More and more each year, the Golden Globes have become more an a popularity contest than a true precursor to the Academy Awards. What you're watching on TV is a party thrown by the Hollywood Foreign Press Association and hosted by Ricky Gervais in an effort to be loved and share some love. To its credit, the awards show still garners legitimate attention and ratings. The winners do get a pretty positive rub and the marketers gain a few more "Winner of..." graphics to put in the newspapers next to their films.
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Take away every rooted piece of cheesy disconnect and disdain you have calcified in your hearts and minds for whatever bloated quality you remember or assigned to the six-film "Rocky" series and shelf it immediately. The spin-off film "Creed" is a new tangent that gracefully and respectfully builds from the nostalgic anchor that comes with the "Rocky" territory, but grows to never be bound by that history for a second. Ryan Coogler's film successfully strives to be its own bold and rousing saga fitting of the shared connection.
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Sometimes, the best documentaries aren't about stirring victories, historic successes, or heroic people. Sometimes, the best documentaries are about losers, accidental stardom, hubris, and horrible people. We are equally fascinated by a trainwreck as much as we are a space shuttle launch, maybe even more so. The captivation and interest factor doesn't wain. That's the draw of the new documentary "Electric Boogaloo: The Wild, Untold Story of Cannon Films." It makes a trainwreck fascinating.
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I can’t get away with the same review re-write gag for “The Expendables 3” that I did for “The Expendables 2.” I know it’s a stretch to say this, but Stallone went back to the drawing board, even if it’s an Etch-A-Sketch, to actually formulate *GASP* the semblance of an actual plot. It’s not a pretty one, but the third film, for the most part, departs from the hearty rerun missions of the first two films.
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HUMOROUS DISCLAIMER: I had pretty overwhelming feeling going in that The Expendables 2 was going to be a carbon copy of the first movie from 2010, only bigger, louder, busier, and very few minor differences of note. Well, I was right. While redundant enough to come across as Xerox as The Hangover Part II was to The Hangover with just a change of setting, this doesn't make The Expendables 2 any less awesome. To have a little fun and prove this point, I have copied my EXACT 2010 review of The Expendables word-for-word below (follow the link and see) and added strike-through edits and red text additions of those very minor differences. Enjoy!
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