Before it even debuted, Annihilation, wunderkind filmmaker Alex Garland’s big studio follow-up to Ex Machina, was labeled “too intellectual” and “too complicated.” Come what may, the film is quite exactly those two qualities and then some. However, what might be a smearing hindrance for some is a emblem of brilliancy to others. Because the film could land either way, the intrigue and anticipation surrounding Annihilation couldn’t be better. You will undoubtedly get your mind’s worth and your money’s worth stepping up the cerebral challenge of this film.
Read MoreConstantly bucking stereotypes made about the perceived flaws of the Second City, the progressive and affluent enclave of Rogers Park statistically contains the highest level of racial diversity in Chicago. It is as great a place as any in the urban metropolis to tell a blended story of the hardened hearts within hard-working people. A blanketing sunrise over the freshwater surf of that aforementioned Great Lakes welcomes viewers to Rogers Park.
Read MoreAudiences will need to go beyond “brave” to describe and complement the shattering performance of Daniela Vega starring in A Fantastic Woman. Searing the screen with moments of serenading song and ever-present fortitude, the openly transgender Chilean actress and model seethes with uncommon determination. Saying “good for her” is not enough praise.
Read MoreHere are my collected reviews for the Oscar nominees for Best Animated Short Film. Listed in order of rating and true to my website’s hook, each review includes a life lesson takeaway. A collected program of these films is available from various theater chains, including the Landmark Cinemas locations here in Chicago, starting on February 9th. In 90 minutes-and-change, you get five exceptional works for one ticket. Calling all Oscar completists!
Read MoreNo matter the charm and beauty, what can be questioned is the connection. Circle all of the emotionality back to the opening essential questions. Your tolerance is the key to connecting to Call Me By Your Name. Your comfort level for the homoerotic summer romance being woven and your acceptance of the controversial age difference within this narrative are everything. Either of those two qualities could be easily ignored obstacles for some or a no-go hang-ups for others
Read MoreThe Post feels like Spielberg painting by numbers, continuing a bit of a downward trend for the filmmaker. This was accomplished because it was easy, didn’t require a rush, and still cost a sizable $50 million, not because a director was shedding trappings to do a rough and raw film. The Post is a highly polished quality story gift-wrapped to Spielberg and completed with a precision that is pleasing and purposeful. It is effective, but not affecting or truly but not truly demanding for a director, ensemble, and creative team of this caliber.
Read MoreMartin McDonagh’s new film puts prickly in the pastoral glazing its country charm with absolute acid every chance it gets. Part stern crime drama and part small-town chicanery, Three Billboards Outside Ebbing, Missouri displays the next level of McDonagh’s talent and potential. Always the sharp storyteller since his roots on the Irish stage, McDonagh’s writing prowess elevates a premise that would fall flat as pure farce in other hands
Read MoreFamily, friends, coffee, a dog’s love, your favorite blue jeans, J.D. Power-award winning cars, ice cream, a warm blanket, duct tape, God, and Denzel Washington. That’s the absolute list of the most dependable and reliable things in this world. The soon-to-be 63-year-old two-time Academy Award winner never gives a bad performance and employs a focus on each role that is second to none. Cloaked inside a frumpy legal savant, Roman J. Israel, Esq. is another exemplary piece of evidence to this man’s range, focus, and presence.
Read MoreRichard Linklater operates between free-wheeling fun and poignant realism with little middle ground. No matter which parallel, the quality of his romps on one side or his character studies on the other are equally and rightfully celebrated. It has reached the point where you have to ask if we’re getting "Party Linklater" or "Serious Linklater." Contrary to the little middle ground previously mentioned, Last Flag Flying tries both.
Read MoreChasing the Blues is a dark comedy through and through. Director Scott Smith and his co-writer Kevin Guifoile crafted an engaging yarn of hijinks and hilarity. Their narrative might feel like something out of a Coen brothers rough draft, but this film sides with a far less gonzo approach that suits its shrewder stature. Like the musical genre at its core, patient storytelling is at the forefront. Could it use a stiffer punch or two? Maybe, but then it wouldn’t be the blue and not everything has to be shock cinema. Waiting for the payoff in this tidy 77-minute film is an easy and worthwhile short hike to climb.
Read MoreBy design and in the name of essential effectiveness, a good short film has to cut to the chase. Their tricks of cinematic shorthand in the exposition department are what make them entertaining. When the micro-budgeted Loyalty and Betrayal opens on the imagery of a man on his bedroom floor putting a gun to his forehead, a chase has certainly been cut. Writer/director Jonathan Vargas grabs us right there and locks our gaze.
Read MoreThe banter and B.S. traded back and forth between Alex Murphy and Chris Walley is as hysterical as it is pleasurably uncouth. It’s an absolute wonder to realize that The Young Offenders is mutually their first on-camera film roles. Alex and Chris’s chemistry through sarcasm and shared shenanigans feels and looks effortless. Flabbergasted energy blasts out of both of them and it’s a hoot to watch. Seeing the two young actors operate these over-the-top losers with reckless abandon while still injecting a little coming-of-age heart for good measure, makes the film highly entertaining.
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