Posts in Streaming
MOVIE REVIEW: Antebellum

On so many levels, Antebellum and its premise were not anywhere close to good ideas. With every pendulum swinging between power and abuse and between dominance and defiance, this wannabe mindf--k movie does not achieve enough of that aforementioned justification. Even with a determined performance from Janelle Monáe, this is a distressing and unnecessary inquisition with no solid answers.

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MOVIE REVIEW: Cuties (Migonnes)

When it comes to Cuties, if you don’t like what you see of these errant kids left to their own wiles and devices, your gut is accurate and working. If its imagery bothers you, it’s supposed to. Check your gaze and your privilege. Now, look past the fictional take and target the very valid and present potential problem in our own settings and lives off the Netflix couch. If you don’t want that, prevent it with education. If you don’t want those sexualized elements to be goals, don’t make them so appealing and desirable to the uninformed. Adjust those expectations or create better ones. Shake your head, change your stance to empathy and honesty, and act accordingly to our daughters and children. Get there and you have made it precisely to the point that is being hammered home.

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MOVIE REVIEW: Blackbird

Quite quickly into Roger Michell’s Blackbird, Susan Sarandon stamps exactly what kind of terminally ill character this film intends to portray. You may see the Academy Award winner’s aged luminosity but, let me tell you, this is far from a retread of her beloved 1998 film Stepmom. Her Lily is tired of the pretend pleasantries as she summons her extended family to her and husband’s beachfront homestead. She is done with the constant “who are you” questions, “are you OK” observation checks, and her own cordiality to retort with “glad you’re here.”

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MOVIE REVIEW: I'm Thinking of Ending Things

Is there brilliance in the indecipherable within this adaptation of Iain Reed’s horror fiction? That’s both the knock and modus operandi of Charlie Kaufman. That’s where peculiarity pisses on a good piece of art. His abstract creations are wholly unique, yet aimless and tedious to the nth degree. For every poetic word, cinematic moment, or striking idea that ignites a challenging neuron in I’m Thinking of Ending Things, a triple helping of something obscure destroys momentum and snuffs any flicker. When he’s right, lucidity outshines the oddity, but that is not this film.

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Must-Watch Documentaries for Cannabis Enthusiasts

More and more people are now delving into the use of cannabis not only for medicinal intent but for recreational purposes as well. While some simply jump in without testing the waters, some exert the extra effort to research and know more about cannabis usage before finally trying it out. If you are one of those who need a little more push, or if you are already using cannabis but you need a bit more motivation, then below are some of the documentaries that you need to watch.

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MOVIE REVIEW: The One and Only Ivan

Enjoying an easy little movie like Disney’s The One and Only Ivan shouldn’t take qualifiers, but it does. Two in fact. The first is more black-and-white and depends on your trigger pressure about animals in captivity in this mindful post-Harambe and post-Blackfish world. If your personal pull weight is high enough to condone (over tolerate) and enjoy a circus or a zoo operation, you pass round one. If you consider those settings no better than inhumane minstrel shows, that will lose you here. The second qualifier gets more existential.

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INFOGRAPHIC: Disney Originals vs. Live-Action Remakes

by Chantel Buchi

What’s the first Disney original and remake that comes to your mind? Would you agree the classic version is the best? No one can deny our love for the talking candlestick, portly Gus-Gus, and the Hundred Acre Wood. (If you can’t name the movies, are you even a Disney fan?) We have to say we love the animated, magical movies that take you to another world. The wonderful, nostalgic movies take us back to simpler times. One reason Disney keeps doing remakes? They make enough money to pay for a lot more than “The Bare Necessities.”

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MOVIE REVIEW: Endless

For wishful reasons beyond the exploitative ones, people want to believe in ghosts. They would be alright with even the creepiest voyeur version or novelty of that to be real. Why? Because the existence of ghosts would mean there’s something else out there after our inevitable deaths. A tangible afterlife creates massive spiritual implications that stir so many. Molding their fictional clay, movies love plucking that particular heartstring, and the new streaming film Endless follows that convention.

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MOVIE REVIEW: Project Power

Whether it’s initially scribbled on a shitty cocktail napkin in a fog of bong smoke while occupying a disheveled couch or composed neatly on a souped-up MacBook atop a Feng Shui desk in a posh nook of some creative person’s living space, a potent idea can propel a writer’s bender to attempt a screenplay. Netflix’s Project Power has one of those high concepts where the mere thought of it gets you to hear late announcer Don LaFontaine in your head. Putting on his pitch voice, imagine a world where people can gain temporary superpowers from a mere pill. Picture the intriguing implications, suspense, and spectacle and your popcorn starts cooking already.

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MOVIE REVIEW: The Tax Collector

The Tax Collector feels like David Ayer’s 2 Samuel 1:27 moment for his current career. He elevated his settings and craft with Fury. He aimed behind his grasp with Suicide Squad. The “mighty have fallen.” That puts the stung and smeared David Ayer back to Los Angeles in a B-level movie and the three things he appears to be good at: 1) urban criminal underworlds, 2) seedy ethnic flavorings, and 3) spurts of graphic violence. These are his comfortable and dirty roots that brought forth Training Day, Dark Blue, Harsh Times, and End of Watch.

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