It took receiving a Google Alert on my name to see that a quote of mine on the excellent 2005 Joe Wright film Pride and Prejuduce was recently cited on the media site Daily Mail UK. Showbiz report Emma Guinness wrote a piece to cover the film’s streaming status on Netflix and used it as the crux of the headline.
Read MoreEvery now and then for the big new releases, Rotten Tomatoes will collect the tip-of-the-spear “first reviews” and highlight them in an editorial news column piece. If I can get my work in fast enough and it gets noticed, I have the chance of being selected and included in these round-up features. Recently, I was cited for Anaconda.
Read MoreThat gap between what you intend and what actually lands is where screenplay coverage earns its value. A strong screenplay analysis doesn’t just judge your script. It shows you where the story breaks down and why a reader loses trust. And, most crucially, it will give you suggestions on how to fix it.
Read MoreEvery week, Ian Simmons of the Kicking the Seat podcast and YouTube channel is looking for something like that, and he sure found one this week, just in time for Christmas. The movie in question is the crowd-pleasing, toe-tapping, and heart-moving Song Sung Blue, the musical biopic—not of Neil Diamond—but of a Wisconsin-based Neil Diamond tribute band starring Hugh Jackman and Kate Hudson.
Read MoreGlobal betting communities continue expanding as digital platforms refine incentive-driven experiences into more compelling participation journeys. Bonuses no longer act as simple add-ons but instead operate as strategic touchpoints that influence how users explore platforms.
Read MoreIt took receiving a Google Alert on my name to see that a quote of mine was used by the Sky Cinema Railyard location in Santa Fe, New Mexico. They are currently advertising a special showing of the 2015 action epic Mad Max: Fury Road.and used my blurb from Rotten Tomatoes. They didn’t ask for my permission, but I don’t mind. Thanks for the reference and clicks!
Read MoreAs rights contracts expire and studios fracture into their own walled gardens, the average cinephile is finding it harder, not easier, to watch the films they love. We are paying more money for less access. Cinema has been reduced to "Content"—disposable, rotatable, and algorithmically suppressed.
Read MoreTributes and the flutters of nostalgia exist for the weirdest things in the oddest places, even for a cheesy 1997 movie that made $65 million after being #1 for two whole weeks. It was a helluva time to be alive then, and it’s helluva time to be alive now to see Anaconda both lampooned with love and gilded with the guts of its many victims…err… fans.
Read MoreIt took receiving a Google Alert on my name to see that a quote of mine on the sumptuous 2005 Joe Wright film Pride and Prejuduce was recently cited on the media site Metro. TV reporter Charlotte Minter wrote a piece to cover the film’s streaming status on Netflix and how it would be perfect for home viewing during the Christmas holiday.
Read MoreThe meme token market is crowded, but only a few projects manage to earn ongoing trust and recognition from their communities. As crypto audiences mature, the focus is shifting away from constant hype and toward projects that feel stable, understandable, and community-oriented.
Read MoreBy patiently unfurling extra story depth out of what could have been a cocktail napkin story idea that rolled from one set of dirty bedsheets to another with little further development than fulfilling horny kicks. When things get harsh and dicey, and the roasting commentary on privilege becomes more apparent, Feig still varnishes with a suave coolness that is undeniably appealing.
Read MoreThe global financial landscape has undergone massive transformation over the last ten years, driven in large part by the unstoppable rise of cryptocurrencies. What began as a radical experiment in digital money has evolved into a robust ecosystem of exchanges, market makers, hedge funds, algorithmic strategies, and professional traders.
Read More
