like a religious-tinged western and a good one too. The slow build is excellent and the pay off resonates. If you can find this little film in limited release or on Video On Demand, you'll be well-challenged.

MOVIE REVIEW: Get On Up

"Get On Up," the new film from "The Help" director Tate Taylor breaks away from a good chunk of the formula and cliche pitfalls that beset biographical films. With the casting of lesser-known Chadwick Boseman and the flavor by which it does its time-hopping, "Get On Up" succeeds in those two extra qualities that I like to see in a really good biopic. For that, the film separates itself nicely from the rest of the pack as one of the best biographical films in recent memory.

MOVIE REVIEW: Guardians of the Galaxy

"Guardians of the Galaxy," on paper, was supposed to be that movie that tested the studio's resilience and ability, yet it's aiming to be the big August hitter for the summer of 2014. Ladies and gentlemen, it will win that title and then some. As out-there as it is, this is the most flat-out fun a Marvel movie has ever been. "Captain America: The Winter Soldier" might be the better overall film and "The Avengers" will always be the first cornerstone off this combined universe's monumental success, but "Guardians of the Galaxy" might be the movie you keep watching year after year as a new favorite. The catchy and entertaining trailers nearly don't do it justice.

MOVIE REVIEW: Magic in the Moonlight

Woody Allen has the Midas touch of artistic credibility. Non-actors become notable presences. No-name actors become discovered somebodies. Name actors look better than they normally do and great actors get even greater, even when the films aren't that great. In his latest film, "Magic in the Moonlight," Allen bestows that touch on one great actor and one name actress with Colin Firth and Emma Stone as his leads.

GUEST CRITIC: Transformers: Age of Extinction

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, sometimes a simple sentence or two from a friend says it all. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for quick-hit movie reviews.

MOVIE REVIEW: They Came Together

I'm going to go out on a limb and say that we might have a new entry into the pantheon of parody classics with the recent release "They Came Together." The new comedy from director David Wain, best known to audiences for "Wanderlust," "Role Models," and "Wet Hot American Summer," checks all of those above boxes for being a great parody. The film is packed with smart humor, joke complexity, clever approaches, and an elaborate sense of storybuilding and delivery that most parodies lack. Best of all, Wain assembles a near-perfect cast of his old pals, led by Paul Rudd and Amy Poehler, that never cease to entertain.

MOVIE REVIEW: Edge of Tomorrow

Go ahead and continue Tom Cruise's solid streak one more movie with the very entertaining "Edge of Tomorrow" opening this week. The funniest thing is Tom is essentially playing the opposite of his usual macho self and it still works. We're used to the take-charge man-of-action characters out of him, not the wimp and coward he plays here. Because of that, there's a certain unexpected humor coming out of "Edge of Tomorrow" that boosts its doom-and-gloom alien invasion setup.

MOVIE REVIEW: Chef

Buyer beware, do not go into this movie hungry. You will chew the arm off of the person next to you and that's never a good date move (unless you're watching a zombie flick, which this is far from). Folks, do the dinner before the movie on this one, ladies and gentlemen, or you will willingly overeat afterwards. I warned you now. You'll see.

MOVIE REVIEW: X-Men: Days of Future Past

The successful revitalization brought by “X-Men: First Class” and the unfaded star power of Hugh Jackman have brought us to “X-Men: Days of Future Past.” Original series director Bryan Singer, fresh from “Jack the Giant Slayer,” and “X-Men: The Last Stand” screenwriter Simon Kinberg have returned to correct old mistakes, untangle the knots, and realign this previously failed franchise for a healthy new lease on cinematic life and relevance.

MOVIE REVIEW: The Railway Man

In my opinion, very few actors have established themselves with their performance history to the point that their presence alone is an automatic sign of elevated quality towards an entire film. Call it "street cred" on a casual level or "artistic integrity" on a professional level, but few actors and actresses are near-guarantees for solid and award-worthy performances every time they take on a role. By my account, Academy Award winner Colin Firth has elevated to become one of those rare performers. He's outstanding in everything he takes on, comedy or drama, and the films he chooses become better with him being there.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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