Stanley Tucci is a cinematic treasure of sarcasm. What that man can shell out in a throwaway line, a raised eyebrow, or a pause of bated breath is on another level to most of his peers and contemporaries. When Stanley cranks that mockery up with profanity, it only gets sharper. It would take quite the rug pull to disrupt that man’s mojo. Tucci meets that tumultuous turmoil in Submission
Read MoreHot damn, you know your satire is magma-level hot when you offend the powers-that-be of a country enough to ban your film from playing on their soil. Labeled as “extremist” and a “provocation” enough to spark tabloid headlines like “the film Hitler could have made,” Armando Iannucci’s The Death of Stalin wears a giant badge of pride next to a tiny medallion of shame on its cinematic uniform on being banned in four nations: Russia, Kyrgyzstan, Azerbaijan, and Kazakhstan.
Read MoreThe melodramatic preposterousness of Colors of the Wind is two-fold. The first layer is good old-fashioned stage magic, everything from card tricks to disappearing acts. The second comes from the notion of doppelgangers, the fanciful term for doubles, ghostly counterparts, and alter egos that have been a storytelling trope before in film. Both elements create spirited and soapy intrigue in the film when combined with the romantic destiny of star-crossed lovers.
Read MoreBefore it even debuted, Annihilation, wunderkind filmmaker Alex Garland’s big studio follow-up to Ex Machina, was labeled “too intellectual” and “too complicated.” Come what may, the film is quite exactly those two qualities and then some. However, what might be a smearing hindrance for some is a emblem of brilliancy to others. Because the film could land either way, the intrigue and anticipation surrounding Annihilation couldn’t be better. You will undoubtedly get your mind’s worth and your money’s worth stepping up the cerebral challenge of this film.
Read MoreConstantly bucking stereotypes made about the perceived flaws of the Second City, the progressive and affluent enclave of Rogers Park statistically contains the highest level of racial diversity in Chicago. It is as great a place as any in the urban metropolis to tell a blended story of the hardened hearts within hard-working people. A blanketing sunrise over the freshwater surf of that aforementioned Great Lakes welcomes viewers to Rogers Park.
Read MoreAudiences will need to go beyond “brave” to describe and complement the shattering performance of Daniela Vega starring in A Fantastic Woman. Searing the screen with moments of serenading song and ever-present fortitude, the openly transgender Chilean actress and model seethes with uncommon determination. Saying “good for her” is not enough praise.
Read MoreHere are my collected reviews for the Oscar nominees for Best Animated Short Film. Listed in order of rating and true to my website’s hook, each review includes a life lesson takeaway. A collected program of these films is available from various theater chains, including the Landmark Cinemas locations here in Chicago, starting on February 9th. In 90 minutes-and-change, you get five exceptional works for one ticket. Calling all Oscar completists!
Read MoreNo matter the charm and beauty, what can be questioned is the connection. Circle all of the emotionality back to the opening essential questions. Your tolerance is the key to connecting to Call Me By Your Name. Your comfort level for the homoerotic summer romance being woven and your acceptance of the controversial age difference within this narrative are everything. Either of those two qualities could be easily ignored obstacles for some or a no-go hang-ups for others
Read MoreThe Post feels like Spielberg painting by numbers, continuing a bit of a downward trend for the filmmaker. This was accomplished because it was easy, didn’t require a rush, and still cost a sizable $50 million, not because a director was shedding trappings to do a rough and raw film. The Post is a highly polished quality story gift-wrapped to Spielberg and completed with a precision that is pleasing and purposeful. It is effective, but not affecting or truly but not truly demanding for a director, ensemble, and creative team of this caliber.
Read MoreMartin McDonagh’s new film puts prickly in the pastoral glazing its country charm with absolute acid every chance it gets. Part stern crime drama and part small-town chicanery, Three Billboards Outside Ebbing, Missouri displays the next level of McDonagh’s talent and potential. Always the sharp storyteller since his roots on the Irish stage, McDonagh’s writing prowess elevates a premise that would fall flat as pure farce in other hands
Read MoreFamily, friends, coffee, a dog’s love, your favorite blue jeans, J.D. Power-award winning cars, ice cream, a warm blanket, duct tape, God, and Denzel Washington. That’s the absolute list of the most dependable and reliable things in this world. The soon-to-be 63-year-old two-time Academy Award winner never gives a bad performance and employs a focus on each role that is second to none. Cloaked inside a frumpy legal savant, Roman J. Israel, Esq. is another exemplary piece of evidence to this man’s range, focus, and presence.
Read MoreRichard Linklater operates between free-wheeling fun and poignant realism with little middle ground. No matter which parallel, the quality of his romps on one side or his character studies on the other are equally and rightfully celebrated. It has reached the point where you have to ask if we’re getting "Party Linklater" or "Serious Linklater." Contrary to the little middle ground previously mentioned, Last Flag Flying tries both.
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